European Design Since 1985: Shaping the New Century
Автор: Hendricks Jutta Название: Design of the 20th Century (Bibliotheca Universalis) ISBN: 3836541068 ISBN-13(EAN): 9783836541060 Издательство: Taschen Рейтинг: Цена: 2657.00 р. Наличие на складе: Ожидается поступление.
Описание: Explore the modern age of design in this Bibliotheca Universalis edition of the 20th century`s key movements and trends. Featuring countless works from around the world, this is an essential compendium for design aficionados everywhere, with star turns including De Stijl, Dieter Rams, Charles and Ray Eames, and Philippe Starck.
Автор: Heimann Jim Название: Menu Design in America, 1850-1985 ISBN: 383652662X ISBN-13(EAN): 9783836526623 Издательство: Taschen Рейтинг: Цена: 6641.00 р. Наличие на складе: Есть (3 шт.) Описание: Until restaurants became commonplace in the late 1800s, printed menus for meals were rare commodities reserved for special occasions. As restaurants proliferated, the design of the menu became an integral part of eating out and as such menus became a marketing tool and a favored keepsake. This title showcases the best examples of this graphic art.
Автор: Swain Geoffrey Название: A Short History of the Russian Revolution ISBN: 1780767935 ISBN-13(EAN): 9781780767932 Издательство: I B Tauris Рейтинг: Цена: 2111.00 р. Наличие на складе: Поставка под заказ.
Описание: In 1917 revolutionary fervour swept through Russia, ending centuries of imperial rule and instigating political and social changes that would lead to the formation of the Soviet Union. Arising out of proletariat discontent with the Tsarist autocracy and Lenin's proclaimed version of a Marxist ideology, the revolutionary period saw a complete overhaul of Russian politics and society and led directly to the ensuing civil war. The Soviet Union eventually became the world's first communist state and the events of 1917 proved to be one of the turning-points in world history, setting in motion a chain of events which would change the entire course of the twentieth century. Geoffrey Swain provides a concise yet thorough overview of the revolution and the path to civil war. By looking, with fresh perspectives, on the causes of the revolution, as well as the international response, Swain provides a new interpretation of the events of 1917, published to coincide with the 100th anniversary of the revolution.
Автор: Zurcher Erik J. Название: Turkey: A Modern History ISBN: 1784531871 ISBN-13(EAN): 9781784531874 Издательство: I B Tauris Рейтинг: Цена: 3035.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This revised edition builds upon the twin themes of Turkey`s continuing incorporation into the capitalist world and the modernization of state and society.
Описание: Witness of Phenomenon articulates a fresh examination of the German Group Zero-Heinz Mack, Otto Piene, and G nter Uecker-and other new tendency artists, who rejected painting and introduced new art media in postwar Europe. Group ZERO evolved into a network across Europe- Amsterdam, Milan, Paris, and Zagreb. This pan-European affiliation of artists generated a continuous stream of innovative artistic statements through the 1960s, incorporating non-traditional materials and new technologies to create kinetic art, light installations, performances, immersive multimedia installations, monumental land art, and the communication media of video and television. They transformed the visual arts from the inanimate objet d'art to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art.
Автор: Wade Rebecca Название: Domenico Brucciani and the Formatori of 19th-Century Britain ISBN: 1501332198 ISBN-13(EAN): 9781501332197 Издательство: Bloomsbury Academic Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Born near the Tuscan province of Lucca in 1815, Domenico Brucciani became the most important and prolific maker of plaster casts in nineteenth-century Britain. This first substantive study shows how he and his business used public exhibitions, emerging museum culture and the nationalisation of art education to monopolise the market for reproductions of classical and contemporary sculpture.
Based in Covent Garden in London, Brucciani built a network of fellow Italian migr formatori and collaborated with other makers of facsimiles-including Elkington the electrotype manufacturers, Copeland the makers of Parian ware and Benjamin Cheverton with his sculpture reducing machine-to bring sculpture into the spaces of learning and leisure for as broad a public as possible. Brucciani's plaster casts survive in collections from North America to New Zealand, but the extraordinary breadth of his practice-making death masks of the famous and infamous, producing pioneering casts of anatomical, botanical and fossil specimens and decorating dance halls and theatres across Britain-is revealed here for the first time. By making unprecedented use of the nineteenth-century periodical press and dispersed archival sources, Domenico Brucciani and the Formatori of Nineteenth-Century Britain establishes the significance of Brucciani's sculptural practice to the visual and material cultures of Victorian Britain and beyond.
