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The Witness as Object: Video Testimony in Memorial Museums, Jong Steffi de


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Автор: Jong Steffi de
Название:  The Witness as Object: Video Testimony in Memorial Museums
ISBN: 9781789205367
Издательство: Berghahn
Классификация:



ISBN-10: 1789205360
Обложка/Формат: Paperback
Страницы: 280
Вес: 0.43 кг.
Дата издания: 11.11.2019
Серия: Museums and collections
Язык: English
Размер: 152 x 228 x 19
Ключевые слова: ART / Museum Studies,HISTORY / Holocaust,SOCIAL SCIENCE / Media Studies
Подзаголовок: Video testimony in memorial museums
Рейтинг:
Поставляется из: Англии
Описание:

In recent years, historical witnessing has emerged as a category of museum object. Audiovisual recordings of interviews with individuals remembering events of historical importance are now integral to the collections and research activities of museums. They have also become important components in narrative and exhibition design strategies. With a focus on Holocaust museums, this study scrutinizes for the first time the new global phenomenon of the musealization of the witness to history, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.


Дополнительное описание:

List of Illustrations
Acknowledgements
Notes on the Text





The Witness as Object: Video Testimony in Memorial Museums

Автор: Jong Steffi de
Название: The Witness as Object: Video Testimony in Memorial Museums
ISBN: 1785336436 ISBN-13(EAN): 9781785336430
Издательство: Berghahn
Рейтинг:
Цена: 18876.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

In recent years, historical witnessing has emerged as a category of "museum object." Audiovisual recordings of interviews with individuals remembering events of historical importance are now integral to the collections and research activities of museums. They have also become important components in narrative and exhibition design strategies. With a focus on Holocaust museums, this study scrutinizes for the first time the new global phenomenon of the "musealization" of the witness to history, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.

The Construction of Testimony: Claude Lanzmann`s Shoah and Its Outtakes

Автор: Erin McGlothlin, Brad Prager, Markus Zisselsberger
Название: The Construction of Testimony: Claude Lanzmann`s Shoah and Its Outtakes
ISBN: 0814347339 ISBN-13(EAN): 9780814347331
Издательство: Mare Nostrum (Eurospan)
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Цена: 10658.00 р.
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Описание: In The Construction of Testimony: Claude Lanzmann's Shoah and Its Outtakes, editors Erin McGlothlin, Brad Prager, and Markus Zisselsberger gather contributions on how Shoah (1985) fundamentally changed the nature and use of filmed testimony and laid the groundwork for how historians and documentarians regard and understand the history of the Holocaust. Critics have taken long note of Shoah's innovative style and its place in the history of documentary film and in cultural memory, but few scholars have touched on its extensive outtakes and the reams of documentation archived at the United States Holocaust Memorial Museum and at Yad Vashem, or the release of five feature-length documentaries based on the material in those outtakes.The Construction of Testimony, which contains thirteen essays by some of the most notable scholars in Holocaust film studies, reexamines Lanzmann's body of work, his film, and the impact of Shoah through this trove-over 220 hours-of previously unavailable and unexplored footage. Responding to the need for a sustained examination of Lanzmann's impact on historical and filmic approaches to testimony, this volume inaugurates a new era of scholarship, one that takes a critical position vis-?-vis the filmmaker's posturing, stylization, and editorial sleight-of-hand. The volume's contributors engage with a range of dimensions central to Lanzmann's filmography and the outtakes, including the dynamics of gender in his work, his representation of Nazi perpetrators, and complex issues of language and translation. In light of Lanzmann's invention of a radically new form of witnessing and remembrance, Shoah laid the framework for the ways in which subsequent filmmakers have represented the Holocaust cinematically; at the same time, the outtakes complicate this framework by revealing new details about the filmmaker's complex editorial choices. Scholars and students of film studies and Holocaust studies will value this close analysis.

The Construction of Testimony: Claude Lanzmann`s Shoah and Its Outtakes

Автор: Erin McGlothlin, Brad Prager, Markus Zisselsberger
Название: The Construction of Testimony: Claude Lanzmann`s Shoah and Its Outtakes
ISBN: 0814347347 ISBN-13(EAN): 9780814347348
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 4639.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: In The Construction of Testimony: Claude Lanzmann's Shoah and Its Outtakes, editors Erin McGlothlin, Brad Prager, and Markus Zisselsberger gather contributions on how Shoah (1985) fundamentally changed the nature and use of filmed testimony and laid the groundwork for how historians and documentarians regard and understand the history of the Holocaust. Critics have taken long note of Shoah's innovative style and its place in the history of documentary film and in cultural memory, but few scholars have touched on its extensive outtakes and the reams of documentation archived at the United States Holocaust Memorial Museum and at Yad Vashem, or the release of five feature-length documentaries based on the material in those outtakes.The Construction of Testimony, which contains thirteen essays by some of the most notable scholars in Holocaust film studies, reexamines Lanzmann's body of work, his film, and the impact of Shoah through this trove-over 220 hours-of previously unavailable and unexplored footage. Responding to the need for a sustained examination of Lanzmann's impact on historical and filmic approaches to testimony, this volume inaugurates a new era of scholarship, one that takes a critical position vis-?-vis the filmmaker's posturing, stylization, and editorial sleight-of-hand. The volume's contributors engage with a range of dimensions central to Lanzmann's filmography and the outtakes, including the dynamics of gender in his work, his representation of Nazi perpetrators, and complex issues of language and translation. In light of Lanzmann's invention of a radically new form of witnessing and remembrance, Shoah laid the framework for the ways in which subsequent filmmakers have represented the Holocaust cinematically; at the same time, the outtakes complicate this framework by revealing new details about the filmmaker's complex editorial choices. Scholars and students of film studies and Holocaust studies will value this close analysis.

Witness to the Dark: A Testimony of Survival

Автор: Wolf Holles
Название: Witness to the Dark: A Testimony of Survival
ISBN: 9657023904 ISBN-13(EAN): 9789657023907
Издательство: Gazelle Book Services
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Цена: 3430.00 р.
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Описание: "As the end of World War II approached, efforts were made at many Nazi concentration camps to destroy records and either to murder the remaining prisoners or to transfer them elsewhere. This was in response to SS instructions that no prisoners should be found when Allied troops arrived. The death marches are infamous, but less well known is that there were also many transfers by train. These transports were frequently conducted from within the camps themselves. When the Allied armies smashed beyond the Rhine and began slicing into central Germany, in early April 1945, three trains left Bergen-Belsen. One reached its destination in Theresienstadt. The second was liberated by the Americans at a village near Farsleben in Germany. The last of the three transports, the one we were on, was the last train to leave Bergen-Belsen. It never reached its destination. Our train contained about twenty-five hundred Jews men, women, and children and a group of armed SS guards. We were all loaded into forty-five railway cars. Some were passenger cars and some were typical antiquated freight cars called forty and eights, signifying that these cars would accommodate forty men or eight horses. I was thirteen years old when I climbed with my mother and two brothers onto this train. The armed SS guards, striding around the platform, kept motioning for the prisoners to move, yelling over the noise of truck engines, Vorwarts! Schneller! Move it! Faster! Get it moving! Get it moving! The question on everyones lips was Where are we going?"


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