Автор: Taruskin, Richard Название: Music from the Earliest Notations to the Sixteenth Century ISBN: 0195384814 ISBN-13(EAN): 9780195384819 Издательство: Oxford Academ Рейтинг: Цена: 5463.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks- the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. This first volume in Richard Taruskin's majestic history, Music from the Earliest Notations to the Sixteenth Century, sweeps across centuries of musical innovation to shed light on the early forces that shaped the development of the Western classical tradition. Beginning with the invention of musical notation more than a thousand years ago, Taruskin addresses topics such as the legend of Saint Gregory and Gregorian chant, Augustine's and Boethius's thoughts on music, the liturgical dramas of Hildegard of Bingen, the growth of the music printing business, the literary revolution and the English madrigal, the influence of the Reformation and the Counter-Reformation, and the operas of Monteverdi. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Автор: Frolova-Walker Marina Название: Russian Music and Nationalism: From Glinka to Stalin ISBN: 0300246455 ISBN-13(EAN): 9780300246452 Издательство: Wiley yUP Рейтинг: Цена: 11725.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Challenging what is widely regarded as the distinguishing feature of Russian music - its ineffable 'Russianness' - Marina Frolova-Walker examines the history of Russian music from the premiere of Glinka's opera 'A Life for the Tsar' in 1836 to the death of Stalin in 1953, the years in which musical nationalism was encouraged and endorsed by the Russian state and its Soviet successor. The author identifies the two central myths that dominated Russian culture during this period - that art revealed the Russian soul, and that this nationalist artistic tradition was founded by Glinka and Pushkin. She shows how nationalist ideas were endlessly recycled and elaborated in the writings of composers, critics and historians of music, even when supporting evidence was scant or non-existent.
Against this background, the author offers a critical account of how the imperatives of nationalist thought fired up individual invention, pushed composers to engage with folk, popular and church music traditions and caused them to reject certain Western paradigms. In this way she provides a new perspective on the brilliant creativity, innovation and eventual stagnation to be found within the tradition of Russian nationalist music.
Название: The Cambridge Companion to Operetta ISBN: 1316633349 ISBN-13(EAN): 9781316633342 Издательство: Cambridge Academ Рейтинг: Цена: 4435.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The subject of musical theatre usually brings to mind the Broadway musical, but this collection of essays reveals that operetta was the pre-eminent musical-theatrical entertainment on the urban stage from the 1850s to the early 1930s. The authors explore operetta`s production and reception in more than a dozen countries.
Описание: For many New Yorkers of a certain age, mention of Lewisohn Stadium conjures many fond memories of concerts of beautiful music performed in most cases by the New York Philharmonic Orchestra on warm summer evenings outdoors. Music for the American People: The Lewisohn Stadium Concerts brings back those memories while introducing them to those who are either too young to remember or were born years after the Stadium’s razing in 1973. Although several books discuss either the early years of the Stadium Concerts or the life of Stadium Concerts Chairperson Minnie Guggenheimer, this is the first book ever to discuss the concerts themselves. In particular, the book focuses on the conductors, soloists, and repertoire in a way never undertaken before by any scholar. While the book explores the Stadium Concerts classical orchestra canon to a large extent, author Jonathan Stern emphasizes in particular the effect the festival had on American music. The book discusses how the Stadium Concerts began in an era in which American classical music was championed like it rarely has been. It also makes the case that the Stadium Concerts may have done more for contemporary American music than any other musical institution of the early twentieth century through its frequent advocacy of the music of George Gershwin. This advocacy was soon taken up by other summer orchestra festivals that were founded after the birth of the Stadium Concerts. Among these festivals were the Hollywood Bowl Concerts, Tanglewood, Ravinia, and the Robin Hood Dell concerts, all of which are also discussed towards the end of the book. Readers will also learn how the Stadium Concerts coped with the challenges faced by America in general, not only surviving wars and the Great Depression but even thriving artistically and otherwise during these troubling times. Lewisohn Stadium was a summer home away from home for millions of New Yorkers, enabling them to put aside their differences and join together in enjoying great music performed by many of the world’s leading performers. In an era when people from all walks of life sought to better themselves in ways not often seen today, New Yorkers often said to each other, “Meet me at the Stadium.” As such, Music for the American People: The Lewisohn Stadium Concerts fills a much-needed void in music and New York City scholarship while recounting a particularly happy chapter in the history of New York City culture.
Автор: Ashy Arved Название: Absolute Music, Mechanical Reproduction ISBN: 0520264800 ISBN-13(EAN): 9780520264809 Издательство: Wiley Рейтинг: Цена: 4752.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Recordings are the primary way we hear classical music, especially the more abstract styles of `absolute` instrumental music. This book argues that recording technology has transformed our understanding of art music. It reveals how mechanical reproduction has transformed classical musical culture and the very act of listening of everyday life.
Автор: Griffiths, Paul Название: Concise history of western music ISBN: 0521133661 ISBN-13(EAN): 9780521133661 Издательство: Cambridge Academ Рейтинг: Цена: 3802.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Paul Griffiths shows how music has changed through the centuries, and suggests how that change mirrors development in the human notion of time, from the eternity of heaven to the computer`s microsecond. An essential read for students, teachers and classical music lovers alike.
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