Название: France and the Visual Arts since 1945 ISBN: 1501341529 ISBN-13(EAN): 9781501341526 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Taking on the myth of France's creative exhaustion following World War II, this collection of essays brings together an international team of scholars, whose research offers English readers a rich and complex overview of the place of France and French artists in the visual arts since 1945.
Addressing a wide range of artistic practices, spanning over seven decades, and using different methodologies, their contributions cover ground charted and unknown. They introduce greater depth and specificity to familiar artists and movements, such as Lettrism, Situationist International or Nouveau R alisme, while bringing to the fore lesser known artists and groups, including GRAPUS, the Sociological Art Collective, and Nicolas Sch ffer.
Collectively, they stress the political dimensions and social ambitions of the art produced in France at the time, deconstruct the traditional geography of the French art world, and highlight the multiculturalism of the French art scene that resulted from its colonial past and the constant flux of artistic travels and migrations.
Ultimately, the book contributes to a story of postwar art in which France can be inscribed not as a main or sub chapter, but rather as a vector in the wider constellation of modern and contemporary art.
Nationalism has been, without question, one of the most potent political and cultural forces within Europe since the late-18th century. Placing particular emphasis on transnational and comparative links, Nationalism in Modern Europe provides a clear and accessible history of the development of nationalism in Europe from the French Revolution to the present.
The book situates nationalist ideas and movements in Europe firmly within the context of other signifiers of identity and belonging - such as religion, race, and gender - while also providing comprehensive geographic coverage across Europe. It incorporates recent historiographical trends and debates as part of the discussion and includes 13 images, 9 maps and a range of primary source excerpts for classroom use. It is an essential volume for all students of the history of nationalism in modern Europe and a useful text for anyone seeking to know more about modern European history in general.
Автор: G?nter Berghaus Название: 2015 ISBN: 3110408503 ISBN-13(EAN): 9783110408508 Издательство: Walter de Gruyter Рейтинг: Цена: 24165.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its innovatory roles in the social and intellectual spheres. Most of the artists covered in Volume 5 (2015) are far from straightforward cases, but exactly because of this they can offer genuinely new insights into a still largely under-researched domain of twentieth-century art and literature. Guiding questions for these investigations are: How did these women come into contact with Futurist ideas? Was it first-hand knowledge (poems, paintings, manifestos etc) or second-hand knowledge (usually newspaper reports or personal conversions with artists who had been in contact with Futurism)? How did the women respond to the (positive or negative) reports? How did this show up in their œuvre? How did it influence their subsequent, often non-Futurist, career?
Автор: Parkinson, Gavin (senior Lecturer In European Modernism, Courtauld Institute Of Art, Uk) Название: Enchanted ground ISBN: 1501337254 ISBN-13(EAN): 9781501337253 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Enchanted Ground is about the challenge to modernist criticism by Surrealist writers – mainly Andre Breton but also Louis Aragon, Pierre Mabille, Rene Magritte, Charles Estienne, Rene Huyghe and others – who viewed the same artists in terms of magic, occultism, precognition, alchemy and esotericism generally. It introduces the history of the ways in which those artists who came after Impressionism – Paul Cezanne, Pierre-Auguste Renoir, Georges Seurat, Paul Gauguin, Vincent van Gogh – became canonical in the 20th century through the broad approaches we now call modernist or formalist (by critics and curators such as Alfred H. Barr, Roger Fry, Robert Goldwater, Clement Greenberg, John Rewald and Robert L. Herbert), and then unpacks chapter-by-chapter, for the first time in a single volume, the Surrealist positions on the same artists. To this end, it contributes to new strains of scholarship on Surrealism that exceed the usual bounds of the 1920s and 1930s and that examine the fascination within the movement with magic.
Описание: Witness of Phenomenon articulates a fresh examination of the German Group Zero—Heinz Mack, Otto Piene, and Gunter Uecker—and other new tendency artists, who rejected painting and introduced new art media in postwar Europe. Group ZERO evolved into a network across Europe— Amsterdam, Milan, Paris, and Zagreb. This pan-European affiliation of artists generated a continuous stream of innovative artistic statements through the 1960s, incorporating non-traditional materials and new technologies to create kinetic art, light installations, performances, immersive multimedia installations, monumental land art, and the communication media of video and television. They transformed the visual arts from the inanimate objet d’art to a sensory experience by adopting the ascendant philosophy of Phenomenology as their conceptual foundation. Drawing from a decade of research on unpublished archives of the artists and critics of this period, this publication positions Group ZERO as a catalytic art moment in the transition from modern to contemporary art.
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