Consiglieri, Hytner Richard

Автор: Hytner, Nicholas
Название: Balancing Acts
ISBN: 1101972882 ISBN-13(EAN): 9781101972885
Издательство: Random House (USA)
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Цена: 1563.00 р.
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Описание: Here is Nicholas Hytner's fascinating, candid memoir of his tenure at the helm of Britain's greatest theater. As artistic director of London's National Theatre from 2003 to 2015, Hytner was in charge of three stages, directing and producing such plays and musicals as The Madness of George III, Rodgers and Hammerstein's Carousel, Alan Bennett's The History Boys, David Hare's Stuff Happens, Richard Bean's One Man, Two Guvnors, and War Horse, among many others.
Combining touches of gossip with serious insight into the processes that bring a production to life, Hytner discusses his major failures and spectacular successes. He looks at Shakespeare from every angle and writes about reinventing the classics; changing the public's perception of what theater is in our times; balancing the idea of art with what will sell; encouraging new talent; and collaborating with actors and playwrights, including Richard Griffiths, Helen Mirren, Maggie Smith, Mike Leigh, Daniel Day-Lewis, Michael Gambon, Simon Russell Beale, Tom Stoppard, Alan Bennett, and Harold Pinter. Intimate and insightful, Balancing Acts is a passionate exploration of the art and alchemy of making theater.

Автор: Abigail Rokison-Woodall
Название: Shakespeare in the Theatre: Nicholas Hytner
ISBN: 147258161X ISBN-13(EAN): 9781472581617
Издательство: Bloomsbury Academic
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Цена: 13464.00 р.
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Описание: Part of the series Shakespeare in the Theatre, this book examines the work of renowned theatre director Nicholas Hytner (Artistic Director of the National Theatre from 2003-2015). Featuring case studies of Hytner’s Shakespeare productions and interviews with actors, designers, directors and other practitioners with whom Hytner has worked, it explores Hytner’s own productions of Shakespeare’s plays within their respective socio-cultural contexts and the context of Hytner’s other directing work, and examines his working practices and the impact of his Artistic directorship on the centrality of Shakespeare within the repertoire of the National Theatre.