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The Content of Our Caricature: African American Comic Art and Political Belonging, 


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Название:  The Content of Our Caricature: African American Comic Art and Political Belonging
ISBN: 9781479840083
Издательство: Mare Nostrum (Eurospan)
Классификация:




ISBN-10: 1479840084
Обложка/Формат: Hardback
Страницы: 256
Вес: 0.67 кг.
Дата издания: 26.05.2020
Серия: Postmillennial pop
Язык: English
Иллюстрации: 69 hts / 6 page color insert
Размер: 22.91 x 15.19 x 2.72 cm
Ключевые слова: Ethnic studies,History of art / art & design styles,Social & cultural history, ART / American / African American,SOCIAL SCIENCE / Ethnic Studies / African American Studies
Подзаголовок: African american comic art and political belonging
Рейтинг:
Поставляется из: Англии
Описание:

Winner, 2021 Katherine Singer Kov?cs Book Award, given by the Society for Cinema and Media Studies
Winner, 2021 Will Eisner Comic Industry Awards for Best Academic/Scholarly Work

Honorable Mention, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association

Winner, 2020 Charles Hatfield Book Prize, given by the Comic Studies Society

Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its head
Revealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.
Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard “Grass” Green, Brumsic Brandon Jr., Jennifer Crut?, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed.




The Content of Our Caricature: African American Comic Art and Political Belonging

Название: The Content of Our Caricature: African American Comic Art and Political Belonging
ISBN: 147988958X ISBN-13(EAN): 9781479889587
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 4013.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Winner, 2021 Katherine Singer Kov?cs Book Award, given by the Society for Cinema and Media Studies
Winner, 2021 Will Eisner Comic Industry Awards for Best Academic/Scholarly Work

Honorable Mention, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association

Winner, 2020 Charles Hatfield Book Prize, given by the Comic Studies Society

Traces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its head
Revealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.
Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard “Grass” Green, Brumsic Brandon Jr., Jennifer Crut?, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed.


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