Название: Horror Cinema (Bibliotheca Universalis) ISBN: 3836561859 ISBN-13(EAN): 9783836561853 Издательство: Taschen Рейтинг: Цена: 2657.00 р. Наличие на складе: Ожидается поступление.
Описание: Get ready to quake in fear with this revised and expanded edition of our history of horror cinema. From serial killers to satanists, The Shining to Scream, some 600 pages explore the genre`s favorite themes, mythologies, and motifs, and get up close and trembling to 50 top horror masterworks from the 1920s to the 2000s.
Автор: Hodge Thomas Название: Vhs: Video Cover Art: 1980s to Early 1990s ISBN: 0764348671 ISBN-13(EAN): 9780764348679 Издательство: Schiffer Рейтинг: Цена: 5806.00 р. Наличие на складе: Есть (1 шт.) Описание: Video cover art is a unique and largely lost artform representing a period of unabashed creativity during the video rental boom of the 1980s to early 1990s. The art explodes with a succulent, indulgent blend of design, illustration, typography, and hilarious copywriting. Written and curated by Tom "The Dude Designs" Hodge, poster artist extraordinaire and VHS obsessive, with a foreword by Mondos Justin Ishmael, this collection contains over 240 full-scale, complete video sleeves in the genres of action, comedy, horror, kids, sci-fi, and thriller films. Its a world of mustached, muscled men, buxom beauties, big explosions, phallic guns, and nightmare-inducing monsters. From the sublime to the ridiculous, some are incredible works of art, some are insane, and some capture the tone of the films better than the films themselves. All are amazing and inspiring works of art that captivate the imagination. Its like stepping back in time into your local video store!
Автор: Ellis Cashmore Название: Elizabeth Taylor: A Private Life for Public Consumption ISBN: 1628920696 ISBN-13(EAN): 9781628920697 Издательство: Bloomsbury Academic Рейтинг: Цена: 2993.00 р. 4275.00-30% Наличие на складе: Есть (1 шт.) Описание: The first volume to examine the iconic Elizabeth Taylor in this light, Elizabeth Taylor: A Private Life for Public Consumption paints Taylor as the seminal representation of “celebrity.” A figure of enormous charisma and cultural sway, she intrigued a global audience with her marriages and extra-marital improprieties, as well as her extravagant jewelry, her never-ending illnesses, her dependency on alcohol, and her perplexing friendship with Michael Jackson. Despite her continued world-renown, however, most people would be hard-pressed to name even three of her films, though she made over seventy. Ellis Cashmore traces our modern, hyperactive celebrity culture back to a single instant in Taylor’s life: the publicizing of her scandalous affair with Richard Burton by photographer Marcelo Geppetti in 1962, which announced the arrival of a new generation of predatory photojournalists and, along with them, a strange conflation between the public and private lives of celebrities. Taylor’s life and public reception, Cashmore reveals, epitomizes the modern phenomenon of “celebrity.”
Автор: Jaffe Ira Название: Slow Movies: Countering the Cinema of Action ISBN: 0231169787 ISBN-13(EAN): 9780231169783 Издательство: Wiley Рейтинг: Цена: 13939.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "Slow Movies investigates movies by acclaimed directors who over the past three decades have challenged mainstream cinema`s reliance on motion and action"--Page 4 of cover.
Автор: Jaffe Ira Название: Slow Movies: Countering the Cinema of Action ISBN: 0231169795 ISBN-13(EAN): 9780231169790 Издательство: Wiley Рейтинг: Цена: 3960.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "Slow Movies investigates movies by acclaimed directors who over the past three decades have challenged mainstream cinema`s reliance on motion and action"--Page 4 of cover.
Описание: Have you ever watched a Marx Brothers film and wondered what 'habeas Irish rose' is? What is the trial of Mary Dugan with sound? What is a college widow? When exactly did Don Ameche invent the telephone? Their films are full of such in-jokes and obscure theatrical, literary and topical references that can baffle modern audiences.In this viewer's guide to the Marx Brothers you will find the answer to such mysteries, along with an exhaustive compilation of background information, obscure trivia and even the occasional busted myth. Each of the Marx Brothers' 13 films is covered by a running commentary, with points in the film discussed as they appear. Each reference is listed by its running time, with time code given for both PAL and NTSC DVD. An introduction for neophytes and a resource for fanatics, this book is a travel guide to the rambling landscape of these remarkable comedies.
