Global Perspectives on Amateur Film Histories and Cultures, Salazkina Masha, Fibla Enrique

Автор: Salazkina Masha, Fibla Enrique
Название: Global Perspectives on Amateur Film Histories and Cultures
ISBN: 0253052033 ISBN-13(EAN): 9780253052032
Издательство: Mare Nostrum (Eurospan)
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Цена: 5016.00 р.
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Описание:

For too long, the field of amateur cinema has focused on North America and Europe. In Global Perspectives on Amateur Film Histories and Cultures, however, editors Masha Salazkina and Enrique Fibla-Guti rrez fill the literature gap by extending that focus and increasing inclusivity.

Through carefully curated essays, Salazkina and Fibla-Guti rrez bring wider meaning and significance to the discipline through their study of alternative cinema in new territories, fueled by different historical and political circumstances, innovative technologies, and ambitious practitioners. The essays in this volume work to realize the radical societal democratization that shows up in amateur cinema around the world. In particular, diverse contributors highlight the significance of amateur filmmaking, the exhibition of amateur films, the uses and availability of film technologies, and the inventive and creative approaches of filmmakers and advocates of amateur film.

Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries.

Автор: Salazkina Masha
Название: Sound, Speech, Music in Soviet and Post-Soviet Cinema
ISBN: 0253011043 ISBN-13(EAN): 9780253011046
Издательство: Wiley EDC
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Цена: 4803.00 р.
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Описание: This innovative volume challenges the ways we look at both cinema and cultural history by shifting the focus from the centrality of the visual and the literary toward the recognition of acoustic culture as formative of the Soviet and post-Soviet experience. Leading experts and emerging scholars from film studies, musicology, music theory, history, and cultural studies examine the importance of sound in Russian, Soviet, and post-Soviet cinema from a wide range of interdisciplinary perspectives. Addressing the little-known theoretical and artistic experimentation with sound in Soviet cinema, changing practices of voice delivery and translation, and issues of aesthetic ideology and music theory, this book explores the cultural and historical factors that influenced the use of voice, music, and sound on Soviet and post-Soviet screens.