Описание: Being There and the Evolution of a Screenplay provides an insightful look at the drafting of one of Hollywood history’s greatest scripts. Being There (1979) is generally considered the final film in Hal Ashby’s triumphant 1970s career, which included the likes of Harold and Maude (1971) and Shampoo (1975). The film also showcases Peter Sellers’s last great performance. In 2005, the Writers Guild of America included Being There on its list of 101 Best Scripts.
Being There and the Evolution of a Screenplay features three versions of the script: an early draft by Jerzy Kosinski, based on his 1970 novel; a second by long-time Ashby collaborator and Oscar-winner Robert C. Jones, which makes substantial changes to Kosinki’s; and a final draft written by Jones with Ashby’s assistance, which makes further structural and narrative changes. Additionally, the book features facsimile pages from one of Kosinski's copy of the scripts that include handwritten notes, providing readers with valuable insight into the redrafting process. For each version, Ashby scholar Aaron Hunter adds perceptive analysis of the script’s development, the relationships of the writers who worked on it, and key studio and production details.
This is both a presentation of the script of Being There, and a record of the process of crafting that script – a text that will be of interest to film fans and scholars as well as writers and teachers of screenwriting. Evolution of a Screenplay is the first book of its kind to so amply demonstrate the creative development of a Hollywood script.
Описание: Love in the Post: From Plato to Derrida: The Screenplay and Commentary is an original screenplay inspired by Derrida`s The Post Card, together with new critical commentary by the filmmakers and interviews with leading Derrida scholars.
Автор: Price Steven Название: History of the Screenplay ISBN: 0230291813 ISBN-13(EAN): 9780230291812 Издательство: Springer Рейтинг: Цена: 3772.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The screenplay is currently the focus of extensive critical re-evaluation, however, as yet there has been no comprehensive study of its historical development. International in scope and placing emphasis on the development and variety of screenplay texts themselves, this book will be an important and innovative addition to the current literature.
Автор: Price Название: The Screenplay ISBN: 0230223613 ISBN-13(EAN): 9780230223615 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: After decades of neglect, the screenplay is finally being recognized as a form that deserves serious critical analysis. This book for the first time combines detailed study of the theory and practice of screenwriting with new approaches to criticism and original studies of individual texts.
Автор: Price Название: A History of the Screenplay ISBN: 0230291805 ISBN-13(EAN): 9780230291805 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The screenplay is currently the focus of extensive critical re-evaluation, however, as yet there has been no comprehensive study of its historical development. International in scope and placing emphasis on the development and variety of screenplay texts themselves, this book will be an important and innovative addition to the current literature.
Описание: Horowitz - the very name brings to mind a grand piano, rich piano sound and pianistic art at the highest level. One of the most important pianists of all time, Vladimir Horowitz left a large number of recordings of his piano arrangements of well-known works after his death in New York in 1989. In addition, there is a previously unknown collection of his own compositions, which Schott is publishing for the first time in the new series The Horowitz Edition. The edition makes accessible a treasure that has not been freely available until now and emphasizes the musical genius of Vladimir Horowitz. Besetzung:pianoop. 14
Описание: Love in the Post: From Plato to Derrida: The Screenplay and Commentary is an original screenplay inspired by Derrida`s The Post Card, together with new critical commentary by the filmmakers and interviews with leading Derrida scholars.
Автор: Terence Patrick Murphy Название: From Fairy Tale to Film Screenplay ISBN: 1137552026 ISBN-13(EAN): 9781137552020 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers a detailed exploration of the plot genotype, the functional structure behind the plots of classical fairy tales. By understanding how plot genotypes are used, the reader or creative writer will obtain a much better understanding of many other types of fiction, including short stories, dramatic texts and Hollywood screenplays.
Автор: Varotsis, George Название: Screenplay and narrative theory ISBN: 1498504434 ISBN-13(EAN): 9781498504430 Издательство: Bloomsbury Рейтинг: Цена: 6089.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines the cognitive processes of narrative composition by introducing characteristics of complex narrative systems, which are made of a network of components arranged hierarchically over three structural levels, interacting nonlinearly with each other while regulated by the plot-algorithm, a heuristic mechanism in problem-solving.
Автор: Nannicelli Название: A Philosophy of the Screenplay ISBN: 1138210218 ISBN-13(EAN): 9781138210219 Издательство: Taylor&Francis Рейтинг: Цена: 6889.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Recently, scholars in a variety of disciplines--including philosophy, film and media studies, and literary studies--have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art--more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined collectively by both writers and readers of screenplays. Any plausible philosophical account of the screenplay must be strictly constrained by our collective creative and appreciative practices, and must recognize that those practices indicate that at least some screenplays are artworks.
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