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The Early Modern Theatre of Cruelty and its Doubles, Amanda Di Ponio


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Автор: Amanda Di Ponio
Название:  The Early Modern Theatre of Cruelty and its Doubles
ISBN: 9783030063931
Издательство: Springer
Классификация:



ISBN-10: 3030063933
Обложка/Формат: Soft cover
Страницы: 270
Вес: 0.37 кг.
Дата издания: 2018
Серия: Avant-Gardes in Performance
Язык: English
Издание: Softcover reprint of
Иллюстрации: XII, 270 p.
Размер: Book (Paperback Initiative)
Читательская аудитория: Professional & vocational
Основная тема: Cultural and Media Studies
Подзаголовок: Artaud and Influence
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Германии
Описание:
This book examines the influence of the early modern period on Antonin Artaud’s seminal work The Theatre and Its Double, arguing that Elizabethan and Jacobean drama and their early modern context are an integral part of the Theatre of Cruelty and essential to its very understanding. The chapters draw links between the early modern theatrical obsession with plague and regeneration, and how it is mirrored in Artaud’s concept of cruelty in the theatre. As a discussion of the influence of Shakespeare and his contemporaries on Artaud, and the reciprocal influence of Artaud on contemporary interpretations of early modern drama, this book is an original addition to both the fields of early modern theatre studies and modern drama.

Дополнительное описание:
1. Introduction.- 2. Interpreting Antonin Artaud’s Theatre of Cruelty Foundations: Th??tre Alfred Jarry – Three Influential Events – Elizabethan Dramatic Conventions – Cruelty in the Theatre.- 3. Theatre and Plague: The Doubly Potent Spectacles



The Early Modern Theatre of Cruelty and its Doubles

Автор: Di Ponio
Название: The Early Modern Theatre of Cruelty and its Doubles
ISBN: 3319922483 ISBN-13(EAN): 9783319922485
Издательство: Springer
Рейтинг:
Цена: 8384.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

This book examines the influence of the early modern period on Antonin Artaud’s seminal work The Theatre and Its Double, arguing that Elizabethan and Jacobean drama and their early modern context are an integral part of the Theatre of Cruelty and essential to its very understanding. The chapters draw links between the early modern theatrical obsession with plague and regeneration, and how it is mirrored in Artaud’s concept of cruelty in the theatre. As a discussion of the influence of Shakespeare and his contemporaries on Artaud, and the reciprocal influence of Artaud on contemporary interpretations of early modern drama, this book is an original addition to both the fields of early modern theatre studies and modern drama.

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