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Cinema&cie, international film studies journal, vol. xx, no. 32, spring 2019, 


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Название:  Cinema&cie, international film studies journal, vol. xx, no. 32, spring 2019
ISBN: 9788869772450
Издательство: Marston Book Services
Классификация:
ISBN-10: 8869772454
Обложка/Формат: Paperback
Страницы: 146
Вес: 0.39 кг.
Дата издания: 29.02.2020
Серия: Cinema&cie
Язык: English
Иллюстрации: 161
Размер: 253 x 173 x 11
Читательская аудитория: Professional and scholarly
Ключевые слова: Media studies
Подзаголовок: Cinema and mid-century colour culture
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Поставляется из: Англии
Описание: Suspended between transparency and naturalness on the one hand, and opacity and artificiality on the other, colour is integral to the cinematic apparatus in an ideological as well as technological sense. This special issue of Cinema&Cie aims to address colour in the middle decades of the twentieth century - from the 1930s to the 1960s - examining it as an analogue and material quality of still and moving images and, more broadly, of the intermedial cultures in which cinema was embedded. During the mid-century, colour gradually became the norm, and film and media from the era track this transition formally as well as culturally, showing a constant tension within colour between the display of its technical wizardry and its concealment, and between attempts to control it and its own autonomous resistance to regulation.


Mediatic handology. shaping images, interacting, magicking

Название: Mediatic handology. shaping images, interacting, magicking
ISBN: 8869773701 ISBN-13(EAN): 9788869773709
Издательство: Marston Book Services
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Описание: Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of an over-reigning visual paradigm, our media practice has become mainly bodily, since the role of hands has proven ever more decisive and as gestures have increasingly been constructed as tools for thinking and conceptualization. This issue presents crucial case studies in film and visual culture, ranging from classic to experimental cinema, from science visualization to esoteric culture. In every field, filmed hands come to be extraordinary operators of visibility: they depict imaginary worlds which do not rely upon eye perception, they make visible the intimacy of the human being, they give shape to the spectator’s gaze and, in a more concrete fashion, to the image itself through gestures of care and restoration of the filmstrip as well as by anchoring vision through data visualization processes. A hypnotic and a powerful motif, hands represent the corporeal grounds of the cinematic medium and the indelible crystallization of the human in technique.

To each their own pop

Название: To each their own pop
ISBN: 8869772322 ISBN-13(EAN): 9788869772320
Издательство: Marston Book Services
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Описание: Pop music meets the media... This issue is dedicated to a social and cultural phenomenon that we could call the ‘mediatization of pop music’. With a particular focus on the 1960s and 1970s, it is our contention that these two decades significantly shaped our current mediatized culture both in its form and content. Since then, instead of political or confessional organisations, it was popular media and music that offered the contact point between public and private spheres, between the personal and the political, and this shift should be reconsidered as a focal trope in modern culture. We hope to widen the notion of mediatization by highlighting a range of historical processes that have had phenomenological after-effects: the experiential prototypes that were developed during this pivotal period later became persistent paradigms, and paved the way for the mediatized world we still live in.

Cinema&cieinternational film studies journalvol. xviii, no. 30, spring 2018

Название: Cinema&cieinternational film studies journalvol. xviii, no. 30, spring 2018
ISBN: 8869771709 ISBN-13(EAN): 9788869771705
Издательство: Marston Book Services
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Описание: This special issue of Cin ma & Cie explores the cultural dynamics, ideological aporias and political struggles that characterize the relationship between Maoism and national cinemas, from the immediate aftermath of the Cultural Revolution to the present day. All the articles included in the special issue highlight the complexity of the process of translation and 'reinvention' of Maoism in different cultural contexts, focusing on subjects and historical episodes that have been suppressed in public debates and in traditional film history books


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