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Rediscovering Stanislavsky (Maria Shevtsova), 


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  (Мария Шевцова)
Название:  Rediscovering Stanislavsky (Maria Shevtsova)
Перевод названия: Мария Шевцова: Открытие Станиславского заново
ISBN: 9781107023390
Издательство: Cambridge Academ
Классификация:



ISBN-10: 1107023394
Обложка/Формат: Hardback
Страницы: 442
Вес: 0.56 кг.
Дата издания: 21.11.2019
Серия: Arts
Язык: English
Иллюстрации: Worked examples or exercises
Размер: 159 x 234 x 22
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: European history,Literary studies: c 1800 to c 1900 ,Theatre: individual actors & directors, DRAMA / European / General
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Konstantin Stanislavsky (1863-1938) was one of the most prominent and innovative directors of modern theatre, and his system and related practices continue to be studied and used in universities and in theatres. This book explores the extraordinary political contexts in which he resisted authoritarian pressures and developed his life`s work.


Автор: Chambers
Название: From Stanislavsky to Today
ISBN: 1138782122 ISBN-13(EAN): 9781138782129
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: A pioneering account of the dynastic struggle between the kings of Aragon and the Angevin kings of Naples, which shaped the commercial as well as the political map of the Mediterranean and had a profound effect on the futures of Spain, France, Italy and Sicily. David Abulafia does it full justice, reclaiming from undeserved neglect one of the formative themes in the history of the Middle Ages.

Analysis through Action for Actors and Directors  From Stanislavsky to Contemporary Performance

Автор: Chambers D.
Название: Analysis through Action for Actors and Directors From Stanislavsky to Contemporary Performance
ISBN: 1138782130 ISBN-13(EAN): 9781138782136
Издательство: Taylor&Francis
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Цена: 4898.00 р.
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Описание: Coming by Jean-Luc Nancy is a lyrical examination of the French notion of jouissance. How did jouissance evolve from referring to the pleasure of ownership to the pleasure of orgasm? The philosophers Adele van Reeth and Jean-Luc Nancy engage in a lively dialogue touching on authors as varied as Spinoza, the Marquis de Sade, and Henry Miller, and on subjects ranging from consumerism to mysticism.

Acting Stanislavski: A practical guide to Stanislavski`s approach and legacy

Автор: John Gillett
Название: Acting Stanislavski: A practical guide to Stanislavski`s approach and legacy
ISBN: 1408184982 ISBN-13(EAN): 9781408184981
Издательство: Bloomsbury Academic
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Цена: 3958.00 р.
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Описание:

Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world - but is still often rejected, misunderstood and misapplied.

In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance, exploring:

- ease and focus
- the nature of action, interaction and objectives
- the imaginary reality, senses and feeling
- active analysis of text
- physical and vocal expression of character
- the actor in the context of training and the industry.

Drawing on Stanislavski's major books, in both English translations, and on records of his directing process and final studio classes, Acting Stanislavski demystifies terms and concepts. It is for actors from an actor's point of view, and offers many practical exercises and examples as an integrated part of each subject.

Acting Stanislavski also creates an up-to-date overview of the Stanislavski approach, connecting his legacy with the work of his successors, from Michael Chekhov to Meisner, Adler and Strasberg.

A new, extended and fully updated edition of Acting on Impulse: Reclaiming the Stanislavski Approach (Methuen Drama, 2007), Acting Stanislavski now includes new exercises and biographies, a further chapter on The Character, and an expanded glossary along with many other additions to the previous chapters. It is an essential practical and educational resource for any acting student, professional or teacher.

The Stanislavsky System of Acting

Автор: Whyman
Название: The Stanislavsky System of Acting
ISBN: 052128337X ISBN-13(EAN): 9780521283373
Издательство: Cambridge Academ
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Описание: Konstantin Stanislavsky, the Russian director and actor and co-founder of the Moscow Art Theatre in 1898, was the originator of the most influential system of acting in the history of western theatre. Drawing on original source material and archival research, this book examines the development of Stanislavsky`s methods.

An Actor Prepares

Автор: Constantin Stanislavski
Название: An Actor Prepares
ISBN: 1780938438 ISBN-13(EAN): 9781780938431
Издательство: Bloomsbury Academic
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Цена: 2533.00 р.
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Описание: An Actor Prepares is the most famous acting training book ever to have been written and the work of Stanislavski has inspired generations of actors and trainers. This translation was the first to introduce Stanislavski's 'system' to the English speaking world and has stood the test of time in acting classes to this day. Stanislavski here deals with the inward preparation an actor must undergo in order to explore a role to the full. He introduces the concepts of the 'magic if' units and objectives, of emotion memory, of the super-objective and many more now famous rehearsal aids. Now available in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth, this is an essential read for actors, directors and anyone interested in the art of drama.

My Life In Art

Автор: Constantin Stanislavski
Название: My Life In Art
ISBN: 1474299652 ISBN-13(EAN): 9781474299657
Издательство: Bloomsbury Academic
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Описание: No one has had a greater influence on acting as we know it than Stanislavski. His 'method' - or interpretations of it - has become the central force determining almost every performance we see on stage or screen. In My Life in Art Stanislavski recalls his theatrical career, from his early experiences in Rubinstein's Russian Musical Society to his final triumphs with Chekhov at the Moscow Art Theatre. His vivid accounts of his own most famous productions including 'The Seagul' and 'Uncle Vanya' are interspersed with anecdotes of the famous - of Kommisarjevksy, Tolstoy, Gorky, and of the Moscow visit of Isadora Duncan and Gordon Craig.


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