What Happened to the Hippies?: Voices and Perspectives, Rogers Stewart L.
Автор: Rorabaugh Название: American Hippies ISBN: 1107627192 ISBN-13(EAN): 9781107627192 Издательство: Cambridge Academ Рейтинг: Цена: 3802.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the late 1960s and early 1970s hundreds of thousands of white middle-class American youths suddenly became hippies. This short overview of the hippie social movement in the United States examines the movement`s beliefs and practices.
1 Voices in the History of Madness: An Introduction to Personal and Professional Perspectives
Part I Shifting Perspectives in the Industry of Madness
2 Accepted and Rejected: Late Nineteenth-Century Application for Admission to the Scottish National Institution for the Education of Imbecile Children
3 Mental Health in the Vernacular: Print and Counter-Hegemonic Approaches to Madness in Colonial Bengal
4 "The Root of All Evil is Inactivity" The Response of French Psychiatrists to New Approaches to Patient Work and Occupation, 1918-1939
5 Distant Voices: Treatment of Mentally Ill Children at the Copenhagen University Hospital in Denmark, c. 1935-1976
Part II Reconstructing Patient Perspectives
6 Experiences of the Madhouse in England, 1650-1810
7 "Tells his Story Quite Rationally and Collectedly" Examining the Casebooks of the Grahamstown Lunatic Asylum, 1890-1910, for Cases of Delusion Where Patients Voiced their Life Stories
8 Dehumanizing Experience, Rehumanizing Self-Awareness: Perception of Violence in Psychiatric Hospitals of Soviet Lithuania
9 "I Like My Job because It Will Get Me Out Quicker" Work, Independence, and Disability at Indiana's Central State Hospital (1986-1993)
10 "More than Bricks and Mortar" Meaningful Care Practices in the Old State Mental Hospitals
Part III The Visual and the Material
11 Tracking Traces of the Art Extraordinary Collection
12 Patient Photographs, Patient Voices: Recovering Patient Experience in the Nineteenth-Century Asylum
13 A Boundary Between Two Worlds? Community Perceptions of Former Asylums in Lancashire, England
Part IV Mad Studies and Activism
14 Brutal Sanity and Mad Compassion: Tracing the Voice of Dorothea Buck
15 Mad Activists and the Left in Ontario, 1970s to 2000
16 Knowing Our Own Minds: Transforming the Knowledge Base of Madness and Distress
17 Making Public Their Use of History: Reflections on the History of Collective Action by Psychiatric Patients, the Oor Mad History Project and Survivors History Group
18 Often, When I Am Using My Voice... It Does Not Go Well: Perspectives on the Service User Experience
19 Coda: Speaking Madness: Word, Image, Action
20 Correction to: Mental Health in the Vernacular: Print and Counter-Hegemonic Approaches to Madness in Colonial Bengal
Описание: Restricted to the shorthand of 'sex, drugs, and rock 'n' roll,' the counterculture would seem to be a brief, vibrant stretch of the 1960s. But the American counterculture, as this book clearly demonstrates, was far more than a historical blip and its impact continues to resonate. In this comprehensive history, Damon R. Bach traces the counterculture from its antecedents in the 1950s through its emergence and massive expansion in the 1960s to its demise in the 1970s and persistent echoes in the decades since.The counterculture, as Bach tells it, evolved in discrete stages and his book describes its development from coast to heartland to coast as it evolved into a national phenomenon, involving a diverse array of participants and undergoing fundamental changes between 1965 and 1974. Hippiedom appears here in relationship to the era's movements - civil rights, women's and gay liberation, Red and Black Power, the New Left, and environmentalism. In its connection to other forces of the time, Bach contends that the counterculture's central objective was to create a new, superior society based on alternative values and institutions. Drawing for the first time on documents produced by self-described 'freaks' from 1964 through 1973 - underground newspapers, memoirs, personal correspondence, flyers, and pamphlets - his book creates an unusually nuanced, colorful, and complete picture of a time often portrayed in clich?d or nostalgic terms.This is the counterculture of love-ins and flower children, of the Grateful Dead and Jefferson Airplane, but also of antiwar demonstrations, communes, co-ops, head shops, cultural feminism, Earth Day, and antinuclear activism. What Damon R. Bach conjures is the counterculture in all of its permutations and ramifications as he illuminates its complexity, continually evolving values, and constantly changing components and adherents, which defined and redefined it throughout its near decade-long existence. In the long run, Bach convincingly argues that the counterculture spearheaded cultural transformation, leaving a changed America in its wake.
Автор: Rorabaugh Название: American Hippies ISBN: 1107049237 ISBN-13(EAN): 9781107049239 Издательство: Cambridge Academ Рейтинг: Цена: 11563.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the late 1960s and early 1970s hundreds of thousands of white middle-class American youths suddenly became hippies. This short overview of the hippie social movement in the United States examines the movement`s beliefs and practices.
Описание: Going Up the Country is part oral history, part nostalgia-tinged narrative, and part clear-eyed analysis of the multifaceted phenomena collectively referred to as the counterculture movement in Vermont.
Автор: Smith SherryL Название: Hippies, Indians, and the Fight for Red Power ISBN: 0190217855 ISBN-13(EAN): 9780190217853 Издательство: Oxford Academ Рейтинг: Цена: 5780.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explains how, and why, hippies, Quakers, Black Panthers, movie stars, housewives, and labor unions, to name a few, supported Indian demands for greater political power and separate cultural existence in the modern United States.
