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Realisms of the Avant-Garde, Moritz Ba?ler, Benedikt Hjartarson, Ursula Frohne, David Ayers, Sascha Bru


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Автор: Moritz Ba?ler, Benedikt Hjartarson, Ursula Frohne, David Ayers, Sascha Bru
Название:  Realisms of the Avant-Garde
ISBN: 9783110637021
Издательство: Walter de Gruyter
Классификация:

ISBN-10: 3110637022
Обложка/Формат: Hardback
Страницы: 644
Вес: 0.00 кг.
Дата издания: 21.09.2020
Серия: Literature/Literary Studies
Язык: English
Размер: H 230 X W 155
Читательская аудитория: Professional and scholarly
Ключевые слова: Cultural studies,Literary studies: general, ART / History / Modern (late 19th Century to 1945),LITERARY CRITICISM / General
Поставляется из: Германии
Описание:

The avant-garde and modernism take centre-stage within European academia today. The experimental literatures and arts in Europe between ca. 1850 and 1950, and their aftermath, figure prominently on curricula, while modernism and avant-garde studies have come to form distinct yet interlocking disciplines within the humanities in recent years. These disciplines take on various guises on the continent. Within French and German academia, modernism remains a term rather alien – die Moderne and modernite coming perhaps the closest to what is meant by modernism within the English context. Here, indeed, modernism has acquired a firm place in research, signaling above all a period in modern poetics and aesthetics, roughly between 1850 and 1950, during which a revolt against prevalent traditions in art, literature and culture took shape. Similarly, the term avant-garde comes with an array of often conflicting connotations. For some, the avant-garde marks the most radically experimental arts and literatures in modernism from the nineteenth century onward – the early twentieth-century vanguard movements of Futurism, Expressionism, Dada and Surrealism, among others, coinciding with the avant-gardes most heroic phase. For others, the avant-garde belongs to a cultural or conceptual order differing altogether from that of modernism – the vanguard exploits from the 1950s onward marking that avant-garde arts and literatures can also perfectly abide outside modernism.

European Avant-Garde and Modernism Studies, far from aiming to reduce the complexity of various European research traditions, aspires to embrace the wide linguistic, terminological and methodological variety within both fields. Publishing an anthology of essays in English, French and German every two years, the series wishes to compare and relate French, German and British, but also Northern and Southern as well as Central and Eastern European findings in avant-garde and modernism studies. The series gathers the best and most thought-provoking recent research and devotes itself to the study of the European avant-garde and modernism throughout the nineteenth and twentieth centuries. European Avant-Garde and Modernism Studies promotes interdisciplinary and intermedial research on experimental aesthetics and poetics, and aims to encourage an interest in the cultural dimensions and contexts of the avant-garde and modernism in Europe. Essays accepted by the editorial board are subjected to blind peer-review by international experts.

Editors-in-chief: Sascha Bru (Leuven University) and Peter Nicholls (New York University).

Editorial Board: Jan Baetens (Leuven University), Hubert van den Berg (University of Groningen), Benedikt Hjartarson (University of Iceland) and Tania Orum (University of Copenhagen).

Advisory Board: Dawn Ades (University of Essex), Wolfgang Asholt (Universitat Osnabruck), Karlheinz Barck (Zentrum fur Literaturforschung Berlin), Henri Behar (Paris III, Sorbonne nouvelle), Timothy O. Benson (LACMA), Gunter Berghaus (University of Bristol), Stefano Boeri (Multiplicity & Universita luav di Venezia), Endre Bojtar (Central European University, Budapest), Christina von Braun (Humboldt Universitat), Peter Burger (Universitat Bremen), Matei Calinescu (University of Indiana), Claus Cluver (University of Indiana), Antoine Compagnon (College de France), Maria Delaperriere (INALCO, Paris), Pascal Dethurens (Universite de Strasbourg), Eva Forgacs (College of Design, Pasadena), Hans Gunther (Bielefeld University), Cornelia Klinger (Eberhard-Karls Universitat Tubingen), Rudolf Kuenzli (University of Iowa), Bruno Latour (Institut dEtudes Politiques de Paris), Paul Michael Lutzeler (Washington University of St. Louis), Laura Marcus (University of Edinburgh), Richard Murphy (University of Sussex), Francois Noudelmann (Universite de Paris VIII), Krisztina Passuth (University of Budapest), Marjorie Perloff (Stanford University/University of Southern California), Michel Poivert (Paris I, Pantheon-Sorbonne), Susan Rubin-Suleiman (Harvard University), Rainer Rumold (Northwestern University), Jean-Yves Tadie (Paris IV, Sorbonne), Brandon Taylor (University of Southhampton), Andrew Webber (Churchill College, Cambridge).




