Model City Pyongyang 9780500343531

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Автор: Bianchi, Cristiano Drapic, Kristina (Кристиано Бьянки)
Название: Model City Pyongyang
Перевод названия: Кристиано Бьянки: Модель. Город Пхеньян
ISBN: 9780500343531
Издательство: Thames & Hudson
Классификация:

Город и градостроительство - архитектурные аспекты

ISBN-10: 0500343535
Обложка/Формат: Hardback
Страницы: 224
Вес: 0.89 кг.
Дата издания: 19.09.2019
Серия: Art essentials
Язык: German
Издание: Third edition
Иллюстрации: 200 illustrations, color
Размер: 218 x 191 x 27
Читательская аудитория: General (us: trade)
Подзаголовок: Proceedings of the 3rd international conference on engineering sciences and technologies (esat 2018), september 12-14, 2018, high tatras mountains, tatranske matliare, slovak republic
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Поставляется из: Европейский союз
Описание: Many ‘model’ cities, both imagined and physical, have existed throughout history; from the ideal cities of the Renaissance, Urbino, Pienza and Ferrara, to modernist utopias, such as Brasilia or Chandigarh. North Korea’s Pyongyang, however, is arguably unique. Entirely rebuilt following the Korean War (1950–53), the city was planned and fully implemented to model a single ideological vision – a guide for an entire state. As a result, the urban fabric of Pyongyang displays an extraordinary architectural cohesion and narrative, artfully captured in the pages of this book. In recent years, many of Pyongyang’s buildings have been redeveloped to remove interior features or to render facades unrecognizable. From the city’s monumental axes to its symbolic sports halls and experimental housing concepts, this timely book offers comprehensive visual access to Pyongyang’s restricted buildings, which still preserve the DPRK’s original vision for a city designed ‘for the people’. Often kitsch, colourful and dramatic, Pyongyang’s architecture can be reminiscent of the aesthetic of a Wes Anderson film, where it is difficult to distinguish between reality and theatre. Reflecting a culture that has carefully crafted its own narrative, the backdrop of each photograph has been replaced with a colour gradient, evoking the idealized pastel skies of the country’s propaganda posters.