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The Cinema of Iceland: Between Tradition and Liquid Modernity, Sebastian Jakub Konefal


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Автор: Sebastian Jakub Konefal
Название:  The Cinema of Iceland: Between Tradition and Liquid Modernity
ISBN: 9783631778647
Издательство: Peter Lang
Классификация:

ISBN-10: 3631778643
Обложка/Формат: Hardcover
Страницы: 330
Вес: 0.50 кг.
Дата издания: 09.05.2019
Серия: Interdisciplinary studies in performance
Язык: English
Издание: New ed
Иллюстрации: 70 illustrations, unspecified; 70 illustrations, unspecified
Размер: H 210 X W 148
Читательская аудитория: Professional & vocational
Ключевые слова: Film theory & criticism, PERFORMING ARTS / Film & Video / History & Criticism,PERFORMING ARTS / Film & Video / General,ART / Film & Video
Подзаголовок: Between tradition and liquid modernity
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Поставляется из: Англии
Описание:

The last decade was an exceptional period for the Icelandic cinema. The films produced during this time have won many prestigious awards at international festivals. Cinematic images of Iceland eclectically interlace myths, stereotypes and postmodern means of expression. At first glance, the local films obsessively repeat the same themes which might be incomprehensible for a foreign viewer. However, academic research on the most interesting motion pictures creates an opportunity to study the birth and development of small, but energetic and ambitious cinematography. Such an experience also allows analyzing problems related to the system of film production in this sparsely populated country and helps identify challenges during the process of introducing a local culture abroad. Finally, studying Icelandic cinema gives a chance to go on the audiovisual journey through the fascinating culture and unique landscapes.

The author of the book analyses popular topics and narrative strategies in Icelandic films. The research covers local versions of black comedies, road movies and crime stories as well as different figures connected with the motif of struggle between tradition and modernity.


Дополнительное описание:

Icelandic cinema – Sagas – National and transnational cinema – Musical documentaries – Film genres – Gender – Feminism – Emigrants – Tradition – History – Liquid modernity –Documentary cinema – Generation X – Crisis of manhood – Tourist gaze – Utopias



Shot/Countershot: Film Tradition and Women`s Cinema

Автор: Fischer Lucy
Название: Shot/Countershot: Film Tradition and Women`s Cinema
ISBN: 0691609217 ISBN-13(EAN): 9780691609218
Издательство: Wiley
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Цена: 8237.00 р.
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Описание:

Do films made by women comprise a "counter-cinema" radically different from the dominant tradition? Feminist film critics contend that women filmmakers do present from a distinctive vision, or "countershot," and Lucy Fischer argues persuasively for this view. In rich detail this book relates the idea of a counter-cinema to theories of intertextuality and locates it in the broad context of recent feminist film, literary, and art criticism. Fischer also employs an original critical model of the dialogue between women's cinema and film tradition in the very organization of the book. Each chapter discusses a theme or genre (such as the musical, the "double," the myth of womanhood, and the figure of the actress), counterposing two or more works--from the feminist and from the dominant cinema. What emerges is a fascinating picture of a women's film tradition that not only addresses but reworks and remakes the mainstream cinema.

Fischer successfully combines two main strains of feminist criticism: the deconstructive critique of the dominant culture from a feminist standpoint and the study of a feminist counterculture. Examining films from Persona and The Lady from Shanghai to Girlfriends and Sisters, or the Balance of Happiness, the book offers fresh interpretations of individual works and can, incidentally, serve as an introduction to the field of feminist film criticism.

Originally published in 1989.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Outside the Lettered City: Cinema, Modernity, and the Public Sphere in Late Colonial India

Автор: Dass Manishita
Название: Outside the Lettered City: Cinema, Modernity, and the Public Sphere in Late Colonial India
ISBN: 0199394393 ISBN-13(EAN): 9780199394395
Издательство: Oxford Academ
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Цена: 4592.00 р.
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Описание: Outside the Lettered City traces how middle-class Indians responded to the rise of the cinema as a popular form of mass entertainment in early 20th century India, focusing on their preoccupation with the mass public made visible by the cinema and with the cinema`s role as a public sphere and a mass medium of modernity.

Dreams of Modernity

Автор: Marcus
Название: Dreams of Modernity
ISBN: 1107622956 ISBN-13(EAN): 9781107622951
Издательство: Cambridge Academ
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Цена: 3960.00 р.
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Описание: Dreams of Modernity: Psychoanalysis, Literature, Cinema covers the period from around 1880 to 1930, when modernity as a form of social and cultural life fed into the beginnings of modernism as a cultural form. Throughout this work, Marcus addresses the question of how `the moderns` understood the conditions of their own modernity.

Shot/Countershot: Film Tradition and Women`s Cinema

Автор: Fischer Lucy
Название: Shot/Countershot: Film Tradition and Women`s Cinema
ISBN: 0691637539 ISBN-13(EAN): 9780691637532
Издательство: Wiley
Цена: 21859.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

Do films made by women comprise a counter-cinema radically different from the dominant tradition? Feminist film critics contend that women filmmakers do present from a distinctive vision, or countershot, and Lucy Fischer argues persuasively for this view. In rich detail this book relates the idea of a counter-cinema to theories of intertextuality and locates it in the broad context of recent feminist film, literary, and art criticism. Fischer also employs an original critical model of the dialogue between women's cinema and film tradition in the very organization of the book. Each chapter discusses a theme or genre (such as the musical, the double, the myth of womanhood, and the figure of the actress), counterposing two or more works--from the feminist and from the dominant cinema. What emerges is a fascinating picture of a women's film tradition that not only addresses but reworks and remakes the mainstream cinema.

