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The viola da gamba- pbd paperback d, Hoffmann, Bettina


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Цена: 5511.00р.
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Автор: Hoffmann, Bettina
Название:  The viola da gamba- pbd paperback d
ISBN: 9780367443757
Издательство: Taylor&Francis
Классификация:



ISBN-10: 0367443759
Обложка/Формат: Paperback
Страницы: 392
Вес: 0.63 кг.
Дата издания: 11.11.2019
Язык: English
Иллюстрации: 3 tables, black and white; 127 line drawings, black and white; 110 halftones, black and white; 240 illustrations, black and white
Размер: 155 x 233 x 34
Читательская аудитория: Postgraduate, research & scholarly
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Поставляется из: Европейский союз
Описание: The viola da gamba was a central instrument in European music from the late fifteenth century well into the late eighteenth. Bettina Hoffmann offers an introduction to the instrument-its construction, technique and history-for the non-specialist with a wealth of original archival scholarship that experts will relish.


Life After Death: The Viola da Gamba in Britain from Purcell

Автор: Holman Peter
Название: Life After Death: The Viola da Gamba in Britain from Purcell
ISBN: 1843838206 ISBN-13(EAN): 9781843838203
Издательство: Boydell & Brewer
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Цена: 3958.00 р.
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Описание: New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.

Viola da gamba society index of manuscripts containing consort music

Автор: Thompson, Robert
Название: Viola da gamba society index of manuscripts containing consort music
ISBN: 0367893053 ISBN-13(EAN): 9780367893057
Издательство: Taylor&Francis
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Цена: 6583.00 р.
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Описание: Volume II of The Viola da Gamba Society Index of Manuscripts Containing Consort Music includes manuscripts associated with John Browne (Clerk of the Parliaments), Philip Falle (prebendary at Durham), Sir Gabriel Roberts, John St Barbe of Broadlands, the Withy family of Worcester and Oxford and an anonymous late-seventeenth century scribe.

Viola da gamba

Автор: Hoffmann, Bettina
Название: Viola da gamba
ISBN: 1138240230 ISBN-13(EAN): 9781138240230
Издательство: Taylor&Francis
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Цена: 18374.00 р.
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Описание:

The viola da gamba was a central instrument in European music from the late 15th century well into the late 18th. In this comprehensive study, Bettina Hoffmann offers both an introduction to the instrument -- its construction, technique and history -- for the non-specialist, interweaving this information with a wealth of original archival scholarship that experts will relish. The book begins with a description of the instrument, and here Hoffmann grapples with the complexity of various names applied to this and related instruments. Following two chapters on the instrument's construction and ancestry, the core of the book is given to a historical and geographical survey of the instrument from its origins into the classical period. The book closes with a look at the revival of interest in the 19th and 20th centuries.

Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School

Автор: O`Loghlin
Название: Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School
ISBN: 113825763X ISBN-13(EAN): 9781138257634
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: After decades of stagnation during the reign of his father, the 'Barracks King', the performing arts began to flourish in Berlin under Frederick the Great. Even before his coronation in 1740, the crown prince commenced recruitment of a group of musician-composers who were to form the basis of a brilliant court ensemble. Several composers, including C.P.E. Bach and the Graun brothers, wrote music for the viola da gamba, an instrument which was already becoming obsolete elsewhere. They were encouraged in this endeavour by the presence in the orchestra from 1741 of Ludwig Christian Hesse, one of the last gamba virtuosi, who was described in 1766 as 'unquestionably the finest gambist in Europe'. This study shows how the unique situation in Berlin produced the last major corpus of music written for the viola da gamba, and how the more virtuosic works were probably the result of close collaboration between Hesse and the Berlin School composers. The reader is also introduced to the more approachable pieces which were written and arranged for amateur viol players, including the king's nephew and ultimate successor, Frederick William II. O'Loghlin argues that the aesthetic circumstances which prevailed in Berlin brought forth a specific style that is reflected not only in the music for viola da gamba. Characteristics of this Berlin style are identified with reference to a broad selection of original written sources, many of which are hardly accessible to English-speaking readers. There is also a discussion of the rather contradictory reception history of the Berlin School and some of its composers. The book concludes with a complete thematic catalogue of the Berlin gamba music, with a listing of original manuscript sources and modern publications. The book will appeal to professional and amateur viola da gamba players as well as to scholars of eighteenth-century German music.

Consort suites and dance music by town musicians in german-speaking europe, 1648-1700 pbd

Автор: Robertson, Michael (university Of Leeds, Uk)
Название: Consort suites and dance music by town musicians in german-speaking europe, 1648-1700 pbd
ISBN: 1138481904 ISBN-13(EAN): 9781138481909
Издательство: Taylor&Francis
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Цена: 7195.00 р.
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Описание:

This companion volume to The Courtly Consort Suite in German-Speaking Europe surveys an area of music neglected by modern scholars: the consort suites and dance music by musicians working in the seventeenth-century German towns. Conditions of work in the German towns are examined in detail, as are the problems posed by the many untrained travelling players who were often little more than beggars. The central part of the book explores the organisation, content and assembly of town suites into carefully ordered printed collections, which refutes the concept of the so-called 'classical' suite. The differences between court and town suites are dealt with alongside the often-ignored variation suite from the later decades of the seventeenth century and the separate suite-writing traditions of Leipzig and Hamburg. While the seventeenth-century keyboard suite has received a good deal of attention from modern scholars, its often symbiotic relationship with the consort suite has been ignored. This book aims to redress the balance and to deal with one very important but often ignored aspect of seventeenth-century notation: the use of blackened notes, which are rarely notated in a meaningful way in modern editions, with important implications for performance.


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