Автор: Renk Kathleen Название: Women Writing the Neo-Victorian Novel: Erotic "victorians " ISBN: 3030482863 ISBN-13(EAN): 9783030482862 Издательство: Springer Рейтинг: Цена: 11878.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Women Writing the Neo-Victorian Novel: Erotic "Victorians" focuses on the work of British, Irish, and Commonwealth women writers such as A.S.
Автор: Renk Kathleen Название: Women Writing the Neo-Victorian Novel: Erotic "Victorians " ISBN: 3030482898 ISBN-13(EAN): 9783030482893 Издательство: Springer Рейтинг: Цена: 11878.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Women Writing the Neo-Victorian Novel: Erotic "Victorians" focuses on the work of British, Irish, and Commonwealth women writers such as A.S.
Автор: Kate Mitchell Название: History and Cultural Memory in Neo-Victorian Fiction ISBN: 1349310166 ISBN-13(EAN): 9781349310166 Издательство: Springer Рейтинг: Цена: 2795.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org. Arguing that neo-Victorian fiction enacts and celebrates cultural memory, this book uses memory discourse to position these novels as dynamic participants in the contemporary historical imaginary.
Автор: Brantlinger, Patrick Название: Taming cannibals ISBN: 0801450195 ISBN-13(EAN): 9780801450198 Издательство: Wiley EDC Рейтинг: Цена: 7379.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Taming Cannibals, Patrick Brantlinger unravels contradictions embedded in the racist and imperialist ideology of the British Empire. For many Victorians, the idea of taming cannibals or civilizing savages was oxymoronic: civilization was a goal that the nonwhite peoples of the world could not attain or, at best, could only approximate, yet the "civilizing mission" was viewed as the ultimate justification for imperialism. Similarly, the supposedly unshakeable certainty of Anglo-Saxon racial superiority was routinely undercut by widespread fears about racial degeneration through contact with "lesser" races or concerns that Anglo-Saxons might be superseded by something superior—an even "fitter" or "higher" race or species.
Brantlinger traces the development of those fears through close readings of a wide range of texts—including Robinson Crusoe by Daniel Defoe, Fiji and the Fijians by Thomas Williams, Daily Life and Origin of the Tasmanians by James Bonwick, The Descent of Man by Charles Darwin, Heart of Darkness by Joseph Conrad, Culture and Anarchy by Matthew Arnold, She by H. Rider Haggard, and The War of the Worlds by H. G. Wells. Throughout the wide-ranging, capacious, and rich Taming Cannibals, Brantlinger combines the study of literature with sociopolitical history and postcolonial theory in novel ways.
Автор: Davies Helen Название: Gender and Ventriloquism in Victorian and Neo-Victorian Fict ISBN: 023034366X ISBN-13(EAN): 9780230343665 Издательство: Springer Рейтинг: Цена: 10760.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Is ventriloquism just for dummies? What is at stake in neo-Victorian fiction`s desire to `talk back` to the nineteenth century? This book explores the sexual politics of dialogues between the nineteenth century and contemporary fiction, offering a new insight into the concept of ventriloquism as a textual and metatextual theme in literature.
Автор: Heilmann Название: Neo-/Victorian Biographilia and James Miranda Barry ISBN: 331971385X ISBN-13(EAN): 9783319713854 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Senior colonial officer from 1813 to 1859, Inspector General James Barry was a pioneering medical reformer who after his death in 1865 became the object of intense speculation when rumours arose about his sex. This cultural history of Barry’s afterlives in Victorian to contemporary (neo-Victorian) life-writing (‘biographilia’) examines the textual and performative strategies of biography, biofiction and biodrama of the last one and a half centuries. In exploring the varied reconstructions and re-imaginations of the historical personality across time, the book illustrates (not least with its cover image) that the ‘real’ James Barry does not exist, any more than does the ‘faithful’ biographical, biofictional or biodramatic rendering of a life in a generically ‘stable’ and discrete form. What Barry represents and how he is represented invariably pinpoints the imaginative, the speculative and the performative: reflections and refractions in the looking glass of genre. Just as ‘James Miranda Barry’, as a subject of cultural inquiry, comes into being and remains in view in the act of crossing gender, so neo-Victorian life-writing constitutes itself through similar acts of boundary transgression. Transgender thus finds its most typical expression in transgenre.
Описание: Chapter 1/Introduction: Neo-Victorian Maladies of the Mind, Brenda Ayres and Sarah E. Maier.- Chapter 2/"I Am Not an Angel" Madness and Addiction in Neo-Victorian Appropriations of Jane Eyre, Kate Faber Oestreich.- Chapter 3/ "We Should Go Mad" The Madwoman and Her Nurse, Rachel M. Friars and Brenda Ayres.- Chapter 4/The Daughters of Bertha Mason: Caribbean Madwomen in Laura Fish's Strange Music, Olivia Tjon-A-Meeuw.- Chapter 5/"A Necessary Madness" PTSD in Mary Balogh's Survivors' Club Novels, Brenda Ayres.- Chapter 6/Unreliable Neo-Victorian Narrators, "Unwomen," and Femmes Fatales: Nell Lyshon's The Colour of Milk and Jane Harris' Gillespie and I, Eckart Voigts.- Chapter 7/"Dear Holy Sister" Narrating Madness, Bodily Horror and Religious Ecstasy in Michel Faber's The Crimson Petal and the White, Marshall Needleman Armintor.- Chapter 8/The Unmentionable Madness of Being a Woman, Brenda Ayres and Sarah E. Maier.- Chapter 9/ Queering the Madwoman: A Mad/Queer Narrative in Margaret Atwood's Alias Grace and Its Adaptation, Barbara Braid.- Chapter 10/Old Monsters, Old Curses: The New Hysterical Woman and Penny Dreadful, Tim Posada.- Chapter 11/The Glamorisation of Mental Illness in BBC's Sherlock, John C. Murray.- Chapter 12/ Gendered (De)Illusions: Imaginative Madness in Neo-Victorian Childhood Trauma Narratives, Sarah E. Maier.
