Описание: A landmark book that strives to provide both grand theory and practical application, innovatively describing the structure and dynamics of human ecosystems
Автор: Burch Alison Название: Cambridge IGCSE English as a Second Language Student Book ISBN: 0008197261 ISBN-13(EAN): 9780008197261 Издательство: HarperCollins UK Рейтинг: Цена: 3563.00 р. Наличие на складе: Поставка под заказ.
Описание: Collins Cambridge IGCSE(R) English as a Second Language Second Edition has been fully updated to match the new Cambridge IGCSE(R) English as a Second Language syllabus 0510/0511 (for first examination 2019)
Автор: Kerry T. Burch Название: Democratic Transformations ISBN: 1441112138 ISBN-13(EAN): 9781441112132 Издательство: Bloomsbury Рейтинг: Цена: 17820.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Provocative and invigorating, this book selects canonical phrases in American political culture and revives them as sites of thrilling pedagogical opportunity.
Автор: Burch Noel Название: Battle of the Sexes in French Cinema, 1930 1956 ISBN: 0822355612 ISBN-13(EAN): 9780822355618 Издательство: Wiley EDC Рейтинг: Цена: 4117.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In The Battle of the Sexes in French Cinema, 1930–1956, Noël Burch and Geneviève Sellier adopt a sociocultural approach to films made in France before, during, and after World War II, paying particular attention to the Occupation years (1940–44). The authors contend that the films produced from the 1930s until 1956—when the state began to subsidize the movie industry, facilitating the emergence of an "auteur cinema"—are important, both as historical texts and as sources of entertainment.
Citing more than 300 films and providing many in-depth interpretations, Burch and Sellier argue that films made in France between 1930 and 1956 created a national imaginary that equated masculinity with French identity. They track the changing representations of masculinity, explaining how the strong patriarch who saved fallen or troubled women from themselves in prewar films gave way to the impotent, unworthy, or incapable father figure of the Occupation. After the Liberation, the patriarch reemerged as protector and provider alongside assertive women who figured as threats not only to themselves but to society as a whole.
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