Автор: Christopher Beach Название: Claude Chabrol: Interviews ISBN: 1496824687 ISBN-13(EAN): 9781496824684 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Claude Chabrol (1930–2010) was a founding member of the French New Wave, the group of filmmakers that revolutionized French filmmaking in the late 1950s and early 1960s. One of the most prolific directors of his generation, Chabrol averaged more than one film per year from 1958 until his death in 2010. Among his most influential films, Le Beau Serge, Les Cousins, and Les Bonnes Femmes established his central place within the New Wave canon. In contrast to other filmmakers of the New Wave such as Jean-Luc Godard and ?ric Rohmer, Chabrol exhibited simultaneously a desire to create films as works of art and an impulse to produce work that would be commercially successful and accessible to a popular Audience. The seventeen interviews in this volume, most of which have been translated into English for the first time, offer new insights into Chabrol’s remarkably wide-ranging filmography, providing a sense of his attitudes and ideas about a number of Subjects. Chabrol shares anecdotes about his work with such actors as Isabelle Huppert, Gerard Depardieu, and Jean Yanne, and offers fresh perspectives on other directors including Jean-Luc Godard, Fritz Lang, and Alfred Hitchcock. His mistrust of conventional wisdom often leads him to make pronouncements intended as much to shock as to elucidate, and he frequently questions established ideas and normative attitudes toward moral, ethical, and social behaviors. Chabrol’s intelligence is far-reaching, moving freely between philosophy, politics, psychology, literature, and history, and his iconoclastic spirit, combined with his blend of sarcasm and self-deprecating humor, give his interviews a tone that hovers between a high moral seriousness and a cynical sense of hilarity in the face of the world’s complexities.
Автор: Leigh Jacob Название: Late Films of Claude Chabrol ISBN: 1501312499 ISBN-13(EAN): 9781501312496 Издательство: Bloomsbury Academic Рейтинг: Цена: 19008.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A member of the French New Wave group of filmmakers who first came to prominence at the end of the 1950s, Claude Chabrol has received the least amount of critical and scholarly attention, although he was the more prolific and commercially successful of them all. Jacob Leigh fills this lacuna by focusing on the last nine feature films of Chabrol's career, exploring his imagery, camerawork, use of sound and music, and performances, revealing the stylistic characteristics of his films while identifying the fundamental thematic issues that lie at the heart of his career-length exploration of the relationship between individuals and societies.
Key areas of focus includes Chabrol's careful depiction of upper-class settings in films such as La Ceremonie (1995), Merci pour le chocolat (2000) and La Fille coupee en deux (2007) and on what Robin Wood and Michael Walker call 'the beast in man' (1970), the quasi-sympathetic 'id-figures' of which Le Boucher's Popaul is the most celebrated. Chabrol's 'id-figures' inherit the traits of Shadow of a Doubt's Uncle Charlie, Rope's Brandon and Strangers on a Train's Bruno, all three of whom have characteristics of the Nietzsche-quoting psychopath familiar in crime fiction. Additionally, The Late Films of Claude Chabrol considers the influence on Chabrol of a range of significant writers, including Patrick Hamilton, Patricia Highsmith, Charlotte Armstrong and Ruth Rendell.
Автор: Austin, Guy Название: Claude chabrol ISBN: 0719052726 ISBN-13(EAN): 9780719052729 Издательство: NBN International Рейтинг: Цена: 3166.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Claude Chabrol has made more than 50 films in a career spanning 40 years. This account traces the development of his film style from the experimental period of the Nouvelle Vague to the mature thriller of the 1970s and the work of the 1990s.
Автор: Dousteyssier-khoze, Catherine (durham University) Название: Claude chabrol`s aesthetics of opacity ISBN: 0748692606 ISBN-13(EAN): 9780748692606 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this first reappraisal of his filmography (1958-2009), readers are introduced to a new Chabrol, one influenced by Balzac, Magritte, Kubrick.
Автор: Catherine Dousteyssier-Khoze Название: Claude Chabrol`s Aesthetics of Opacity ISBN: 1474431860 ISBN-13(EAN): 9781474431866 Издательство: Bloomsbury Academic Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The first critical appraisal of Chabrol's oeuvre as a whole (from 1958 to 2009)
Claude Chabrol's cinema is generally associated with a specific type of psychological thriller, one set in the French provinces and fascinated with murder, incest, fragmented families, unstable spaces and inscrutable female characters. But Chabrol's films are both deceptively accessible and deeply reflexive, and in this innovative reappraisal of his filmography Catherine Dousteyssier-Khoze explores the Chabrol who was influenced by Balzac, Magritte and Stanley Kubrick. Bringing to the fore Chabrol's 'aesthetic of opacity', the book deconstructs the apparent clarity and comfort of his chosen genre, encouraging the viewer to reflect on the relationship between illusion and reality, and the status of the film image itself.
Key features
Uncovers new influences on Chabrol, including Balzac, Magritte and Kubrick
Offers original insights into Chabrol's most famous film, Le Boucher
Analyses some of Chabrol's latest, little studied films (La Fleur du mal, La Demoiselle d'honneur, La Fille coup e en deux and Bellamy)
Engages with Foucault's concept of heterotopia and Deleuze's 'crystal-image'
Surveys Chabrol's influence and legacy on the contemporary French thriller
A member of the French New Wave group of filmmakers who first came to prominence at the end of the 1950s, Claude Chabrol has received the least amount of critical and scholarly attention, although he was the more prolific and commercially successful of them all. Jacob Leigh fills this lacuna by focusing on the last nine feature films of Chabrol's career, exploring his imagery, camerawork, use of sound and music, and performances, revealing the stylistic characteristics of his films while identifying the fundamental thematic issues that lie at the heart of his career-length exploration of the relationship between individuals and societies.
Key areas of focus includes Chabrol's careful depiction of upper-class settings in films such as La C r monie (1995), Merci pour le chocolat (2000) and La Fille coup e en deux (2007) and on what Robin Wood and Michael Walker call 'the beast in man' (1970), the quasi-sympathetic 'id-figures' of which Le Boucher's Popaul is the most celebrated. Chabrol's 'id-figures' inherit the traits of Shadow of a Doubt's Uncle Charlie, Rope's Brandon and Strangers on a Train's Bruno, all three of whom have characteristics of the Nietzsche-quoting psychopath familiar in crime fiction. Additionally, The Late Films of Claude Chabrol considers the influence on Chabrol of a range of significant writers, including Patrick Hamilton, Patricia Highsmith, Charlotte Armstrong and Ruth Rendell.
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