Описание: This two-volume work comprehensively collects, translates and explains the literary evidence for decrees of the fourth-century Athenian assembly. Important for scholars and students of ancient history and politics, providing new perspectives on the working of ancient Greek direct democracy and its political legacy.
Описание: Decree-making is a defining aspect of ancient Greek political activity: it was the means by which city-state communities went about deciding to get things done. This two-volume work provides a new view of the decree as an institution within the framework of fourth-century Athenian democratic political activity. Volume 1 consists of a comprehensive account of the literary evidence for decrees of the fourth-century Athenian assembly. Volume 2 analyses how decrees and decree-making, by offering both an authoritative source for the narrative of the history of the Athenian demos and a legitimate route for political self-promotion, came to play an important role in shaping Athenian democratic politics. Peter Liddel assesses ideas about, and the reality of, the dissemination of knowledge of decrees among both Athenians and non-Athenians and explains how they became significant to the wider image and legacy of the Athenians.
Описание: This book offers the first attempt at understanding interpersonal violence in ancient Athens. Speeches and curse tablets not only spoke about violence, but also exacted it, deriving its legitimate use from a democratic principle, the communal decision of the human jurors in the first case and the underworld gods in the second.
Автор: Eric Csapo, Hans Rupprecht Goette, J. Richard Gree Название: Greek Theatre in the Fourth Century BC ISBN: 3110337487 ISBN-13(EAN): 9783110337488 Издательство: Walter de Gruyter Рейтинг: Цена: 16727.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.
Автор: Binns Название: Latin Literature of the Fourth Century (Routledge Revivals) ISBN: 0415740045 ISBN-13(EAN): 9780415740043 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This volume, offering an insight into the literary world of Rome in the fourth century AD, reflects an increased interest in the writers of the 150 years before the collapse of the Western Empire, who have long been over-shadowed by the pre-eminence accorded since the eighteenth century to the Golden and Silver ages.
Among the writers examined are Ausonius, the poet, Imperial official and tutor to Gratian; Claudian, the last major 'classical' poet; Prudentius, and Paulinus of Nola, two of the founders of Christian Latin poetry; Symmachus, the letter writer and supporter of die-hard paganism; and St. Augustine, whose influence on Christian thought and the Middle Ages is incalculable. These essays consider how such writers responded to a world where vitality was ebbing from the old forms of political life, religion and literature, giving way to new institutions, modes of life and horizons of reflection.
Описание: The concern of the book is whether Hilary of Poitiers compromised the Nicene faith, a charge suggested even in Hilary’s own day, when he attempted to bring together the homouseans and the homoeouseans. The author revisits the arguments offered by recent studies on the issue and analyzes the primary sources to assert confidently that Hilary did not compromise the Nicene confession. The book demonstrates that the confession of faith of the homoeousean group with whom Hilary conciliated was not another form of Arianism. Similarly, the author clarifies that the distinction between the numeric unity and specific unity on which modern authors unsympathetic to Hilary base their negative assessment of the Hilarian program of rapprochement was not operative in the fourth century Trinitarian discourse. Hilary merely affirmed the orthodoxy of the homoeousean confession by demonstrating its affinity with the Nicene doctrine through his explication of the significance of the nativitas of the Son from God the Father, a theological concept employed by both ecclesiastical parties to establish their respective beliefs in the divinity of the Son and His substantial relationship with the Father.
Libanius of Antioch was a rhetorician of rare skill and eloquence. So renowned was he in the fourth century that his school of rhetoric in Roman Syria became among the most prestigious in the Eastern Empire. In this book, Raffaella Cribiore draws on her unique knowledge of the entire body of Libanius’s vast literary output—including 64 orations, 1,544 letters, and exercises for his students—to offer the fullest intellectual portrait yet of this remarkable figure whom John Chrystostom called "the sophist of the city."Libanius (314–ca. 393) lived at a time when Christianity was celebrating its triumph but paganism tried to resist. Although himself a pagan, Libanius cultivated friendships within Antioch’s Christian community and taught leaders of the Church including Chrysostom and Basil of Caesarea. Cribiore calls him a "gray pagan" who did not share the fanaticism of the Emperor Julian. Cribiore considers the role that a major intellectual of Libanius’s caliber played in this religiously diverse society and culture. When he wrote a letter or delivered an oration, who was he addressing and what did he hope to accomplish? One thing that stands out in Libanius’s speeches is the startling amount of invective against his enemies. How common was character assassination of this sort? What was the subtext to these speeches and how would they have been received? Adapted from the Townsend Lectures that Cribiore delivered at Cornell University in 2010, this book brilliantly restores Libanius to his rightful place in the rich and culturally complex world of Late Antiquity.
Описание: Beyond the Fifth Century brings together 13 scholars from various disciplines (Classics, Ancient History, Mediaeval Studies) to explore interactions with Greek tragedy from the 4th century BCE up to the Middle Ages. The volume breaks new ground in several ways. Its chronological scope encompasses periods that are not usually part of research on tragedy reception, especially the Hellenistic period, late antiquity and the Middle Ages. The volume also considers not just performance reception but various other modes of reception, between different literary genres and media (inscriptions, vase paintings, recording technology). There is a pervasive interest in interactions between tragedy and society-at-large, such as festival culture and entertainment (both public and private), education, religious practice, even life-style. Finally, the volume features studies of a comparative nature which focus less on genealogical connections (although such may be present) but rather on the study of equivalences.
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