Merjian Ara H. Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism 9780226655277

Варианты приобретения

Цена: 6178.00р.
Кол-во:
о цене
Наличие: Отсутствует. Возможна поставка под заказ.

При оформлении заказа до: 2025-08-04
Ориентировочная дата поставки: Август-начало Сентября
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Merjian Ara H.
Название: Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism
ISBN: 9780226655277
Издательство: Wiley
Классификация:

История искусств / художественные и оформительские стили

Теория и критика кино

Литература: история и критика

ISBN-10: 022665527X
Обложка/Формат: Hardcover
Страницы: 304
Вес: 0.86 кг.
Дата издания: 09.01.2020
Язык: English
Размер: 188 x 263 x 28
Читательская аудитория: General (us: trade)
Подзаголовок: Pier paolo pasolini, contemporary art, and neocapitalism
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: Recognized in America chiefly for his films, Pier Paolo Pasolini (1922-1975) in fact reinvented interdisciplinarity in postwar Europe. Pasolini self-confessedly approached the cinematic image through painting, and the numerous allusions to early modern frescoes and altarpieces in his films have been extensively documented. Far less understood, however, is Pasolinis fraught relationship to the aesthetic experiments of his own age. In Against the Avant-Garde, Ara H. Merjian demonstrates how Pasolinis campaign against neocapitalist culture fueled his hostility to the avant-garde. An atheist indebted to Catholic ritual; a revolutionary communist inimical to the creed of 1968; a homosexual hostile to the project of gay liberation: Pasolini refused the politics of identity in favor of a scandalously paradoxical practice, one vital to any understanding of his legacy. Against the Avant-Garde examines these paradoxes through case studies from the 1960s and 1970s, concluding with a reflection on Pasolinis far-reaching influence on post-1970s art. Merjian not only reconsiders the multifaceted work of Italys most prominent postwar intellectual, but also the fraught politics of a European neo-avant-garde grappling with a new capitalist hegemony.

Against the Avant-Garde: Pier Paolo Pasolini, Contemporary Art, and Neocapitalism, Merjian Ara H.