Автор: David Название: The Cambridge Companion to the Victorian Novel ISBN: 0521182158 ISBN-13(EAN): 9780521182157 Издательство: Cambridge Academ Рейтинг: Цена: 4118.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This second edition has been updated fully, taking account of new research and critical methodologies, and includes four brand new chapters. Designed to appeal to students, teachers and readers, these essays reflect the very latest approaches to reading and understanding Victorian fiction.
Автор: Deborah Vlock Название: Dickens, Novel Reading, and the Victorian Popular Theatre ISBN: 0521026881 ISBN-13(EAN): 9780521026888 Издательство: Cambridge Academ Рейтинг: Цена: 5702.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This 1998 study shows that many of Dickens` characters and plots can be traced to the Victorian stage. Exploring accounts of actors, actresses, and popular onstage characters, Deborah Vlock uncovers unexpected sources for some Dickensian characters, and throws new light on the conditions in which Dickens` novels were initially received.
Автор: Gail Turley Houston Название: From Dickens to Dracula ISBN: 0521045797 ISBN-13(EAN): 9780521045797 Издательство: Cambridge Academ Рейтинг: Цена: 6019.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Gail Turley Houston examines how the language and imagery of economics are transformed in Gothic fiction, and traces literary and uncanny elements in economic writings of the period. This stimulating interdisciplinary book reveals that the worlds of Victorian economics and Gothic fiction, seemingly separate, actually complemented and enriched each other.
Автор: Fischler Alan Название: Modified Rapture: Comedy in W. S. Gilbert`s Savoy Operas ISBN: 0813929334 ISBN-13(EAN): 9780813929330 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5079.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The professional success achieved by W. S. Gilbert was unique in nineteenth-century English theater: he was the first dramatist ever to be knighted for his stage works, which yielded him a fortune that his less prosperous playwriting predecessors could scarcely have imagined. The Savoy operas-so called after the theater at which most of them were originally produced-were comedies. But comedy, in its traditional form, was hardly congenial to the prevailing social prejudices of the Victorian age: it features the triumph of rebelliousness over laws and rules, ridicules the keepers of the established order, and celebrates the victory of the erotic instinct over repression. Spectacles of this kind were especially uncomfortable for the newly arrived middle class, intent on making itself conspicuous for its dedication to respectability and duty. In fact, before Gilbert's Savoy productions, many of the bourgeoisie refused altogether to patronize the English stage, where the dominant form was comedy in its various guises. Beginning with H. M. S. Pinafore, Fischler demonstrates how Gilbert made it his business to cater to the sensibilities of the middle class through the structure he imposed on his plots, the approach he took to characterization, and the treatment he accorded erotic love, the quintessential theme of comedy. The book's conclusions not only illuminate Gilbert's own comic practice but point the way toward a new understanding of the transactions between comedy in general and the spirit of the Victorian age.
Автор: Dowling Linda Название: The Vulgarization of Art: The Victorians and Aesthetic Democracy ISBN: 0813929326 ISBN-13(EAN): 9780813929323 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5079.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In this major reinterpretation of the Victorian Aesthetic Movement, Linda Dowling argues that such classic works of Victorian art writing such as Ruskin's Stones of Venice of Morris's Lectures on Art or Wilde's Critic as Artist become wholly intelligible only within the larger ideological context of the Whig aesthetic tradition.
The Vulgarization of Art explores the tragic consequences for the Aesthetic Movement when a repressed and irresolvable conflict between Shaftesbury's assumption of "aristocratic soul" and the Victorian ideal of "aesthetic democracy" repeatedly shatters the hopes of such writers as Ruskin, Morris, Pater, and Wilde for social transformation through the aesthetic sense.
Автор: Anne-Marie Millim Название: The Victorian Diary: Authorship and Emotional Labour ISBN: 1409435768 ISBN-13(EAN): 9781409435761 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Reading the diaries of well-known writers and public figures such as Elizabeth Rigby Eastlake, Henry Crabb Robinson, George Eliot, George Gissing, John Ruskin, Edith Simcox and Gerard Manley Hopkins, Anne-Marie Millim locates the diary at the intersection of the public and private spheres. Diaristic writing, Millim argues.
