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Our Lady Cinema: How and Why I went into the Photo-play World and What I Found There, Harry Furniss


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Автор: Harry Furniss
Название:  Our Lady Cinema: How and Why I went into the Photo-play World and What I Found There
ISBN: 9780415726689
Издательство: Taylor&Francis
Классификация:



ISBN-10: 0415726689
Обложка/Формат: Hardcover
Страницы: 216
Вес: 0.45 кг.
Дата издания: 11.11.2013
Серия: Routledge library editions: cinema
Язык: English
Размер: 234 x 156 x 14
Читательская аудитория: Undergraduate
Ключевые слова: Media studies, LITERARY CRITICISM / Reference,PERFORMING ARTS / Film & Video / General,PERFORMING ARTS / Film & Video / Reference
Подзаголовок: How and why i went into the photo-play world and what i found there
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Поставляется из: Европейский союз
Описание: This charming classic of film literature was originally published in 1914 and hence represents an early attempt to catalogue the allure of cinema and how the motion picture industry began. This tale of life in the early days of cinema will be of interest to film historians and anyone interested in that period of history. The book outlines the actors, the producers, the studios and the audiences as well as the advertising and regulation at the time with often amusing stories and facts along with the author’s own drawings. Overall this serves as a fascinating introduction to the making of early films, which at the time was a great mystery to most people.


Little Horrors: How Cinema`s Evil Children Play on Our Guilt

Автор: Kord T. S.
Название: Little Horrors: How Cinema`s Evil Children Play on Our Guilt
ISBN: 1476666067 ISBN-13(EAN): 9781476666068
Издательство: Mare Nostrum (Eurospan)
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Описание: Zombies, werewolves and chainsaw-wielding maniacs are tried-and-true antagonists of horror films. But none can match the visceral dread evoked by a kid with an innocent face and a diabolical stare. Cinema's evil children attack our cherished ideas of innocence and our innocent bystander status as the audience. A good horror film is a scary ride - a ""devil child"" movie is a guilt trip. This book takes an in-depth look at 24 international films - with discussion of another 100 - that in effect ""indict"" viewers for crimes of child abuse and abandonment, greed, social and ecological negligence, political and war crimes, and for persistent denial of responsibility for them all. For 75 years evil children have ritually rebuked audiences and, in playing on our guilt, established a horror subgenre that might be described as a blood-spattered rampage on an ethical mission.


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