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Adorno`s Philosophy of the Nonidentical, Oshrat C. Silberbusch


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Автор: Oshrat C. Silberbusch
Название:  Adorno`s Philosophy of the Nonidentical
ISBN: 9783030070748
Издательство: Springer
Классификация:



ISBN-10: 3030070743
Обложка/Формат: Soft cover
Страницы: 205
Вес: 0.29 кг.
Дата издания: 2018
Язык: English
Издание: Softcover reprint of
Иллюстрации: Illustrations, black and white
Размер: 210 x 148 x 12
Читательская аудитория: General (us: trade)
Основная тема: Philosophy
Подзаголовок: Thinking as Resistance
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: This book focuses on a central notion in Theodor. W. Adorno’s philosophy: the nonidentical. The nonidentical is what our conceptual framework cannot grasp and must therefore silence, the unexpressed other of our rational engagement with the world. This study presents the nonidentical as the multidimensional centerpiece of Adorno’s reflections on subjectivity, truth, suffering, history, art, morality and politics, revealing the intimate relationship between how and what we think. Adorno’s work, written in the shadow of Auschwitz, is a quest for a different way of thinking, one that would give the nonidentical a voice – as the somatic in reasoning, the ephemeral in truth, the aesthetic in cognition, the other in society. Adorno’s philosophy of the nonidentical reveals itself not only as a powerful hermeneutics of the past, but also as an important tool for the understanding of modern phenomena such as xenophobia, populism, political polarization, identity politics, and systemic racism.
Дополнительное описание: Introduction.- The Fate of the Nonidentical: Auschwitz and the Dialectic of Enlightenment.- The Torturable Body: Adorno’s Negative Dialectic.- Philosophy of Art, Art of Philosophy: Adorno’s Aesthetic Utopia.- Epilogue.



Philosophy of New Music

Автор: Adorno Theodor W.
Название: Philosophy of New Music
ISBN: 0816636672 ISBN-13(EAN): 9780816636679
Издательство: Mare Nostrum (Eurospan)
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Описание: In 1947 Theodor Adorno, one of the seminal European philosophers of the postwar years, announced his return after exile in the United States to a devastated Europe by writing Philosophy of New Music. Intensely polemical from its first publication, every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Even Schoenberg reviled it. Despite the controversy, Philosophy of New Music became highly regarded and widely read among musicians, scholars, and social philosophers. Marking a major turning point in his musicological philosophy, Adorno located a critique of musical reproduction as internal to composition itself, rather than as a matter of the reproduction of musical performance. Consisting of two distinct essays, “Schoenberg and Progress” and “Stravinsky and Reaction,” this work poses the musical extremes in which Adorno perceived the struggle for the cultural future of Europe: between human emancipation and barbarism, between the compositional techniques and achievements of Schoenberg and Stravinsky. In this completely new translation—presented along with an extensive introduction by distinguished translator Robert Hullot-Kentor—Philosophy of New Music emerges as an indispensable key to the whole of Adorno's illustrious and influential oeuvre. Theodor W. Adorno (1903-1969) was the leading figure of the Frankfurt school of critical theory. He authored more than twenty volumes, including Negative Dialectics (1982), Philosophy of Modern Music (1980), Kierkegaard (Minnesota, 1989), Dialectic of Enlightenment (1975) with Max Horkheimer, and Aesthetic Theory (Minnesota, 1997).Robert Hullot-Kentor has taught at Harvard and Stanford universities and written widely on Adorno. He has translated various works of Adorno, including Aesthetic Theory.

Correspondence: 1923–1966

Автор: Theodor W. Adorno, Siegfried Kracauer
Название: Correspondence: 1923–1966
ISBN: 0745649238 ISBN-13(EAN): 9780745649238
Издательство: Wiley
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Описание:
Theodor W. Adorno and Siegfried Kracauer were two of the most influential philosophers and cultural critics of the 20th century. While Adorno became the leading intellectual figure of the Frankfurt School, Kracauer's writings on film, photography, literature and the lifestyle of the middle classes opened up a new and distinctive approach to the study of culture and everyday life in modern societies.

This volume brings together for the first time the long-running correspondence between these two major figures of German intellectual culture. As left-wing German Jews who were forced into exile with the rise of Nazism, Adorno and Kracauer shared much in common, but their worldviews were in many ways markedly different. These differences become clear in a correspondence that ranges over a great diversity of topics, from the nature of criticism and the meaning of utopia to the work of their contemporaries, including Bloch, Brecht and Benjamin. Where Kracauer embraced the study of new mass media, above all film, Adorno was much more sceptical. This is borne out in his sharp criticism of Kracauer's study of the composer Offenbach, which Adorno derided as musically illiterate, as well as his later criticism of Kracauer's Theory of Film. Exposing the very different ways that both men were grappling intellectually with the massive transformations of the 20th century, these letters shed fresh light on the principles shaping their work at the same time as they reveal something of the intellectual brilliance and human frailties of these two towering figures of 20th century thought.

