Контакты/Проезд  Доставка и Оплата Помощь/Возврат
История
  +7(495) 980-12-10
  пн-пт: 10-18 сб,вс: 11-18
  shop@logobook.ru
   
    Поиск книг                    Поиск по списку ISBN Расширенный поиск    
Найти
  Зарубежные издательства Российские издательства  
Авторы | Каталог книг | Издательства | Новинки | Учебная литература | Акции | Хиты | |
 

Wonders of Creation and the Singularities of Painting, Carboni Stefano


Варианты приобретения
Цена: 6336.00р.
Кол-во:
 о цене
Наличие: Отсутствует. 
Возможна поставка под заказ. Дата поступления на склад уточняется после оформления заказа


Добавить в корзину
в Мои желания

Автор: Carboni Stefano
Название:  Wonders of Creation and the Singularities of Painting
ISBN: 9781474461399
Издательство: Bloomsbury Academic
Классификация:



ISBN-10: 1474461395
Обложка/Формат: Paperback
Страницы: 456
Вес: 3.00 кг.
Дата издания: 11.02.2020
Серия: Edinburgh studies in islamic art
Язык: English
Иллюстрации: Illustrations, unspecified
Размер: 163 x 240 x 27
Читательская аудитория: Professional and scholarly
Ключевые слова: History of art: Byzantine & Medieval art c 500 CE to c 1400,Islam,Painting & paintings,Religious subjects depicted in art
Подзаголовок: A study of the ilkhanid london qazvīnī
Рейтинг:
Поставляется из: Англии
Описание:

The subject of this book is the so-called London Qazvīnī, an early 14th-century illustrated Arabic copy of al-Qazvīnīs The Wonders of Creation and the Oddities of Existing Things, which was acquired by the British Library in 1983 (Or. 14140). As is commonly the case for copies of this text, the London Qazvīnī is lavishly illustrated, with 368 extant paintings out of the estimated original ca. 520.

Its large format, ambitious illustrative cycle and the fine quality of many of the illustrations suggest that the atelier where it was produced must have been well-established and able to attract craftsmen from different parts of the Ilkhanid area. It also suggests that its patron was wealthy and curious about scientific, encyclopedic and cajāib literature, and keen to experiment with the illustration of new texts like this work, which had been composed by the author only two or three decades earlier. The only centre that was capable of gathering such artistic influences ranging from Anatolia to Mesopotamia appears to have been Mosul.

The London Qazvīnī is an important newly surfaced document for the study of early illustrated Arabic copies of this text, representing the second earliest known surviving manuscript, as well as for the study of Ilkhanid painting. In a single and unique manuscript are gathered earlier Mesopotamian painting traditions, North Jaziran-Seljuq elements, Anatolian inspirations, the latest changes brought about after the advent of the Mongols, and a number of illustrations of extraordinary subjects which escape a proper classification.





ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
   В Контакте     В Контакте Мед  Мобильная версия