Автор: Fairclough Daniel Название: Frustrations: A Book of Poetry ISBN: 1543443346 ISBN-13(EAN): 9781543443349 Издательство: Неизвестно Рейтинг: Цена: 5860.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Bullock Philip, Fairclough Pauline Название: 1917 and Beyond: Continuity, Rupture and Memory in Russian Music ISBN: 1781889538 ISBN-13(EAN): 9781781889534 Издательство: Неизвестно Рейтинг: Цена: 4138.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Long before the commemoration of the 100th anniversary of the Russian Revolution in 2017, scholars of Russia and the Soviet Union had questioned the notion that 1917 might constitute some kind of single, decisive rupture, whether in historiography or history itself. In particular, historians have come to see the October Revolution as an expression of Russia's broader experience of modernity, revealing continuities between Imperial Russia and what was to become the Soviet Union, disputing narratives of exceptionalism, and proposing affinities with models of social development arguably more characteristic of Western European countries.
Taking inspiration from a body of scholarship which has problematized the question of how the aesthetic values of the 1920s gave way to what became Socialist Realism, as well as work which has challenged an entrenched divide between the Victorian era and modernism in English literary studies, this collection ranges widely over genres - opera, symphonic music, song - combines complementary methodological approaches - reception studies, cultural memory, librettology, intellectual history - and invokes not only the October Revolution, but other widely cited turning points in Russian history - romanticism into realism, cultural revolution, the Great Patriotic War, perestroika and the post-Soviet landscape, to suggest significant continuities.
Автор: Gina Arnold, Daniel Cookney, Kirsty Fairclough-Isa Название: Music/Video: Histories, Aesthetics, Media ISBN: 1501313908 ISBN-13(EAN): 9781501313905 Издательство: Bloomsbury Academic Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the intersection of celebrity studies and postmodernism. On the other hand, the music video as art, looking to a prehistory of avant-garde film-making while perpetually pushing forward the digital frontier with a taste for anarchy, controversy, and the integration of special effects into a form designed to be disseminated across digital platforms. In this way, the music video virally re-engenders debates about high art and low culture. This collection presents a comprehensive account of the music video from a contemporary 21st century perspective. This entails revisiting key moments in the canonical history of the music video, exploring its articulations of sexuality and gender, examining its functioning as a form of artistic expression between music, film and video art, and following the music video’s dissemination into the digital domain, considering how digital media and social media have come to re-invent the forms and functions of the music video, well beyond the limits of “music television”.
Автор: Gina Arnold, Daniel Cookney, Kirsty Fairclough-Isa Название: Music/Video: Histories, Aesthetics, Media ISBN: 1501313916 ISBN-13(EAN): 9781501313912 Издательство: Bloomsbury Academic Рейтинг: Цена: 4117.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is a lively, comprehensive and timely reader on the music video, capitalising on cross-disciplinary research expertise, which represents a substantial academic engagement with the music video, a mediated form and practice that still remains relatively under-explored in a 21st century context. The music video has remained suspended between two distinct poles. On the one hand, the music video as the visual sheen of late capitalism, at the intersection of celebrity studies and postmodernism. On the other hand, the music video as art, looking to a prehistory of avant-garde film-making while perpetually pushing forward the digital frontier with a taste for anarchy, controversy, and the integration of special effects into a form designed to be disseminated across digital platforms. In this way, the music video virally re-engenders debates about high art and low culture. This collection presents a comprehensive account of the music video from a contemporary 21st century perspective. This entails revisiting key moments in the canonical history of the music video, exploring its articulations of sexuality and gender, examining its functioning as a form of artistic expression between music, film and video art, and following the music video’s dissemination into the digital domain, considering how digital media and social media have come to re-invent the forms and functions of the music video, well beyond the limits of “music television”.
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