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Dionysus on the Other Shore: Gao Xingjian`s Theatre of the Tragic, Letizia Fusini


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Автор: Letizia Fusini
Название:  Dionysus on the Other Shore: Gao Xingjian`s Theatre of the Tragic
ISBN: 9789004423299
Издательство: Brill
Классификация:


ISBN-10: 900442329X
Обложка/Формат: Hardback
Страницы: 244
Вес: 0.54 кг.
Дата издания: 23.01.2020
Серия: Arts
Язык: English
Размер: 236 x 155 x 20
Читательская аудитория: Professional and scholarly
Ключевые слова: Literary studies: plays & playwrights,Plays, playscripts,Theatre studies
Поставляется из: Англии
Описание: In Dionysus on the Other Shore, Letizia Fusini argues that throughout his early exile years (late 1980s-1990s), Gao Xingjian gradually moved away from Absurdist Drama to develop a dramaturgical system with tragic characteristics. Drawing on a range of contemporary theories of tragedy, this book reconfigures some of the key tropes of Gao’s post-1987 theater as varied articulations of the Dionysian sparagmos mechanism. They are the dismemberment of the dramatic self, the usage of constricted spaces, the divisive nature of gender relations, and the agony of verbal language. Through a text-based analysis of seven plays, the author ultimately aims to show that in Gao’s theater, tragedy is an ongoing and mostly subtextual dynamism generated by an interplay of psychic forces concurrently cohesive and divisive.


Dionysus Resurrected

Автор: Fischer-Lichte Erika
Название: Dionysus Resurrected
ISBN: 1405175788 ISBN-13(EAN): 9781405175784
Издательство: Wiley
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Цена: 11238.00 р.
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Описание: Before the late 1960s, Euripides The Bacchae had almost no performance record on modern stages. Since then, the tragedy has been staged worldwide.

Gao Xingjian`s Post-Exile Plays: Transnationalism and Postdramatic Theatre

Автор: Mary Mazzilli
Название: Gao Xingjian`s Post-Exile Plays: Transnationalism and Postdramatic Theatre
ISBN: 1350036137 ISBN-13(EAN): 9781350036130
Издательство: Bloomsbury Academic
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Цена: 5226.00 р.
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Описание: Awarded the Nobel Prize for Literature in 2000, Gao Xingjian is the first Chinese writer to be so lauded for his prose and plays. Since relocating to France in 1987, in a voluntary exile from China, he has assembled a body of dramatic work that has best been understood neither as expressly Chinese nor French, but as transnational.

In this comprehensive study of his post-exile plays, Mary Mazzilli explores Gao's plays as examples of postdramatic transnationalism: a transnational artistic and theatrical trend that is fluid, flexible and full of variety of styles and influences. As such this innovative interdisciplinary investigation offers fresh insights on contemporary theatre.

Whereas other publications have considered Gao's work as a cultural and artistic phenomenon, Gao Xingjian's Post-Exile Plays: Transnationalism and Postdramatic Theatre is the first study to relate his plays to postdramatic theatre and to provide close textual and dramatic analysis that will help readers to better understand his complex work, and also to see it in the context of the work of contemporary playwrights such as Martin Crimp, Peter Handke, and Elfriede Jelinek.

Among the plays discussed are: The Other Shore, written just before he left China in 1987; Between Life and Death (1991) - compared in detail to Martin Crimp's Attempts on her life; Dialogue and Rebuttal (1992), and its relationship to Beckett's Happy Days; Nocturnal Wanderer (1993), Weekend Quartet (1995), and the latest plays Snow in August (1997), Death Collector (2000) and Ballade Nocturne (2010).

Gao Xingjian`s Post-Exile Plays: Transnationalism and Postdramatic Theatre

Автор: Mary Mazzilli
Название: Gao Xingjian`s Post-Exile Plays: Transnationalism and Postdramatic Theatre
ISBN: 1472591607 ISBN-13(EAN): 9781472591609
Издательство: Bloomsbury Academic
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Цена: 17424.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Awarded the Nobel Prize for Literature in 2000, Gao Xingjian is the first Chinese writer to be so lauded for his prose and plays. Since relocating to France in 1987, in a voluntary exile from China, he has assembled a body of dramatic work that has best been understood neither as expressly Chinese nor French, but as transnational.

In this comprehensive study of his post-exile plays, Mary Mazzilli explores Gao's plays as examples of postdramatic transnationalism: a transnational artistic and theatrical trend that is fluid, flexible and full of variety of styles and influences. As such this innovative interdisciplinary investigation offers fresh insights on contemporary theatre.

Whereas other publications have considered Gao's work as a cultural and artistic phenomenon, Gao Xingjian's Post-Exile Plays: Transnationalism and Postdramatic Theatre is the first study to relate his plays to postdramatic theatre and to provide close textual and dramatic analysis that will help readers to better understand his complex work, and also to see it in the context of the work of contemporary playwrights such as Martin Crimp, Peter Handke, and Elfriede Jelinek.

Among the plays discussed are: The Other Shore, written just before he left China in 1987; Between Life and Death (1991) - compared in detail to Martin Crimp's Attempts on her life; Dialogue and Rebuttal (1992), and its relationship to Beckett's Happy Days; Nocturnal Wanderer (1993), Weekend Quartet (1995), and the latest plays Snow in August (1997), Death Collector (2000) and Ballade Nocturne (2010).


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