Afro-Realisms and the Romances of Race: Rethinking Blackness in the African American Novel

Автор: Melissa Daniels-Rauterkus
Название: Afro-Realisms and the Romances of Race: Rethinking Blackness in the African American Novel
ISBN: 0807172626 ISBN-13(EAN): 9780807172629
Издательство: Mare Nostrum (Eurospan)
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Цена: 6098.00 р.
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Описание: From the 1880s to the early 1900s, a particularly turbulent period of US race relations, the African American novel provided a powerful counternarrative to dominant and pejorative ideas about blackness. This book explores how writers experimented with innovative narrative strategies to revise stereotypical views of black identity and experience.

A Theory of Minimalism

Автор: Marc Botha
Название: A Theory of Minimalism
ISBN: 1472530306 ISBN-13(EAN): 9781472530301
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Описание:

The explosion of minimalism into the worlds of visual arts, music and literature in the mid-to-late twentieth century presents one of the most radical and decisive revolutions in aesthetic history. Detested by some, embraced by others, minimalism's influence was immediate, pervasive and lasting, significantly changing the way we hear music, see art and read literature.

In The Theory of Minimalism, Marc Botha offers the first general theory of minimalism, equally applicable to literature, the visual arts and music. He argues that minimalism establishes an aesthetic paradigm for rethinking realism in genuinely radical terms. In dialogue with thinkers from both the analytic and continental traditions - including Kant, Danto, Agamben, Badiou and Meillassoux - Botha develops a constellation of concepts which together encapsulate the transhistorcial and transdisciplinary reach of minimalism.

Illustrated by a range of historical, canonical and contemporary minimalist works of different media, from the caves of early Christian ascetics to Samuel Beckett's late prose, Botha offers a bold and provocative argument which will equip readers with the tools to engage critically with past, present and future minimalism, and to recognize how, in a culture caught between the poles of excess and austerity, minimalism still matters.

Realism for the Masses: Aesthetics, Popular Front Pluralism, and U.S. Culture, 1935–1947

Автор: Chris Vials
Название: Realism for the Masses: Aesthetics, Popular Front Pluralism, and U.S. Culture, 1935–1947
ISBN: 1617038385 ISBN-13(EAN): 9781617038389
Издательство: Mare Nostrum (Eurospan)
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Цена: 4712.00 р.
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Описание: How the Left popularized American realism through best-sellers, Broadway plays, radio, film, and journalism Realism for the Masses is an exploration of how the concept of realism entered mass culture, and from there, how it tried to remake "America." The literary and artistic creations of American realism are generally associated with the late nineteenth century. But this book argues that the aesthetic actually saturated American culture in the 1930s and 1940s and that the left social movements of the period were in no small part responsible. The book examines the prose of Carlos Bulosan and H. T. Tsiang; the photo essays of Margaret Bourke-White in Life magazine; the bestsellers of Erskine Caldwell and Margaret Mitchell; the boxing narratives of Clifford Odets, Richard Wright, Nelson Algren; and the Hollywood boxing film, radio soap operas, and the domestic dramas of Lillian Hellman and Shirley Graham, and more. These writers and artists infused realist aesthetics into American mass culture to an unprecedented degree and also built on a tradition of realism in order to inject influential definitions of "the people" into American popular entertainment. Central to this book is the relationship between these mass cultural realisms and emergent notions of pluralism. Significantly, Vials identifies three nascent pluralisms of the 1930s and 1940s: the New Deal pluralism of "We're the People" in The Grapes of Wrath; the racially inclusive pluralism of Vice President Henry Wallace's "The People's Century"; and the proto-Cold War pluralism of Henry Luce's "The American Century." Chris Vials is assistant professor of English at the State University of New York, Buffalo State College. His work has appeared in Criticism: A Quarterly for Literature and the Arts, American Periodicals, the Journal of American Popular Culture, and Journal of Asian American Studies.