Автор: Gonthier David F., O`Brien Timothy M. Название: The Films of Alan Parker, 1976-2003 ISBN: 0786497254 ISBN-13(EAN): 9780786497256 Издательство: Turpin Рейтинг: Цена: 7383.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The offbeat musicals... The stylized biopics... The visceral social dramas... The one-of-kind genre films... These are the types of films British director, writer, producer and cartoonist Sir Alan Parker has worked on. Parker is known for his humility as a director and has never considered himself an auteur. This book is the first study of his complete body of feature films (1976-2003).
Автор: Capua Michelangelo Название: Anatole Litvak: The Life and Films ISBN: 0786494131 ISBN-13(EAN): 9780786494132 Издательство: Turpin Рейтинг: Цена: 4064.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur.Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These films - along with Mayerling (1936), Sorry, Wrong Number (1946) and Anastasia (1956) - are considered classics, but none of his pictures gives any clue of Litvak the man. Apart from passing references to his wartime service as combat documentarian, he never discussed his life in print, allowing only brief interviews relating exclusively to his work.This biography fills that void, providing the first detailed portrait of an artist described by film historian Richard Schickel as “an adept, adaptable and prolific man; the kind of director that Hollywood likes best”.
Автор: Gary Bettinson; James Udden Название: The Poetics of Chinese Cinema ISBN: 1137566086 ISBN-13(EAN): 9781137566089 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
.1 Introduction: The Poetics of Chinese Cinema Gary Bettinson.-
.2 Five Lessons from Stealth Poetics David Bordwell.-
.3 Red Poetics: The Films of the Chinese Cultural Revolution Revolutionary Model Operas Chris Berry.-
.4 Renewal of Classical Painting Aesthetics Combined with a Contemplative Modernism in the Early Work of Chen Kaige Peter Rist.-
.5 Poetics of Two Springs: Fei Mu vs. Tian Zhuangzhuang James Udden.-
Описание: German film in the Wilhelmine and Weimar periods is regarded as marked by a strong sense of cultural conservatism and the aspiration to be recognized as an art form. This book takes an alternative approach to the history of German cinema from the emergence of the early feature film to the transition to sound by focusing on the poetics of popular genres such as the disaster film, melodrama, the musical and the war film, exploring their cultural reverberations and modes of audience address. Based on the assumption that popular cinema contributed immensely to the breakthrough of a modern audiovisual "culture of the senses" in Germany between 1910 and 1930, Pictorial Affects, Senses of Rupture offers close readings of a number of rarely analyzed films, including one of the first cinematic adaptations of the Titanic disaster from 1912 and the German version of All Quiet on the Western Front from 1930. Restoring the films' horizons of historicity by locating them at crucial points of intersection between social, cultural, technological and aesthetic discourses, this book argues for the prominent role popular German cinema’s own forms of discursivity have played within the historical formation of modernity.
How do the temporal and dynamic patterns of media forms and practices create complex constructions of meaning, identity and value? How can we describe the way cinematic images generate and transform the affectively grounded structures that survey, confirm or revise a political community’s horizon of values?
Using the exemplary case of feelings of guilt, the author develops an approach that makes patterns of audiovisual compositions intelligible as aesthetic modulations of moral feelings. A sense of guilt is presented here as neither an individualistic psychological emotion nor an external social mechanism of control but as a paradigmatic case for understanding politics and history as based upon embodied affectivity and shared relations to the world.
By taking three distinct examples – German Post-War cinema, Hollywood Western and films on climate change – patterns of audiovisual composition and the inherent calculation of affect are analyzed as practices shaping the conditions of possibility of political communities and their historicity.
Описание: How is affective experience produced in the cinema? And how can we write a history of this experience? By asking these questions, this study by Hauke Lehmann aims at rethinking our conception of a critical period in US film history – the New Hollywood: as a moment of crisis that can neither be reduced to economic processes of adaption nor to a collection of masterpieces. Rather, the fine-grained analysis of core films reveals the power of cinematic images to affect their audiences – to confront them with the new. The films of the New Hollywood redefine the divisions of the classical genre system in a radical way and thereby transform the way spectators are addressed affectively in the cinema. The study describes a complex interplay between three modes of affectivity: suspense, paranoia, and melancholy. All three, each in their own way, implicate spectators in the deep-seated contradictions of their own feelings and their ways of being in the world: their relations to history, to society, and to cultural fantasy. On this basis, Affect Poetics of the New Hollywood projects an original conception of film history: as an affective history which can be re-written up to the present day.
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