Автор: Patrick Brantlinger Название: Taming Cannibals: Race and the Victorians ISBN: 1501730894 ISBN-13(EAN): 9781501730894 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4007.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Taming Cannibals, Patrick Brantlinger unravels contradictions embedded in the racist and imperialist ideology of the British Empire. For many Victorians, the idea of taming cannibals or civilizing savages was oxymoronic: civilization was a goal that the nonwhite peoples of the world could not attain or, at best, could only approximate, yet the "civilizing mission" was viewed as the ultimate justification for imperialism. Similarly, the supposedly unshakeable certainty of Anglo-Saxon racial superiority was routinely undercut by widespread fears about racial degeneration through contact with "lesser" races or concerns that Anglo-Saxons might be superseded by something superior—an even "fitter" or "higher" race or species.
Brantlinger traces the development of those fears through close readings of a wide range of texts—including Robinson Crusoe by Daniel Defoe, Fiji and the Fijians by Thomas Williams, Daily Life and Origin of the Tasmanians by James Bonwick, The Descent of Man by Charles Darwin, Heart of Darkness by Joseph Conrad, Culture and Anarchy by Matthew Arnold, She by H. Rider Haggard, and The War of the Worlds by H. G. Wells. Throughout the wide-ranging, capacious, and rich Taming Cannibals, Brantlinger combines the study of literature with sociopolitical history and postcolonial theory in novel ways.
Late nineteenth-century Britain experienced an unprecedented explosion of visual print culture and a simultaneous rise in literacy across social classes. New printing technologies facilitated quick and cheap dissemination of images--illustrated books, periodicals, cartoons, comics, and ephemera--to a mass readership. This Victorian visual turn prefigured the present-day impact of the Internet on how images are produced and shared, both driving and reflecting the visual culture of its time.
From this starting point, Drawing on the Victorians sets out to explore the relationship between Victorian graphic texts and today's steampunk, manga, and other neo-Victorian genres that emulate and reinterpret their predecessors. Neo-Victorianism is a flourishing worldwide phenomenon, but one whose relationship with the texts from which it takes its inspiration remains underexplored.
In this collection, scholars from literary studies, cultural studies, and art history consider contemporary works--Alan Moore's League of Extraordinary Gentlemen, Moto Naoko's Lady Victorian, and Edward Gorey's Gashlycrumb Tinies, among others--alongside their antecedents, from Punch's 1897 Jubilee issue to Alice in Wonderland and more. They build on previous work on neo-Victorianism to affirm that the past not only influences but converses with the present.
Contributors: Christine Ferguson, Kate Flint, Anna Maria Jones, Linda K. Hughes, Heidi Kaufman, Brian Maidment, Rebecca N. Mitchell, Jennifer Phegley, Monika Pietrzak-Franger, Peter W. Sinnema, Jessica Straley
Название: Deviance in Neo-Victorian Culture ISBN: 3319969498 ISBN-13(EAN): 9783319969497 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book argues that ‘deviance’ represents a central issue in neo-Victorian culture, and that the very concept of neo-Victorianism is based upon the idea of ‘diverging’ from accepted notions regarding the nineteenth-century frame of mind. However, the study of the ways in which the Victorian age has been revised by contemporary authors does not only entail analogies with the present but proves – by introducing what is perhaps a more pertinent description of the nineteenth century – that it was much more ‘deviant’ than it is usually depicted and perceived.Deviance in Neo-Victorian Culture: Canon, Transgression, Innovation explores a wide variety of textual forms, from novels to TV series, from movies and graphic novels to visual art. The scholarly and educational purpose of this study is to stimulate readers to approach neo-Victorianism as a complex cultural phenomenon.
Автор: Ann Heilmann Название: Neo-/Victorian Biographilia and James Miranda Barry ISBN: 3030100480 ISBN-13(EAN): 9783030100483 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Senior colonial officer from 1813 to 1859, Inspector General James Barry was a pioneering medical reformer who after his death in 1865 became the object of intense speculation when rumours arose about his sex. This cultural history of Barry’s afterlives in Victorian to contemporary (neo-Victorian) life-writing (‘biographilia’) examines the textual and performative strategies of biography, biofiction and biodrama of the last one and a half centuries. In exploring the varied reconstructions and re-imaginations of the historical personality across time, the book illustrates (not least with its cover image) that the ‘real’ James Barry does not exist, any more than does the ‘faithful’ biographical, biofictional or biodramatic rendering of a life in a generically ‘stable’ and discrete form. What Barry represents and how he is represented invariably pinpoints the imaginative, the speculative and the performative: reflections and refractions in the looking glass of genre. Just as ‘James Miranda Barry’, as a subject of cultural inquiry, comes into being and remains in view in the act of crossing gender, so neo-Victorian life-writing constitutes itself through similar acts of boundary transgression. Transgender thus finds its most typical expression in transgenre.
Описание: Is ventriloquism just for dummies? What is at stake in neo-Victorian fiction`s desire to `talk back` to the nineteenth century? This book explores the sexual politics of dialogues between the nineteenth century and contemporary fiction, offering a new insight into the concept of ventriloquism as a textual and metatextual theme in literature.
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