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Architecture, Mysticism and Myth - With Illustrations by the Author, Lethaby W. R.


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Цена: 4964.00р.
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Автор: Lethaby W. R.
Название:  Architecture, Mysticism and Myth - With Illustrations by the Author
ISBN: 9781528709446
Издательство: Obscure Press
Классификация:





ISBN-10: 1528709446
Обложка/Формат: Paperback
Страницы: 284
Вес: 0.36 кг.
Дата издания: 12.06.2019
Язык: English
Размер: 216 x 140 x 16
Читательская аудитория: General (us: trade)
Рейтинг:
Поставляется из: США
Описание: First published in 1892, this vintage book looks at religious, mystical, and mythological influences on architecture throughout history and from all over the world, exploring in detail similarities, design, purpose, and much more. Profusely illustrated throughout, Architecture, Mysticism and Myth will appeal to those with an interest in religious architecture and would make for a worthy addition to any collection. Contents include: The World Fabric, The Microcosmos, Four Square, At the Centre of the Earth, The Planetary Spheres, The Labyrinth, The Golden Gate of the Sun, Pavements like the Sea, Ceilings like the Sky, The Windows of Heaven and Three Hundred and Sixty Days, and The Symbol of Creation. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with the original text and artwork.


The Black Shoals: Offshore Formations of Black and Native Studies

Автор: Tiffany Lethabo King
Название: The Black Shoals: Offshore Formations of Black and Native Studies
ISBN: 1478006366 ISBN-13(EAN): 9781478006367
Издательство: Mare Nostrum (Eurospan)
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Цена: 3630.00 р.
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Описание: In The Black Shoals Tiffany Lethabo King uses the shoal—an offshore geologic formation that is neither land nor sea—as metaphor, mode of critique, and methodology to theorize the encounter between Black studies and Native studies. King conceptualizes the shoal as a space where Black and Native literary traditions, politics, theory, critique, and art meet in productive, shifting, and contentious ways. These interactions, which often foreground Black and Native discourses of conquest and critiques of humanism, offer alternative insights into understanding how slavery, anti-Blackness, and Indigenous genocide structure white supremacy. Among texts and topics, King examines eighteenth-century British mappings of humanness, Nativeness, and Blackness; Black feminist depictions of Black and Native erotics; Black fungibility as a critique of discourses of labor exploitation; and Black art that rewrites conceptions of the human. In outlining the convergences and disjunctions between Black and Native thought and aesthetics, King identifies the potential to create new epistemologies, lines of critical inquiry, and creative practices.


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