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Nocturnes: Popular Music and the Night, Geoff Stahl; Giacomo Bott?


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Автор: Geoff Stahl; Giacomo Bott?
Название:  Nocturnes: Popular Music and the Night
ISBN: 9783319997858
Издательство: Springer
Классификация:




ISBN-10: 3319997858
Обложка/Формат: Hardcover
Страницы: 280
Вес: 0.52 кг.
Дата издания: 2019
Серия: Pop Music, Culture and Identity
Язык: English
Издание: 1st ed. 2019
Иллюстрации: 4 tables, color; 6 illustrations, color; 7 illustrations, black and white; xvii, 280 p. 13 illus., 6 illus. in color.
Размер: 210 x 148 x 18
Читательская аудитория: Professional & vocational
Основная тема: Cultural and Media Studies
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: The night and popular music have long served to energise one another, such that they appear inextricably bound together as trope and topos. This history of reciprocity has produced a range of resonant and compelling imaginaries, conjured up through countless songs and spaces dedicated to musical life after dark. Nocturnes: Popular Music and the Night is one of the first volumes to examine the relationship between night and popular music. Its scope is interdisciplinary and geographically diverse.The contributors gathered here explore how the problems, promises, and paradoxes of the night and music play off of one another to produce spaces of solace and sanctuary as well as underpinning strategies designed to police, surveil and control movements and bodies. This edited collection is a welcome addition to debates and discussions about the cultures of the night and how popular music plays a continuing role in shaping them.
Дополнительное описание:
Introduction: Because the Night…(Giacomo Bott? & Geoff Stahl).- Part I.Nightclubbing.- 1.‘In the Pitch Dark’: Searching for a ‘Proper Allnighter’ in the Current Northern Soul Scene (Sarah Raine).- 2. Putting Paris and Berlin on Show: Nightlife in the



One Night on TV Is Worth Weeks at the Paramount: Popular Music on Early Television

Автор: Forman Murray
Название: One Night on TV Is Worth Weeks at the Paramount: Popular Music on Early Television
ISBN: 0822350114 ISBN-13(EAN): 9780822350118
Издательство: Wiley EDC
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Цена: 4288.00 р.
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Описание:

Elvis Presley's television debut in January 1956 is often cited as the moment when popular music and television came together. Murray Forman challenges that contention, revealing popular music as crucial to television years before Presley's sensational small-screen performances. Drawing on trade and popular journalism, internal television and music industry documents, and records of audience feedback, Forman provides a detailed history of the incorporation of musical performances into TV programming during the medium's formative years, from 1948 to 1955. He examines how executives in the music and television industries understood and responded to the convergence of the two media; how celebrity musicians such as Vaughn Monroe, Frank Sinatra, and Fred Waring struggled to adjust to television; and how relative unknowns with an intuitive feel for the medium were sometimes catapulted to stardom. Forman argues that early television production influenced the aesthetics of musical performance in the 1940s and 1950s, particularly those of emerging musical styles such as rock and roll. At the same time, popular music helped to shape the nascent medium of television—its technologies, program formats, and industry structures. Popular music performances were essential to the allure and success of TV in its early years.
Highlife Saturday Night: Popular Music and Social Change in Urban Ghana

Автор: Plageman Nathan
Название: Highlife Saturday Night: Popular Music and Social Change in Urban Ghana
ISBN: 0253007291 ISBN-13(EAN): 9780253007292
Издательство: Wiley EDC
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Цена: 3773.00 р.
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Описание: Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana—when musicians took to the stage and dancers took to the floor—in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band "highlife" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music's emergence, evolution, and explosive popularity. This book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.


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