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Imagining afghanistan, Ivanchikova, Alla


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Автор: Ivanchikova, Alla
Название:  Imagining afghanistan
ISBN: 9781557538468
Издательство: Mare Nostrum (Eurospan)
Классификация:





ISBN-10: 1557538468
Обложка/Формат: Paperback
Страницы: 324
Вес: 0.48 кг.
Дата издания: 30.11.2019
Серия: Comparative cultural studies
Язык: English
Иллюстрации: 13 illustrations
Размер: 156 x 232 x 22
Ключевые слова: Literary studies: general,Globalization,Marxism & Communism,Social theory,International relations, POLITICAL SCIENCE / Political Ideologies / Communism, Post-Communism & Socialism,POLITICAL SCIENCE / Globalization,POLITICAL SCIENCE / World / Middle Easte
Подзаголовок: Global fiction and film of the 9/11 wars
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Поставляется из: Англии
Описание: Imagining Afghanistan examines how Afghanistanhas been imagined in literary and visual texts that were published after the9/11 attacks and the subsequent U.S.-led invasion—the era that propelledAfghanistan into the center of global media visibility. Through an analysis offiction, graphic novels, memoirs, drama, and film, the book demonstrates thatwriting and screening Afghanistan has become a conduit for understanding ourshared post-9/11 condition. Afghanistan serves as a lens through whichcontemporary cultural producers contend with the moral ambiguities of twenty-first-centuryhumanitarianism, interpret the legacy of the Cold War, debate the role of theU.S. in the rise of transnational terror, and grapple with the long-term impactof war on both human and nonhuman ecologies.Post-9/11 global Afghanistan literary productionremains largely NATO-centric insofar as it is marked by an uncriticalinvestment in humanitarianism as an approach to Third World suffering and inanti-communism as an unquestioned premise. The books first half exposes how persistinganti-socialist biases—including anti-statist bias—not only shaped recent literaryand visual texts on Afghanistan, resulting in a distorted portrayal of itstragic history, but also informed these texts reception by critics. In thebooks second half, the author examines cultural texts that challenge thislimited horizon and forge alternative ways of representing traumatic histories.Captured by the author through the concepts of deep time, nonhuman witness, andwar as a multispecies ecology, these new aesthetics bring readers asophisticated portrait of Afghanistan as a rich multispecies habitat affectedin dramatic ways by decades of war but not annihilated.
Дополнительное описание: Social theory|Literary studies: general|Far-left political ideologies and movements|Globalization|International relations



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