Описание: The rich and diverse architectural traditions of the Eastern Mediterranean and adjacent regions are the subject of this book, including the social and cultural developments of the Byzantine Empire, the Caucasus, the Balkans, and Russia, as well as parallel developments in Crusader and early Islamic architecture.
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages.
Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it.
Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
Название: Bayeux tapestry: new interpretations ISBN: 1843834707 ISBN-13(EAN): 9781843834700 Издательство: Boydell & Brewer Рейтинг: Цена: 10296.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: New approaches to what is arguably the most famous artefact from the Middle Ages.
Автор: Pollio T.N. Название: The Art of Medieval Jewelry: An Illustrated History ISBN: 1476681759 ISBN-13(EAN): 9781476681757 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8712.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Helps identify the types, origins and routes of transmission of personal artwork, particularly finger rings, across Europe and Byzantium from late antiquity to the late middle ages, an area of study that has been neglected in previous works.
Описание: This book addresses the status and relevance of iconography and iconology in the contemporary scholarly study of medieval art. There is a widespread tendency among art historians today to regard the study of iconography and iconology in the tradition of Erwin Panofsky as an outmoded and trivial pursuit. Nonetheless, Panofsky’s three-level interpretative model sits firmly in the methodological toolkit of art history and remains a common point of reference among adherents and adversaries alike. Iconography and iconology demand to be taken seriously as a feature of continued praxis in the discipline. The book contains a collection of essays on the validity of various approaches toward the interpretation of meaning in medieval art today. These essays either demonstrate the continued usefulness of iconography and iconology as analytical strategies, or propose alternative approaches to the investigation of meaning in the art of the Middle Ages.
Описание: Mixing the creative fun of coloring with an exciting sense of discovery. The perfect gift for history lovers, medieval warfare enthusiasts, and colorists of all ages
In Medieval Coloring Book: Coloring Knights, Weapons, and Warfare from the Middle Ages, we will transport fellow colorists to a time where chivalry and honor meant everything. Make your imagination run wild bringing ancient battles and sieges to life.
Inside this book you will find:
15 unique and heroic coloring pages depicting knights from different countries in the midst of battle: Knights templar, German knights, French knights, Italian knights, etc.
Large One sided 8"x10" coloring pages so as to prevent bleed-through and give you the best coloring experience.
An extra copy of every coloring page in case you make mistakes or would like to put a new spin on one
Neat and sturdy white paper perfect for your coloring needs.
Designs fit for every level of coloring skill.
Ready for an exciting medieval adventure? Click the 'add to cart' button and get your copy of Medieval Coloring Book today
Название: The Middle Ages in 50 Objects ISBN: 1107150388 ISBN-13(EAN): 9781107150386 Издательство: Cambridge Academ Рейтинг: Цена: 4275.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The extraordinary array of objects from the European, Byzantine and Islamic worlds included in this volume illuminates the full and rich history of the Middle Ages. Lavishly illustrated, the book suggests how each object was used and understood within the wider cultural context in which it was made.
This important book [...] is a helpful guide to thinking with things and teaching with things. Each entry challenges the reader to approach objects as historical actors that can speak to the changes and continuities of life in the late antique and early medieval world. ? Early Medieval Europe
Fifty Early Medieval Things introduces readers to the material culture of late antique and early medieval Europe, north Africa, and western Asia. Ranging from Iran to Ireland and from Sweden to Tunisia, Deborah Deliyannis, Hendrik Dey, and Paolo Squatriti present fifty objects—artifacts, structures, and archaeological features—created between the fourth and eleventh centuries, an ostensibly "Dark Age" whose cultural richness and complexity is often underappreciated. Each thing introduces important themes in the social, political, cultural, religious, and economic history of the postclassical era.
Some of the things, like a simple ard (plow) unearthed in Germany, illustrate changing cultural and technological horizons in the immediate aftermath of Rome's collapse; others, like the Arabic coin found in a Viking burial mound, indicate the interconnectedness of cultures in this period. Objects such as the Book of Kells and the palace-city of Anjar in present-day Jordan represent significant artistic and cultural achievements; more quotidian items (a bone comb, an oil lamp, a handful of chestnuts) belong to the material culture of everyday life. In their thing-by-thing descriptions, the authors connect each object to both specific local conditions and to the broader influences that shaped the first millennium AD, and also explore their use in modern scholarly interpretations, with suggestions for further reading.
Lavishly illustrated and engagingly written, Fifty Early Medieval Things demonstrates how to read objects in ways that make the distant past understandable and approachable.
Описание: Under the guidance of the leading experts on baptismal fonts this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives.
Описание: The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books. The authors explore some of the themes and questions raised in John’s work, tackling issues of meaning, making, patronage, the book as an object, relationships between text and image, and the transmission of ideas. They combine John’s commitment to the close scrutiny of manuscripts with an interrogation of what the books meant in their own time and what they mean to us now.
Описание: In Medieval Fortifications in Cilicia Dweezil Vandekerckhove offers an account of the origins, development and spatial distribution of fortified sites in the Armenian Kingdom (1198-1375). Despite the abundance of archaeological remains, the Armenian heritage had previously not been closely studied. However, through the examination of known and newly identified castles, this work has now increased the number of sites and features associated with the Armenian Kingdom. By the construction of numerous powerful castles, the Armenians succeeded in establishing an independent kingdom, which lasted until the Mamluk conquest in 1375. Dweezil Vandekerckhove convincingly proves that the medieval castles in Cilicia are of outstanding architectural interest, with a significant place in the history of military architecture.
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