Kingdoms of Memory, Empires of Ink: The Veda and the Regional Print Cultures of Colonial India, Galewicz Cezary
Автор: Sharmistha Saha Название: Theatre and National Identity in Colonial India ISBN: 9811311765 ISBN-13(EAN): 9789811311765 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.
The performing arts in India have traditionally been the domain of Dalit communities. To this day, these men and women continue to nurture and foster their chosen art forms in the face of discrimination and prejudice. We consider ourselves to be connoisseurs of art and culture. Yet, we fail to recognize the very communities who have shaped this culture. The Museum of Broken Tea Cups, using the symbology of the used, broken tea cup that upper caste households leave outside their doors for the use of Dalit workers, is an effort to recognize the immense cultural contribution made by Dalit communities through the stories of individual artists who languish in the forgotten gallis and mohallas of our villages and towns. At the same time, the book seeks to celebrate the everyday heroes, who have, despite all odds, managed to change not just their own lives, but the lives of those around them. These are students and teachers, artists and activists, storytellers and devadasis, daughters and mothers, sons and brothers—seemingly ordinary people—whose faces get lost in everyday life, but whose stories have the potential to inspire admiration, action and change.
Описание: This book tells a story of radical educational change. In the early nineteenth century, an imperial civil society movement promoted modern elementary 'schools for all'. This movement included British, American and German missionaries, and Indian intellectuals and social reformers. They organised themselves in non-governmental organisations, which aimed to change Indian education. Firstly, they introduced a new culture of schooling, centred on memorisation, examination, and technocratic management. Secondly, they laid the ground for the building of the colonial system of education, which substituted indigenous education. Thirdly, they broadened the social accessibility of schooling. However, for the nineteenth century reformers, education for all did not mean equal education for all: elementary schooling became a means to teach different subalterns 'their place' in colonial society. Finally, the educational movement also furthered the building of a secular 'national education' in England.
Название: Of Colonial Bungalows and Piano Lessons ISBN: 0367134624 ISBN-13(EAN): 9780367134624 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Of Colonial Bungalows and Piano Lessons can be read as a metaphor -- as an icon -- of the encounter between cultures. The memoir is based on Monica Chanda's recollections between about 1913 and 1927, of life in Calcutta, districts of undivided Bengal, holidays in Kashmir and in Europe. There is more than a whiff of a Victorian upbringing in the pages. Neither honed in one culture nor fully at home in those practices superimposed by Monica's father's professional life as a member of the Indian Civil Service, her dilemma comes through in these writings. While her father, Jnanendra Nath Gupta, was avowedly against formal schooling for girls, he encouraged his daughter to undertake long and at times hazardous journeys by river, rail and road to perfect her skills as a pianist. Though there was an occasional longing for a freer life like that lived by her cousins, yet, Monica also enjoyed the privileges of living in spacious bungalows with a retinue of servants, going on exclusive launch trips down the Ganges, and being invited to parties at Government House and even Buckingham Palace. While there is a tautness palpable in her narration of an encounter with a clearly racist Eurasian sergeant and almost near-encounter with a tiger, Monica's style avoids hyperbole and dramatic sequences. She presents facts and situations as she saw them -- though there are a few times when emotions of love, fear and excitement ripple through the pages of this tightly-woven memoir.
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Описание: Empires of light is a study of light, vision and power in colonial India. It examines the material cultures of light within imperial networks, drawing the colonial experience into contemporary debates on vision and optics to provide an art historical account of how a modern consciousness was forged amidst these dramatic transformations. -- .
Описание: Focusing on Portuguese, British and French colonial spaces, this book traces changing concepts of mixed-race identity in early colonial India. Starting in the sixteenth century, it discusses how the emergence of race was always shaped by affiliations based on religion, class, national identity, gender and citizenship across empires.
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