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The Fact of Resonance: Modernist Acoustics and Narrative Form, Napolin Julie Beth


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Автор: Napolin Julie Beth
Название:  The Fact of Resonance: Modernist Acoustics and Narrative Form
ISBN: 9780823288168
Издательство: Mare Nostrum (Eurospan)
Классификация:

ISBN-10: 0823288161
Обложка/Формат: Paperback
Страницы: 288
Вес: 0.53 кг.
Дата издания: 02.06.2020
Серия: Idiom: inventing writing theory
Язык: English
Издание: New ed
Иллюстрации: 10
Размер: 229 x 152 x 21
Ключевые слова: Music reviews & criticism,Philosophy: aesthetics, MUSIC / History & Criticism,PHILOSOPHY / Aesthetics
Подзаголовок: Modernist acoustics and narrative form
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Поставляется из: Англии
Описание:

Shortlisted, 2021 Memory Studies Association First Book Award
The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. Arguing that narrative theory has been founded on an exclusion of sound, the book poses a missing counterpart to modernism’s question “who speaks?” in the hidden acoustical questions “who hears?” and “who listens?”
For Napolin, the experience of reading is undergirded by the sonic. The book captures and enhances literature’s ambient sounds, sounds that are clues to heterogeneous experiences secreted within the acoustical unconscious of texts. The book invents an oblique ear, a subtle and lyrical prose style attuned to picking up sounds no longer hearable. “Resonance” opens upon a new genealogy of modernism, tracking from Joseph Conrad to his interlocutors—Sigmund Freud, Frantz Fanon, W. E. B. Du Bois, William Faulkner, and Chantal Akerman—the racialized, gendered, and colonial implications of acoustical figures that “drift” through and are transformed by narrative worlds in writing, film, and music.
A major synthesis of resources gleaned from across the theoretical humanities, the book argues for “resonance” as the traversal of acoustical figures across the spaces of colonial and technological modernity, figures registering and transmitting transformations of “voice” and “sound” across languages, culture, and modalities of hearing. We have not yet sufficiently attended to relays between sound, narrative, and the unconscious that are crucial to the ideological entailments and figural strategies of transnational, transatlantic, and transpacific modernism. The breadth of the book’s engagements will make it of interest not only to students and scholars of modernist fiction and sound studies, but to anyone interested in contemporary critical theory.


Дополнительное описание:

Note on Abbreviations | ix
Overture: The Sound of a Novel | 1
1 Voice at the Threshold of the Audible: Free Indirect Discourse
and the Colonial Space of Reading | 13
Coda: Chantal Akerman and Lip Sync as Postcol




Автор: Napolin Julie Beth
Название: The Fact of Resonance: Modernist Acoustics and Narrative Form
ISBN: 082328817X ISBN-13(EAN): 9780823288175
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 14421.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Shortlisted, 2021 Memory Studies Association First Book Award
The Fact of Resonance returns to the colonial and technological contexts in which theories of the novel developed, seeking in sound an alternative premise for theorizing modernist narrative form. Arguing that narrative theory has been founded on an exclusion of sound, the book poses a missing counterpart to modernism’s question “who speaks?” in the hidden acoustical questions “who hears?” and “who listens?”
For Napolin, the experience of reading is undergirded by the sonic. The book captures and enhances literature’s ambient sounds, sounds that are clues to heterogeneous experiences secreted within the acoustical unconscious of texts. The book invents an oblique ear, a subtle and lyrical prose style attuned to picking up sounds no longer hearable. “Resonance” opens upon a new genealogy of modernism, tracking from Joseph Conrad to his interlocutors—Sigmund Freud, Frantz Fanon, W. E. B. Du Bois, William Faulkner, and Chantal Akerman—the racialized, gendered, and colonial implications of acoustical figures that “drift” through and are transformed by narrative worlds in writing, film, and music.
A major synthesis of resources gleaned from across the theoretical humanities, the book argues for “resonance” as the traversal of acoustical figures across the spaces of colonial and technological modernity, figures registering and transmitting transformations of “voice” and “sound” across languages, culture, and modalities of hearing. We have not yet sufficiently attended to relays between sound, narrative, and the unconscious that are crucial to the ideological entailments and figural strategies of transnational, transatlantic, and transpacific modernism. The breadth of the book’s engagements will make it of interest not only to students and scholars of modernist fiction and sound studies, but to anyone interested in contemporary critical theory.

Split at the Root: A Novel in Three Acts

Автор: Napolin Leah
Название: Split at the Root: A Novel in Three Acts
ISBN: 1523386169 ISBN-13(EAN): 9781523386161
Издательство: Неизвестно
Цена: 3785.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Temple Beaupre is a charming high-spirited young woman who comes from a background of privilege in the mid-20th century deep South, a society poised on the cusp of change. Having been raised with one foot in the small town provincialism of Zenobia, Mississippi and the other in the forgiving sophistication of New Orleans, Temple believes herself to be a true child of the South, but one who nurtures renegade values. Split at the Root chronicles her evolving conscience from the innocent postwar years through the turmoil of civil rights as she journeys into the past to examine the ways in which secrets transform our lives.


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