Описание: Traversing visible and invisible realms, A Time of Lost Gods attends to profound rereadings of politics, religion, and madness in the cosmic accounts of spirit mediumship. Drawing on research across a temple, a psychiatric unit, and the home altars of spirit mediums in a rural county of China's Central Plain, it asks: What ghostly forms emerge after the death of Mao and the so-called end of history?
The story of religion in China since the market reforms of the late 1970s is often told through its destruction under Mao and relative flourishing thereafter. Here, those who engage in mediumship offer a different history of the present. They approach Mao's reign not simply as an earthly secular rule, but an exceptional interval of divine sovereignty, after which the cosmos collapsed into chaos. Caught between a fading era and an ever-receding horizon, those "left behind" by labor outmigration refigure the evacuated hometown as an ethical-spiritual center to come, amidst a proliferation of madness-inducing spirits. Following pronouncements of China's rise, and in the wake of what Chinese intellectuals termed semicolonialism, the stories here tell of spirit mediums, patients, and psychiatrists caught in a shared dilemma, in a time when gods have lost their way.
The Brazilian Spiritualist Christian Order Vale do Amanhecer (Valley of the Dawn) is the place where the worlds of the living and the spirits merge and the boundaries between lives are regularly crossed. Drawing upon over a decade of extensive fieldwork in temples of the Amanhecer in Brazil and Europe, the author explores how mediums understand their experiences and how they learn to establish relationships with their spirit guides. She sheds light on the ways in which mediumistic development in the Vale do Amanhecer is used for therapeutic purposes and informs notions of body and self, of illness and wellbeing.
Engaging the Anomalous is a collection of essays written by Jack Hunter between 2010-17. Together, the essays push toward the development of a non-reductive, participatory and experiential anthropology of the paranormal. Over the course of the book, Hunter surveys:
- Trends in anthropology's engagement with the paranormal - The anthropology and neuroscience of spirit possession - The history of Spiritualism and the phenomena of physical mediumship - The overlaps between mediumistic practices and other mind-body phenomena
Hunter also poses serious questions about consciousness, experience, spirits, mediumship, psi, the nature of reality, and how best to investigate and understand them. In addition, the book features a selection of illuminating interviews with the author, as well as an original Foreword by leading parapsychologist and trickster theorist George P. Hansen. Engaging the Anomalousis a bold contribution to Anomalistic literature.
Описание: A performance culture of illness and wellness In southern Uganda, ritual healing traditions called kusamira and nswezi rely on music to treat sickness and maintain well-being. Peter J. Hoesing blends ethnomusicological fieldwork with analysis to examine how kusamira and nswezi performance socializes dynamic processes of illness, wellness, and health. People participate in these traditions for reasons that range from preserving ideas to generating strategies that allow them to navigate changing circumstances. Indeed, the performance of kusamira and nswezi reproduces ideas that remain relevant for succeeding generations. Hoesing shows the potential of this social reproduction of well-being to shape development in a region where over 80 percent of the population relies on traditional healers for primary health care.
Comprehensive and vivid with eyewitness detail, Kusamira Music in Uganda offers insight into important healing traditions and the overlaps between expressive culture and healing practices, the human and other-than-human, and Uganda's past and future.
Описание: A performance culture of illness and wellness In southern Uganda, ritual healing traditions called kusamira and nswezi rely on music to treat sickness and maintain well-being. Peter J. Hoesing blends ethnomusicological fieldwork with analysis to examine how kusamira and nswezi performance socializes dynamic processes of illness, wellness, and health. People participate in these traditions for reasons that range from preserving ideas to generating strategies that allow them to navigate changing circumstances. Indeed, the performance of kusamira and nswezi reproduces ideas that remain relevant for succeeding generations. Hoesing shows the potential of this social reproduction of well-being to shape development in a region where over 80 percent of the population relies on traditional healers for primary health care.
Comprehensive and vivid with eyewitness detail, Kusamira Music in Uganda offers insight into important healing traditions and the overlaps between expressive culture and healing practices, the human and other-than-human, and Uganda's past and future.
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