Lectures on Ancient Ethnography and Geography: Comprising Greece and Her Colonies, Epirus, Macedonia, Illyricum, Italy, Gaul, Spain, Britain, the Nort, Niebuhr Barthold Georg
Автор: Barthold, Vasilii Vladimirovich Название: Historical geography of iran ISBN: 0691640009 ISBN-13(EAN): 9780691640006 Издательство: Wiley Рейтинг: Цена: 17266.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This volume is a compendium of the rich archeological and literary evidence on the Iranian world in its larger sense, comprising part of what is now Soviet Central Asia and Afghanistan as well as Iran proper.
Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Автор: Butenschon, Barthold A. Название: Symmetallism ISBN: 1138577782 ISBN-13(EAN): 9781138577787 Издательство: Taylor&Francis Рейтинг: Цена: 5205.00 р. Наличие на складе: Поставка под заказ.
Описание: Originally published in 1936, this book discusses the post-War reconstruction of the monetary system. It examines the American use of silver and changes to China`s currency system and asks whether a combination of gold and silver would not be a better solution than a pure Gold Standard.
Автор: Kuijken Barthold Название: Notation is Not the Music ISBN: 0253010608 ISBN-13(EAN): 9780253010605 Издательство: Wiley EDC Рейтинг: Цена: 5146.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Written by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters—and limitations—of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance. Only by continual examination and reexamination of the sources to discover original intent can an early music practitioner come close to authentic performance.
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