Cultural Politics in Harry Potter, Jarazo-Alvarez Ruben
Название: Cultural politics in harry potter ISBN: 0367206625 ISBN-13(EAN): 9780367206628 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: With special emphasis on the cultural representation of wizarding biopolitics, death, trauma and terror, this volume transits and examines the strategies and mechanisms through which cultural and political processes are managed, and the processes of subjectivation and legitimation of death and fear.
Описание: Sonja Watson examines the writing of black Panamanian authors to reveal how race is defined, contested, and inscribed in Panama. She tells the story of two competing cultures: Afro-Hispanics whose ancestors came as slaves during the colonial period, and West Indians whose families arrived more recently from English-speaking Caribbean countries to build the Panama Railroad and Panama Canal.
Описание: Culture and conflict unavoidably go together. The very idea of culture is marked by the notion of difference and creative, i.e. conflictual, interaction that inevitably support the key themes of the study of culture such as identity and diversity, memory and trauma, the translation of cultures and globalization, dislocation and emplacement, mediation and exclusion. This series publishes theoretically informed original scholarship from the fields of literary and cultural studies as well as media, visual and film studies, fostering a plural disciplinary dialogue on the multiple ways in which conflict supports and constrains the production of meaning in modernity, how the representation of conflict works, how it relates to the past and projects the present and how it frames scholarship within the humanities. Editors:Isabel Capeloa Gil, Catholic University of Portugal, Lisbon, Portugal; Paulo de Medeiros, University of Warwick, UK, Catherine Nesci, University of California, Santa Barbara, USA. Editorial Board:Arjun Appadurai, New York University,Claudia Benthien, Universitat Hamburg,Elisabeth Bronfen, Universitat Zurich,Bishnupriya Ghosh, University of California, Santa Barbara,Joyce Goggin, Universiteit van Amsterdam,Lawrence Grossberg, University of North Carolina at Chapel Hill,Andreas Huyssen, Columbia University,Ansgar Nunning, Universitat Gie?en,Naomi Segal, University of London, Birkbeck College,Marcio Seligmann-Silva, Universidade Estadual de Campinas,Antonio Sousa Ribeiro, Universidade de Coimbra,Roberto Vecchi, Universita di Bologna,Samuel Weber, Northwestern University,Liliane Weissberg, University of Pennsylvania,Christoph Wulf, FU Berlin,Longxi Zhang, City University of Hong Kong
Описание: This postmodern study of the Chinese Cultural Revolution examines the inner mechanism of the mass movement. Utilizing methodologies of cultural anthropology, linguistics, acting theory, and literary criticism, it reveals how people`s performances of their everyday lives functioned as mechanisms of social control.
Описание: The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.
Автор: Stoever Jennifer Lynn Название: The Sonic Color Line: Race and the Cultural Politics of Listening ISBN: 147989043X ISBN-13(EAN): 9781479890439 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11161.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.
Описание: Martín Luis Guzmán was many things throughout his career in twentieth-century Mexico: a soldier in Pancho Villa's revolutionary army, a journalist-in-exile, one of the most esteemed novelists and scholars of the revolutionary era, and an elder statesman and politician. In The Man Who Wrote Pancho Villa, we see the famous author as he really was: a careful craftsman of his own image and legacy. His five-volume biography of Villa propelled him to the heights of Mexican cultural life, and thus began his true life's work. Nicholas Cifuentes-Goodbody shapes this study of Guzmán through the lens of ""life writing"" and uncovers a tireless effort by Guzmán to shape his public image.The Man Who Wrote Pancho Villa places Guzmán's work in a biographical context, shedding light on the immediate motivations behind his writing in a given moment and the subsequent ways in which he rewrote or repackaged the material. Despite his efforts to establish a definitive reading of his life and literature, Guzmán was unable to control that interpretation as audiences became less tolerant of the glaring omissions in his self-portrait.
Описание: By examining the representation of urban space in contemporary British fiction, this book argues that key to the political left`s strategy was a model of action which folded politics into culture and elevated disenfranchisement to the status of a political principle.
Автор: St Louis Название: Rethinking Race, Politics, and Poetics ISBN: 1138874698 ISBN-13(EAN): 9781138874695 Издательство: Taylor&Francis Рейтинг: Цена: 3367.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book assesses the oeuvre of Trinidadian activist-intellectual C.L.R. James in its entire polymath range, analyzing his writings across disciplines and genres as well as his varied political and cultural concerns.
Описание: This book focuses on a reading of Frantz Fanon's work and life, asking how the work of a revolutionary writer such as Fanon might be best appropriated for contemporary political and cultural issues. Separate chapters introduce Fanon's life and examine the question of Fanon as our contemporary; review the field of "Fanon studies" that has grown up around his work; bring Fanon into conversation with the critical contemporary figures Edward Said, Michel Foucault, Jamaica Kincaid, and Paul Gilroy; and turn to Fanon's work to think through the contemporary popular uprisings that have come to be known as the "Arab Spring." The book concludes by arguing that a re-evaluation of Fanon's life and work can provide us with a particular set of lessons about solidarity, lessons that are crucial for the contemporary political struggles that face us today and that will continue to confront us in the future. Finding Something Different: Frantz Fanon and the Future of Cultural Politics is inspired by Fanon's unsparing struggle against the depredations of racism and colonialism, and his lifelong commitment to finding something different.
Описание: Any observer of Dominican political and literary discourse will quickly notice how certain notions of hyper-masculinity permeate the culture. Many critics will attribute this to an outgrowth of “traditional” Latin American patriarchal culture. Masculinity after Trujillo demonstrates why they are mistaken.In this extraordinary work, Maja Horn argues that this common Dominican attitude became ingrained during the dictatorship (1930–61) of Rafael Leonidas Trujillo, as well as through the U.S. military occupation that preceded it. Where previous studies have focused mainly on Spanish colonialism and the controversial sharing of the island with Haiti, Horn emphasizes the underexamined and lasting influence of U.S. imperialism and how it prepared the terrain for Trujillo’s hyperbolic language of masculinity. She also demonstrates how later attempts to emasculate the image of Trujillo often reproduced the same masculinist ideology popularized by his government.By using the lens of gender politics, Horn enables readers to reconsider the ongoing legacy of the Trujillato, including the relatively weak social movements formed around racial and ethnic identities, sexuality, and even labor. She offers exciting new interpretations of such writers as Hilma Contreras, Rita Indiana Hern?ndez, and Junot D?az, revealing the ways they successfully challenge dominant political and canonical literary discourses.
Описание: In a time of political, epistemic and aesthetic revolutions, early 18th-century Britain saw the emergence of a public discourse of ‘common sense’ which had a lasting influence on clichéd concepts of cultural identity. By retracing the compensatory impulses of common sense discourse and highlighting the role of literary texts in its formation and dissemination, this study challenges the received view of Augustan England as a mere Age of Reason.
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