Wenley, Robert Ewing, Dan Van Den Brink, Peter `truly bright and memorable`: jan de beer`s renaissance altarpieces 9781911300724

Варианты приобретения

Цена: 3485.00р.
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Англия: Есть
При оформлении заказа до: 2025-08-04
Ориентировочная дата поставки: Август-начало Сентября
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Wenley, Robert Ewing, Dan Van Den Brink, Peter (Роберт Уэнли, Дэн Ван Ден Юинг)
Название: `truly bright and memorable`: jan de beer`s renaissance altarpieces
Перевод названия: Роберт Уэнли, Дэн Ван Ден Юинг, Питер Бринк: поистине яркие и запоминающиеся. Ренессансные алтари Ян
ISBN: 9781911300724
Издательство: Paul holberton publishing
Классификация:

Искусство Ренессанса

Живопись

Монографии о художниках, по искусству

ISBN-10: 1911300725
Обложка/Формат: Paperback
Страницы: 84
Вес: 0.39 кг.
Дата издания: 25.10.2019
Язык: English
Размер: 211 x 211 x 9
Читательская аудитория: General (us: trade)
Рейтинг:
Поставляется из: Англии
Описание: Accompanying an exhibition at the Barber Institute of Fine Arts - only the second exhibition ever devoted to the artist - this noteworthy publication considers De Beers work and career, working methods, and traces the history of De Beers paintings in British collections. The Antwerp painter Jan de Beer (c.1475-1527/28) was highly esteemed in his lifetime and still famous a couple of generations after his death, but then fell into oblivion until the early twentieth century. Only recently have his achievements been fully recognized and documented. The artists known oeuvre consists of forty works, mainly devotional paintings and triptychs but also a dozen drawings and a stained glass window, after a lost design. De Beers stylish and elegant art appealed to patrons and collectors, churches abroad, and copyists. His work is typically associated with that of the Antwerp Mannerists, a prominent group of mostly anonymous painters active in the city during his lifetime. This publication will accompany an exhibition at the Barber Institute of Fine Arts, University of Birmingham (25 October 2019 to 19 January 2020) that focuses on one of its and De Beers acknowledged masterpieces: the double-sided Joseph and the Suitors/ The Nativity. This is the only surviving fragment from what must have been a major altarpiece. It will be accompanied by a half-dozen key loans of paintings and drawings by De Beer and his workshop including all the attributed paintings in UK collections. These will provide both an instructive context for the Barber painting and for De Beers art more generally, with the whole chronological range of his career represented. It will be only the second ever exhibition devoted to De Beer, and the first to show the broad range of his work. The fully-illustrated catalog will feature extended entries for all the exhibited works and three essays exploring the core themes of the show, written by Robert Wenley, Head of Collections at the Barber Institute and the lead curator of the exhibition, and two leading De Beer specialists. Professor Dan Ewing (Barry University, Miami Shores, Florida) will consider De Beers work and career; while Peter van den Brink (Director, Suermondt-Ludwig-Museum, Aachen) will explore De Beers working methods, in particular as revealed by the underdrawings of his pictures. Robert Wenleys essay will survey the history of De Beers paintings in British collections.

`truly bright and memorable`: jan de beer`s renaissance altarpieces, Wenley, Robert Ewing, Dan Van Den Brink, Peter