I am - celebrating the perfect imperfect, , Angelika Buettner
Автор: Angelika Bammer Название: Born After: Reckoning with the German Past ISBN: 1501336428 ISBN-13(EAN): 9781501336423 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: What do we do with pasts we inherit that carry shame? A major and original contribution to thinking about and grappling with the legacies of German and Nazi history, this book reflects on the relationship between history and memory through the personal narrative of a postwar German intellectual. Arguing that the pasts that haunt usare shaped both by the things people did and suffered and the affective traces the past leaves in memory, Born After is a powerful meditation on questions of guilt, complicity, loss, and longing. With bracing honesty and without sentimentality, Bammer draws on her own family story to think anew about a history that we have come to accept as familiar. Inflecting questions about history with questions about ethics, her book speaks to all those concerned with historical pasts that remain unreconciled.
Автор: Zirker Angelika Название: Wordplay and Metalinguistic / Metadiscursive Reflection ISBN: 3110578719 ISBN-13(EAN): 9783110578713 Издательство: Walter de Gruyter Рейтинг: Цена: 3896.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The book series is dedicated to the study of the multifaceted dynamics of wordplay as an interface phenomenon. The contributions aim to bring together approaches from various disciplines and present case studies on different communicative settings, including everyday language and literary communication, and thus offer fresh perspectives on wordplay in the context of linguistic innovation, language contact, and speaker-hearer-interaction.
La collection vise analyser la diversit de la dynamique du jeu de mots en tant que ph nom ne d'interface. Les contributions r unissent des approches de diff rentes disciplines et pr sentent des tudes de cas de situations de communication vari es, incluant autant le langage quotidien que la communication litt raire. Ainsi, elles offrent de nouvelles perspectives sur le jeu de mots dans le contexte de l'innovation linguistique, du contact linguistique, et de l'interaction locuteur-interlocuteur.
Die Buchreihe widmet sich einer Untersuchung der vielseitigen Dynamik des Wortspiels als Schnittstellenph nomen. Die Beitr ge vereinigen Ans tze aus unterschiedlichen Disziplinen und Fallstudien zu unterschiedlichen Kommunikationsfeldern, etwa der Alltagssprache und der literarischen Kommunikation. Damit er ffnen sie neue Perspektiven auf das Wortspiel im Kontext von sprachlicher Innovation, Sprachkontakt und Sprecher-H rer-Interaktion.
Editorial Board: Salvatore Attardo (Texas A&M University Commerce, USA), Dirk Delabastita (Universit de Namur, Belgium), Dirk Geeraerts (Katholieke Universiteit Leuven, Belgium), Raymond W. Gibbs (University of California, Santa Cruz, USA), Alain Rabatel (Universit de Lyon 1 /ICAR, UMR 5191, CNRS, Universit Lumi re-Lyon 2, ENS-Lyon, France), Monika Schmitz-Emans (Ruhr-Universit t Bochum, Germany), Deirdre Wilson (University College London, UK)
Описание: Wordplay can be seen as a genuine interface phenomenon. It can be found both in everyday communication and in literary texts, and it can fulfil a range of functions – it may be entertaining and comical, it may be used to conceal taboo, and it may influence the way in which the speaker’s character is perceived. Moreover, wordplay also reflects on language and communication: it reveals surprising alternative readings, and emphasizes the phonetic similarity of linguistic signs that also points towards relations on the level of content. Wordplay unravels characteristics of literary language in everyday communication and opens up the possibility to analyze literary texts from a linguistic perspective. The first two volumes of the series The Dynamics of Wordplay therefore aim at bringing together contributions from linguistics and literary studies, focusing on theoretical issues such as basic techniques of wordplay, and its relationship to genres and discourse traditions. These issues are complemented by a series of case studies on the use of wordplay in individual authors and specific historical contexts. The contributions offer a fresh look on the multifaceted dynamics of wordplay in different communicative settings.
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