This unique volume will be of great value to anyone interested in critical theory and in 20th century intellectual and cultural history.

Aesthetics: 1958/59

Автор: Theodor W. Adorno
Название: Aesthetics: 1958/59
ISBN: 0745679404 ISBN-13(EAN): 9780745679402
Издательство: Wiley
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Описание: This volume of lectures on aesthetics, given by Adorno in the winter semester of 1958/59, formed the foundation for his later text Aesthetic Theory, widely regarded as one of Adorno s greatest works.

Aesthetics of Negativity: Blanchot, Adorno, and Autonomy

Автор: William S. Allen
Название: Aesthetics of Negativity: Blanchot, Adorno, and Autonomy
ISBN: 0823269280 ISBN-13(EAN): 9780823269280
Издательство: Mare Nostrum (Eurospan)
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Описание:

Maurice Blanchot and Theodor W. Adorno are among the most difficult but also the most profound thinkers in twentieth-century aesthetics. While their methods and perspectives differ widely, they share a concern with the negativity of the artwork conceived in terms of either its experience and possibility or its critical expression. Such negativity is neither nihilistic nor pessimistic but concerns the status of the artwork and its autonomy in relation to its context or its experience. For both Blanchot and Adorno negativity is the key to understanding the status of the artwork in post-Kantian aesthetics and, although it indicates how art expresses critical possibilities, albeit negatively, it also shows that art bears an irreducible ambiguity such that its meaning can always negate itself. This ambiguity takes on an added material significance when considered in relation to language as the negativity of the work becomes aesthetic in the further sense of being both sensible and experimental, and in doing so the language of the literary work becomes a form of thinking that enables materiality to be thought in its ambiguity.
In a series of rich and compelling readings, William S. Allen shows how an original and rigorous mode of thinking arises within Blanchot’s early writings and how Adorno’s aesthetics depends on a relation between language and materiality that has been widely overlooked. Furthermore, by reconsidering the problem of the autonomous work of art in terms of literature, a central issue in modernist aesthetics is given a greater critical and material relevance as a mode of thinking that is abstract and concrete, rigorous and ambiguous. While examples of this kind of writing can be found in the works of Blanchot and Beckett, the demands that such texts place on readers only confirm the challenges and the possibilities that literary autonomy poses to thought.

German Aesthetics: Fundamental Concepts from Baumgarten to Adorno

Автор: J. D. Mininger, Jason Michael Peck
Название: German Aesthetics: Fundamental Concepts from Baumgarten to Adorno
ISBN: 1501321471 ISBN-13(EAN): 9781501321474
Издательство: Bloomsbury Academic
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Описание: German Aesthetics provides English-speaking audiences with accessible explanations of fundamental concepts from the German tradition of philosophical aesthetics. Organized with the understanding that aesthetic concepts are often highly contested intellectual territory, and that the usage and meanings of terms often shift within historical, cultural, and political debates, this volume brings together scholars of German literature, philosophy, film studies, musicology, and history to provide informative and creative interpretations of German aesthetics that will be useful to students and scholars alike.

The Dialectics of Music: Adorno, Benjamin, and Deleuze

Автор: Joseph Weiss
Название: The Dialectics of Music: Adorno, Benjamin, and Deleuze
ISBN: 1350244074 ISBN-13(EAN): 9781350244078
Издательство: Bloomsbury Academic
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Описание: Combining the philosophy and musicology of T.W. Adorno, Walter Benjamin, and Gilles Deleuze, alongside an exploration of the dialectical character of music production, Joseph Weiss exposes the unresolved contradictions of contemporary music.By following the outermost mediations between nature, history, and technology, the book reflects on how advanced music critically responds to the ongoing catastrophe of both the Middle Passage and Auschwitz. Following what the author calls the “categorical imperative” of music, Weiss investigates the significance of a wide range of musical phenomena including the territorialization of the lullaby, the improvisation and sorrow song of the blues and jazz, as well as the cosmological limits of the electroacoustic avant-garde. In the era of commodity production, racialized violence and dispossession, the author defends critical music as a singular index of political possibilities.