Russian Realisms: Literature and Painting, 1840-1890

Автор: Brunson Molly
Название: Russian Realisms: Literature and Painting, 1840-1890
ISBN: 0875807380 ISBN-13(EAN): 9780875807386
Издательство: Mare Nostrum (Eurospan)
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Цена: 8270.00 р.
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Описание:

One fall evening in 1880, Russian painter Ilya Repin welcomed an unexpected visitor to his home: Lev Tolstoy. The renowned realists talked for hours, and Tolstoy turned his critical eye to the sketches in Repin's studio. Tolstoy's criticisms would later prompt Repin to reflect on the question of creative expression and conclude that the path to artistic truth is relative, dependent on the mode and medium of representation. In this original study, Molly Brunson traces many such paths that converged to form the tradition of nineteenth-century Russian realism, a tradition that spanned almost half a century—from the youthful projects of the Natural School and the critical realism of the age of reform to the mature masterpieces of Tolstoy, Fyodor Dostoevsky, and the paintings of the Wanderers, Repin chief among them. By examining the classics of the tradition, Brunson explores the emergence of multiple realisms from the gaps, disruptions, and doubts that accompany the self-conscious project of representing reality. These manifestations of realism are united not by how they look or what they describe, but by their shared awareness of the fraught yet critical task of representation. By tracing the engagement of literature and painting with aesthetic debates on the sister arts, Brunson argues for a conceptualization of realism that transcends artistic media. Russian Realisms integrates the lesser-known tradition of Russian painting with the familiar masterpieces of Russia's great novelists, highlighting both the common ground in their struggles for artistic realism and their cultural autonomy and legitimacy. This erudite study will appeal to scholars interested in Russian literature and art, comparative literature, art history, and nineteenth-century realist movements.

Satire in an Age of Realism

Автор: Matz
Название: Satire in an Age of Realism
ISBN: 1107691230 ISBN-13(EAN): 9781107691230
Издательство: Cambridge Academ
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Цена: 5069.00 р.
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Описание: Examines how realism in the nineteenth-century novel became so extreme in its portrayal of human experience that it blurred into satire. Close study of the novels of Eliot, Hardy, Gissing, and Conrad, and the theater of Ibsen, reveals how Victorian realism`s transfiguration into satire ultimately led to its demise.

Imagined Truths: Realism in Modern Spanish Literature and Culture

Автор: Coffey Mary L., Versteeg Margot
Название: Imagined Truths: Realism in Modern Spanish Literature and Culture
ISBN: 1487505175 ISBN-13(EAN): 9781487505172
Издательство: Mare Nostrum (Eurospan)
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Цена: 12916.00 р.
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Описание: Written by the foremost specialists in the field of contemporary Spanish letters, the essays in Imagined Truths provide an analysis of stylistic and philosophical manifestations of nineteenth- and twentieth-century Spanish literary realism.

Documents of Modern Literary Realism

Автор: Becker George Joseph
Название: Documents of Modern Literary Realism
ISBN: 0691623295 ISBN-13(EAN): 9780691623290
Издательство: Wiley
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Цена: 12355.00 р.
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Описание: Using selections by American, British, French, German, Russian, Scandinavian, Spanish, Portuguese, and South American critics and authors, Professor Becker illustrates how realism arose as a reaction to romanticism, and how the practitioners of realism developed conflicting ideas about the means they should use and the ends toward which they should

Romance and Realism: A Study in English Bourgeois Literature

Автор: Caudwell Christopher
Название: Romance and Realism: A Study in English Bourgeois Literature
ISBN: 0691620814 ISBN-13(EAN): 9780691620817
Издательство: Wiley
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Цена: 4752.00 р.
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Описание: Christopher Caudwell was the pseudonym of Christopher St. John Sprigg, a British journalist and professional writer who became an important philosopher and critic in the 1930`s, author of Illusion and Reality and Studies in a Dying Culture. In the mid-thirties Caudwell joined the Communist Party; he died in 1937 in the defense of Madrid, leaving t

Elements in publishing and book culture

Автор: Wilkins, Kim (university Of Queensland)
Название: Elements in publishing and book culture
ISBN: 1108445322 ISBN-13(EAN): 9781108445320
Издательство: Cambridge Academ
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Цена: 2218.00 р.
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Описание: Considering young adult fantasy (YA fantasy) texts alongside the way they are circulated and marketed, this Element aims to show that the YA fantasy genre is a dynamic formation that takes shape and reshapes itself responsively in a continuing process over time.

Автор: Ryan Simmons
Название: Chesnutt and Realism: A Study of the Novels
ISBN: 0817359966 ISBN-13(EAN): 9780817359966
Издательство: Mare Nostrum (Eurospan)
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Цена: 3465.00 р.
Наличие на складе: Нет в наличии.

Описание: Provides an important examination of Charles Chesnutt as a practitioner of realism. Although Chesnutt is typically acknowledged as the most prominent African American writer of the realist period, scholars have paid little attention to the central question of this study: what does it mean to call Chesnutt a realist?


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