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Mood and trope, Brenkman, John


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Автор: Brenkman, John
Название:  Mood and trope
ISBN: 9780226673127
Издательство: Wiley
Классификация:

ISBN-10: 022667312X
Обложка/Формат: Hardcover
Страницы: 304
Вес: 0.52 кг.
Дата издания: 20.01.2020
Язык: English
Размер: 158 x 236 x 22
Читательская аудитория: General (us: trade)
Подзаголовок: The rhetoric and poetics of affect
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: In Mood and Trope, John Brenkman introduces two provocative propositions to affect theory: that human emotion is intimately connected to persuasion and figurative language; and that literature, especially poetry, lends precision to studying affect because it resides there not in speaking about feelings, but in the way of speaking itself.

Engaging a quartet of modern philosophers--Kant, Nietzsche, Heidegger, and Deleuze--Brenkman explores how they all approach the question of affect primarily through literature and art. He draws on the differences and dialogues among them, arguing that the vocation of criticism is incapable of systematicity and instead must be attuned to the singularity and plurality of literary and artistic creations. In addition, he confronts these four philosophers and their essential concepts with a wide array of authors and artists, including Pinter and Poe, Baudelaire, Jorie Graham and Li-Young Lee, Shakespeare, Tino Sehgal, and Francis Bacon. Filled with surprising insights, Mood and Trope provides a rich archive for rethinking the nature of affect and its aesthetic and rhetorical stakes.



Mood and Trope: The Rhetoric and Poetics of Affect

Автор: Brenkman John
Название: Mood and Trope: The Rhetoric and Poetics of Affect
ISBN: 022667326X ISBN-13(EAN): 9780226673264
Издательство: Wiley
Рейтинг:
Цена: 4118.00 р.
Наличие на складе: Поставка под заказ.

Описание: In Mood and Trope, John Brenkman introduces two provocative propositions to affect theory: that human emotion is intimately connected to persuasion and figurative language; and that literature, especially poetry, lends precision to studying affect because it resides there not in speaking about feelings, but in the way of speaking itself.

Engaging a quartet of modern philosophers--Kant, Nietzsche, Heidegger, and Deleuze--Brenkman explores how they all approach the question of affect primarily through literature and art. He draws on the differences and dialogues among them, arguing that the vocation of criticism is incapable of systematicity and instead must be attuned to the singularity and plurality of literary and artistic creations. In addition, he confronts these four philosophers and their essential concepts with a wide array of authors and artists, including Pinter and Poe, Baudelaire, Jorie Graham and Li-Young Lee, Shakespeare, Tino Sehgal, and Francis Bacon. Filled with surprising insights, Mood and Trope provides a rich archive for rethinking the nature of affect and its aesthetic and rhetorical stakes.


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