Fischer successfully combines two main strains of feminist criticism: the deconstructive critique of the dominant culture from a feminist standpoint and the study of a feminist counterculture. Examining films from Persona and The Lady from Shanghai to Girlfriends and Sisters, or the Balance of Happiness, the book offers fresh interpretations of individual works and can, incidentally, serve as an introduction to the field of feminist film criticism.

Originally published in 1989.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Cinema audiences and modernity

Название: Cinema audiences and modernity
ISBN: 0415672775 ISBN-13(EAN): 9780415672771
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Описание: This book confronts theoretical models on cinema as both a product and a catalyst of European modernity with new empirical work on the history of the social experience of cinema-going, film audiences and film exhibition.

Chromatic Modernity: Color, Cinema, and Media of the 1920s

Автор: Street Sarah, Yumibe Joshua
Название: Chromatic Modernity: Color, Cinema, and Media of the 1920s
ISBN: 0231179820 ISBN-13(EAN): 9780231179829
Издательство: Wiley
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Цена: 13939.00 р.
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Описание: Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film led the way in creating a chromatically vibrant culture. Focusing on the final decade of silent film, Chromatic Modernity portrays the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation.

Taiwan cinema, memory, and modernity

Автор: Chang, Ivy I-chu
Название: Taiwan cinema, memory, and modernity
ISBN: 9811335664 ISBN-13(EAN): 9789811335662
Издательство: Springer
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Цена: 12577.00 р.
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Описание: This book investigates the aesthetics and politics of Post/Taiwan-New-Cinema by examining fifteen movies by six directors and frequent award winners in international film festivals. The book considers the works of such prominent directors as Edward Yang, Tsai Ming-liang and Chang Tsuo-chi and their influence on Asian films, as well as emergent phenomenal directors such as Wei Te-sheng, Zero Chou, and Chung Mong-hong. It also explores the possibility of transnational and trans-local social sphere in the interstices of layered colonial legacies, nation-state domination, and global capitalism. Considering Taiwan cinema in the wake of globalization, it analyses how these films represent the socio-political transition among multiple colonial legacies, global capitalism, and the changing cross-strait relation between Taiwan and the Mainland China. The book discusses how these films represent nomadic urban middle class, displaced transnational migrant workers, roaming children and young gangsters, and explores how the continuity/disjuncture of globalization has not only carved into historical and personal memories and individual bodies, but also influenced the transnational production modes and marketing strategies of cinema.

Chromatic Modernity: Color, Cinema, and Media of the 1920s

Автор: Street Sarah, Yumibe Joshua
Название: Chromatic Modernity: Color, Cinema, and Media of the 1920s
ISBN: 0231179839 ISBN-13(EAN): 9780231179836
Издательство: Wiley
Рейтинг:
Цена: 4752.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film led the way in creating a chromatically vibrant culture. Focusing on the final decade of silent film, Chromatic Modernity portrays the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation.

Transformation and Tradition in 1960s British Cinema

Автор: Richard Farmer, Laura Mayne, Duncan Petrie, Melanie Williams
Название: Transformation and Tradition in 1960s British Cinema
ISBN: 1474423116 ISBN-13(EAN): 9781474423113
Издательство: Bloomsbury Academic
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Цена: 15840.00 р.
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Описание: Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s.

The Latin American (Counter-) Road Movie and Ambivalent Modernity

Автор: Nadia Lie
Название: The Latin American (Counter-) Road Movie and Ambivalent Modernity
ISBN: 3030104133 ISBN-13(EAN): 9783030104139
Издательство: Springer
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Цена: 18167.00 р.
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Описание: This book offers a comprehensive and systematic overview of the flourishing genre of the contemporary Latin American road movie, of which Diarios de motocicleta and Y tu mama tambien are only the best-known examples.

Автор: Xiaoning LU
Название: Moulding the Socialist Subject: Cinema and Chinese Modernity (1949-1966)
ISBN: 9004423516 ISBN-13(EAN): 9789004423510
Издательство: Brill
Цена: 21916.00 р.
Наличие на складе: Поставка под заказ.

Описание: What role did cinema play in the Chinese Communist Party’s political project of shaping ideal socialist citizens in the early People’s Republic? In Moulding the Socialist Subject, Xiaoning Lu deploys case studies from popular film genres, movie star culture and rural film exhibition practices to argue that Chinese cinema in 1949–1966, at once an important political instrument, an enjoyable yet instructive form of entertainment, and a specific manifestation of the socialist society of the spectacle, was an everyday site where the moulding of the new socialist person unfolded. While painting a broad picture of Chinese socialist cinema, Lu credits the human agency of film professionals, whose self-reflexivity and individual adaptability played an intrinsic role in the Party’s political project.


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