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American Art: Collecting and Connoisseurship


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Цена: 6600.00р.
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Автор: Sessler Stephen M.
Название:  American Art: Collecting and Connoisseurship
ISBN: 9781858946825
Издательство: Merrell
Классификация:

ISBN-10: 1858946824
Обложка/Формат: Hardcover
Страницы: 304
Вес: 0.09 кг.
Дата издания: 12.05.2020
Язык: English
Иллюстрации: 180 color
Размер: 223 x 265 x 34
Читательская аудитория: General (us: trade)
Подзаголовок: Collecting and connoisseurship
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Поставляется из: Англии
Описание: For the serious collector and connoisseur of American art in the 19th and 20th Centuries, this series of essays will be invaluable. Twenty-eight writers, each of them highly experienced and acknowledged experts, examine every aspect of the subject and contribute illuminating and often thought-provoking examinations of a wide variety of topics.


Название: Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek 69 (2019): Connoisseurship and the Knowledge of Art
ISBN: 9004409165 ISBN-13(EAN): 9789004409163
Издательство: Brill
Цена: 26698.00 р.
Наличие на складе: Нет в наличии.

Описание: Connoisseurship – once foundational, then controversial, and currently critically reconsidered – is fundamentally about knowledge. Focusing on the distinctive history of the connoisseurship of Netherlandish art, this volume investigates early modern connoisseurship as revealed through pictorial practice, texts, and pictures featuring art lovers. An interplay between possessing and knowing about art emerges in the collecting of Chinese porcelain in the eighteenth century. With the professionalization of art criticism in the nineteenth century, Rembrandt’s art becomes a locus of scrutiny. In the twentieth century, the introduction of scientific data complicates the art historian’s expertise, whereas the case of Mondrian shows how modernist criticism and connoisseurship are intricately interwoven. Finally, persisting tensions between connoisseurship, authorship, and the market are brought to the fore. Table of Contents 1. H. Perry Chapman, Thijs Weststeijn , Connoisseurship as knowledge. An introduction 2. E. Melanie Gifford , Pieter Bruegel’s afterlife. A visual metaphor in seventeenth-century landscape 3. Jan Blanc , Mettre des mots sur l’art. Peintres et connaisseurs dans la theorie de l’art francaise et neerlandaise du XVIIe siecle 4. Alexander Marr , Ingenuity and discernment in The cabinet of Cornelis van der Geest (1628) 5. Tiarna Doherty , Painting connoisseurship. Liefhebbers in the studio 6. Angela Ho , Exotic and exclusive. The Pronk porcelain as products for the connoisseur 7. Antoinette Friedenthal , John Smith’s Rembrandt research project. An art dealer establishes the first catalogue raisonne of the paintings (1836) 8. Catherine B. Scallen , Rembrandt print connoisseurship, Sir Francis Seymour Haden, and the etching revival of the nineteenth century 9. Suzanne Laemers , In de voetsporen van Max Friedlander. Een pleidooi voor het kennerschap aan de hand van het Werlaltaarstuk 10. Marek Wieczorek , Greenberg’s connoisseurship in Mondrian’s space 11. Anne-Sophie V.E. Radermecker , The market reception of ‘new connoisseurship’. The impact of recent advances in art scholarship on the selling and buying of early Flemish paintings

Shaky Ground: Context, Connoisseurship and the History of Roman Art

Автор: Elizabeth Marlowe
Название: Shaky Ground: Context, Connoisseurship and the History of Roman Art
ISBN: 1474234666 ISBN-13(EAN): 9781474234665
Издательство: Bloomsbury Academic
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Цена: 5859.00 р.
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Описание: This book argues the importance of investigating archeological findspots and historical context when examining Roman art.

Shaky Ground: Context, Connoisseurship and the History of Roman Art

Автор: Elizabeth Marlowe
Название: Shaky Ground: Context, Connoisseurship and the History of Roman Art
ISBN: 071564064X ISBN-13(EAN): 9780715640647
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 14256.00 р.
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Описание: The recent crisis in the world of antiquities collecting has prompted scholars and the general public to pay more attention than ever before to the archaeological findspots and collecting histories of ancient artworks. This new scrutiny is applied to works currently on the market as well as to those acquired since (and despite) the 1970 UNESCO Convention, which aimed to prevent the trafficking in cultural property. When it comes to famous works that have been in major museums for many generations, however, the matter of their origins is rarely considered. Canonical pieces like the Barberini Togatus or the Fonseca bust of a Flavian lady appear in many scholarly studies and virtually every textbook on Roman art. But we have no more certainty about these works' archaeological contexts than we do about those that surface on the market today. This book argues that the current legal and ethical debates over looting, ownership and cultural property have distracted us from the epistemological problems inherent in all (ostensibly) ancient artworks lacking a known findspot, problems that should be of great concern to those who seek to understand the past through its material remains.


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