Art and Aesthetics After Adorno

Автор: Bernstein J. M., Brodsky Claudia, Cascardi Anthony J.
Название: Art and Aesthetics After Adorno
ISBN: 0823253090 ISBN-13(EAN): 9780823253098
Издательство: Wiley EDC
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Описание: Theodor Adorno’s Aesthetic Theory (1970) offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the middle of the 20th century. It is coupled with ambitious claims about what aesthetic theory ought to be. But the cultural horizon of Adorno’s Aesthetic Theory was the world of high modernism, and much has happened since then both in theory and in practice. Adorno’s powerful vision of aesthetics calls for reconsideration in this light. Must his work be defended, updated, resisted, or simply left behind? This volume gathers new essays by leading philosophers, critics, and theorists writing in the wake of Adorno in order to address these questions. They hold in common a deep respect for the power of Adorno’s aesthetic critique and a concern for the future of aesthetic theory in response to recent developments in aesthetics and its contexts.

Art and enlightenment

Автор: Roberts, David
Название: Art and enlightenment
ISBN: 0803290101 ISBN-13(EAN): 9780803290105
Издательство: Wiley EDC
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Описание:

The crisis of tradition early in the twentieth century—signaled by the collapse of perspective in painting and tonality in music and evident in the explosive ferment of the avant-garde movements—opened a new stage of modern art, which aesthetic theory is still struggling to comprehend. David Roberts situates the current aesthetic and cultural debates in a wider historical frame which extends from Hegel and the German Romantics to Luk?cs and Adorno, Benjamin and Baudrillard. Art and Enlightenment: Aesthetic Theory after Adorno is the first detailed analysis in English of Theodor Adorno’s seminal Philosophy of Modern Music, which can be seen as a turning point between modern and postmodern art and theory.

Adorno's diagnosis of the crisis of modernist values points back to Hegel's thesis of the end of art and also forward to the postmodernist debate. Thus the paradoxes of Adorno’s negative aesthetics return to haunt the current discussion by representatives of the second generation of the Frankfurt School, Anglo-American Marxism, and French poststructuralism. Going beyond Adorno's dialectic of musical enlighten-ment, Roberts proposes an alternative model of the enlightenment, of art applied to literature and exemplified in the outline of a theory of parody. In its critique of Adorno, Art and Enlightenment clears the way for a reconsideration of twentieth-century artistic theory and practice and also, in offering a model of postmodern art, seeks to disentangle critical issues in the discussion of the avant-garde, modernism, and postmodernism.

Adorno and philosophical modernism

Автор: Foster, Roger Stuart
Название: Adorno and philosophical modernism
ISBN: 1498525008 ISBN-13(EAN): 9781498525008
Издательство: Bloomsbury
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Описание: This book explores contemporary continental philosophy and aesthetics. It addresses the problem of post-Kantian reason in relation to the pathologies of experience, alienation, the transformative and ethical import of aesthetic experience, the relation between philosophy and social critique, and language as disclosure rather than correspondence.

Adorno, Aesthetics, Dissonance: On Dialectics in Modernity

Автор: William S. Allen
Название: Adorno, Aesthetics, Dissonance: On Dialectics in Modernity
ISBN: 1501393863 ISBN-13(EAN): 9781501393860
Издательство: Bloomsbury Academic
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Описание: Adorno’s aesthetics are one of the most important philosophical analyses of the 20th century, but their development remains unclear. Adorno, Aesthetics, Dissonance is the first book to provide a detailed study of how Adorno’s thinking of aesthetics developed and to show the different dimensions that came together to make it uniquely powerful. Principal among these dimensions are his intense interest inmusic and his historical and materialist approach. In addition, by studying how Adorno’s aesthetics arose through interactions with different thinkers, particularly Kracauer, Horkheimer, and Schoenberg, it becomes clear that his thought changes in its relation to dialectics. As a result, Adorno’s thinking comes to broaden the understanding of aesthetics to include the sphere of sensuality, and in doing sotransforms both aesthetics and dialectics through a notion of dissonance, which in turn has substantial implications for the relation of his thinking to praxis.

Adorno and modern theatre

Автор: Gritzner, Karoline
Название: Adorno and modern theatre
ISBN: 113753446X ISBN-13(EAN): 9781137534460
Издательство: Springer
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Описание: Adorno and Modern Theatre explores the drama of Edward Bond, David Rudkin, Howard Barker and Sarah Kane in the context of the work of leading philosopher Theodor W. Adorno (1903-1969). The book engages with key principles of Adorno`s aesthetic theory and cultural critique and examines their influence on a generation of seminal post-war dramatists.

Aesthetics and the work of art

Название: Aesthetics and the work of art
ISBN: 0230549195 ISBN-13(EAN): 9780230549197
Издательство: Springer
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Описание: Ten leading commentators explore the interfaces between art and aesthetics in dialogue with a philosophical text (Theodor Adorno`s draft introduction to Aesthetic Theory ), a piece of literary writing (Franz Kafka`s A Report to an Academy ), and a major contemporary painting (Gerhard Richter`s Betty , 1988).


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