In the popular imagination, opposition to the Vietnam War was driven largely by college students and elite intellectuals, while supposedly reactionary blue-collar workers largely supported the war effort. In Hardhats, Hippies, and Hawks, Penny Lewis challenges this collective memory of class polarization. Through close readings of archival documents, popular culture, and media accounts at the time, she offers a more accurate "counter-memory" of a diverse, cross-class opposition to the war in Southeast Asia that included the labor movement, working-class students, soldiers and veterans, and Black Power, civil rights, and Chicano activists.Lewis investigates why the image of antiwar class division gained such traction at the time and has maintained such a hold on popular memory since. Identifying the primarily middle-class culture of the early antiwar movement, she traces how the class interests of its first organizers were reflected in its subsequent forms. The founding narratives of class-based political behavior, Lewis shows, were amplified in the late 1960s and early 1970s because the working class, in particular, lacked a voice in the public sphere, a problem that only increased in the subsequent period, even as working-class opposition to the war grew. By exposing as false the popular image of conservative workers and liberal elites separated by an unbridgeable gulf, Lewis suggests that shared political attitudes and actions are, in fact, possible between these two groups.
In the popular imagination, opposition to the Vietnam War was driven largely by college students and elite intellectuals, while supposedly reactionary blue-collar workers largely supported the war effort. In Hardhats, Hippies, and Hawks, Penny Lewis challenges this collective memory of class polarization. Through close readings of archival documents, popular culture, and media accounts at the time, she offers a more accurate "counter-memory" of a diverse, cross-class opposition to the war in Southeast Asia that included the labor movement, working-class students, soldiers and veterans, and Black Power, civil rights, and Chicano activists.Lewis investigates why the image of antiwar class division gained such traction at the time and has maintained such a hold on popular memory since. Identifying the primarily middle-class culture of the early antiwar movement, she traces how the class interests of its first organizers were reflected in its subsequent forms. The founding narratives of class-based political behavior, Lewis shows, were amplified in the late 1960s and early 1970s because the working class, in particular, lacked a voice in the public sphere, a problem that only increased in the subsequent period, even as working-class opposition to the war grew. By exposing as false the popular image of conservative workers and liberal elites separated by an unbridgeable gulf, Lewis suggests that shared political attitudes and actions are, in fact, possible between these two groups.
Автор: Jean W. Cash, Richard Gaughran Название: Twenty-First-Century Southern Writers: New Voices, New Perspectives ISBN: 1496833333 ISBN-13(EAN): 9781496833334 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Contributions by Destiny O. Birdsong, Jean W. Cash, Kevin Catalano, Amanda Dean Freeman, David Gates, Richard Gaughran, Rebecca Godwin, Joan Wylie Hall, Dixon Hearne, Phillip Howerton, Emily D. Langhorne, Shawn E. Miller, Melody Pritchard, Nick Ripatrazone, Bes Stark Spangler, Scott Hamilton Suter, Melanie Benson Taylor, Jay Varner, and Scott D. Yarbrough Twenty-First-Century Southern Writers: New Voices, New Perspectives, an anthology of critical essays, introduces a new group of fiction writers from the American South. These fresh voices, like their twentieth-century predecessors, examine what it means to be a southerner in the modern world. These writers' works cover wide-ranging subjects and themes: the history of the region, the continued problems of the working-class South, the racial divisions that have continued, the violence of the modern world, and the difficulties of establishing a spiritual identity in a modern context. The approaches and styles vary from writer to writer, with realistic, place-centered description as the foundation of many of their works. They have also created new perspectives regarding point of view, and some have moved toward the inclusion of ""magic realism"" and even science fiction in their work. The nineteen essays in Twenty-First-Century Southern Writers feature a handful of fiction writers who are already well known, such as National Book Award-winner Jesmyn Ward, Tayari Jones, Michael Farris Smith, and Inman Majors. Others deserve greater recognition, and, in many cases, works in this anthology will be the first pieces of analysis dedicated to writers and their work. Twenty-First-Century Southern Writers aims to alert scholars of southern literature, as well as the reading public, to an exciting and varied group of writers, while laying a foundation for future examination of these works.
Автор: Jean W. Cash, Richard Gaughran Название: Twenty-First-Century Southern Writers: New Voices, New Perspectives ISBN: 1496833341 ISBN-13(EAN): 9781496833341 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Contributions by Destiny O. Birdsong, Jean W. Cash, Kevin Catalano, Amanda Dean Freeman, David Gates, Richard Gaughran, Rebecca Godwin, Joan Wylie Hall, Dixon Hearne, Phillip Howerton, Emily D. Langhorne, Shawn E. Miller, Melody Pritchard, Nick Ripatrazone, Bes Stark Spangler, Scott Hamilton Suter, Melanie Benson Taylor, Jay Varner, and Scott D. Yarbrough Twenty-First-Century Southern Writers: New Voices, New Perspectives, an anthology of critical essays, introduces a new group of fiction writers from the American South. These fresh voices, like their twentieth-century predecessors, examine what it means to be a southerner in the modern world. These writers' works cover wide-ranging subjects and themes: the history of the region, the continued problems of the working-class South, the racial divisions that have continued, the violence of the modern world, and the difficulties of establishing a spiritual identity in a modern context. The approaches and styles vary from writer to writer, with realistic, place-centered description as the foundation of many of their works. They have also created new perspectives regarding point of view, and some have moved toward the inclusion of ""magic realism"" and even science fiction in their work. The nineteen essays in Twenty-First-Century Southern Writers feature a handful of fiction writers who are already well known, such as National Book Award-winner Jesmyn Ward, Tayari Jones, Michael Farris Smith, and Inman Majors. Others deserve greater recognition, and, in many cases, works in this anthology will be the first pieces of analysis dedicated to writers and their work. Twenty-First-Century Southern Writers aims to alert scholars of southern literature, as well as the reading public, to an exciting and varied group of writers, while laying a foundation for future examination of these works.
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