What we can learn about caregiving and community from the Victorian novel
In Communities of Care, Talia Schaffer explores Victorian fictional representations of care communities, small voluntary groups that coalesce around someone in need. Drawing lessons from Victorian sociality, Schaffer proposes a theory of communal care and a mode of critical reading centered on an ethics of care. In the Victorian era, medical science offered little hope for cure of illness or disability, and chronic invalidism and lengthy convalescences were common. Small communities might gather around afflicted individuals to minister to their needs and palliate their suffering. Communities of Care examines these groups in the novels of Jane Austen, Charlotte Bront , Charles Dickens, George Eliot, Henry James, and Charlotte Yonge, and studies the relationships that they exemplify. How do carers become part of the community? How do they negotiate status? How do caring emotions develop? And what does it mean to think of care as an activity rather than a feeling? Contrasting the Victorian emphasis on community and social structure with modern individualism and interiority, Schaffer's sympathetic readings draw us closer to the worldview from which these novels emerged. Schaffer also considers the ways in which these models of carework could inform and improve practice in criticism, in teaching, and in our daily lives. Through the lens of care, Schaffer discovers a vital form of communal relationship in the Victorian novel. Communities of Care also demonstrates that literary criticism done well is the best care that scholars can give to texts.
Автор: Rintoul Название: Intimate Violence and Victorian Print Culture ISBN: 1137493267 ISBN-13(EAN): 9781137493262 Издательство: Springer Рейтинг: Цена: 9781.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Suzanne Rintoul identifies an important contradiction in Victorian representations of abuse: the simultaneous compulsion to expose and to obscure brutality towards women in intimate relationships. Through case studies and literary analysis, this book illustrates how intimate violence was both spectacular and unspeakable in the Victorian period.
Автор: Roden Название: Same-Sex Desire in Victorian Religious Culture ISBN: 0333986431 ISBN-13(EAN): 9780333986431 Издательство: Springer Рейтинг: Цена: 20962.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Same-Sex Desire in Victorian Religious Culture examines the role of Christian history in nineteenth-century definitions of homosexual identity. Moving from Newman and Rossetti, to Hopkins, Wilde, and Michael Field amongst others, Same-Sex Desire claims a new literary history, bringing together gay studies and theology in Victorian literature.
Автор: Pearson Название: Victorian Writers and the Stage ISBN: 1137504676 ISBN-13(EAN): 9781137504678 Издательство: Springer Рейтинг: Цена: 9781.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines the dramatic work of Dickens, Browning, Collins, and Tennyson, their interaction with the theatrical world, and their attempts to develop their reputations as playwrights. These major Victorian writers each authored several professional plays, but why has their achievement been overlooked?
Автор: Patricia M. Ball Название: The Heart`s Events: The Victorian Poetry of Relationships ISBN: 1472511441 ISBN-13(EAN): 9781472511447 Издательство: Bloomsbury Academic Рейтинг: Цена: 22176.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Dr Ball offers an analysis and evaluation of a number of Victorian long poems and groups of lyrics which trace the course of close personal relationships. Her argument is that whereas Romantic treatment of such material was limited, the Victorian poets not only made this emotional territory their own but explored it with vigour, variety and enterprise, and great technical resource. This is apparent, as Dr Ball shows, whether the poets concern themselves with crises such as loss through death - In Memoriam, Patmore's odes of bereavement - or breakdown - Modern Love, Maud, James Lee's Wife - or whether they portray the intricate flux of mutual attraction and courtship, as in Amours de Voyage, The Bothie of Tober-na-Vuolich and The Angel in the House. The Heart's Events brings out strongly the experimental vitality and range of Victorian poetry and, in particular, its sensitive imaginative response to the subtleties of psychological time and change in its records of the inner histories of love.
Автор: Patricia M. Ball Название: The Central Self: A Study in Romantic and Victorian Imagination ISBN: 1472514300 ISBN-13(EAN): 9781472514301 Издательство: Bloomsbury Academic Рейтинг: Цена: 22176.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this closely argued book Dr Ball is concerned to analyse the imaginative process of self-understanding which emerged as a characteristic feature of English Romantic poetry and, acquiring fresh creative force in the Victorian period, has been transmitted to our own times as a determining principle of the contemporary imagination. Dr Ball relates her discussion to the distinction between the poet speaking directly in his own voice and the impulse to dramatised utterance – the two modes of poetic expression conveniently summed up in Keats’s contrasting terms ‘egotistical sublime’ and ‘chameleon’. She shows how these ‘polar’ tendencies co-exist fruitfully in the work of Wordsworth, Coleridge, Byron, Shelley and Keats and from this standpoint supplies a coherent appreciation of the little-regarded plays written by these poets. Turning to Victorian critics and poets Dr Ball considers how the Romantic inheritance fared at their hands. She sees in the poets, notably Tennyson, Arnold, Browning, and Hopkins, a vital link by which the Romantic commitment to the agency of self-consciousness has been carried forward to the twentieth century and concludes with a brief sketch of the creative role of self-exploration in T. S. Eliot and W. B. Yeats.
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