US conservatives have repeatedly turned to classical Greece for inspiration and rhetorical power. In the 1950s they used Plato to defend moral absolutism; in the 1960s it was Aristotle as a means to develop a uniquely conservative social science; and then Thucydides helped to justify a more assertive foreign policy in the 1990s. By tracing this phenomenon and analysing these, and various other, examples of selectivity, subversion and adaptation within their broader social and political contexts, John Bloxham here employs classical thought as a prism through which to explore competing strands in American conservatism. From the early years of the Cold War to the 2003 invasion of Iraq, Bloxham illuminates the depth of conservatives' engagement with Greece, the singular flexibility of Greek ideas and the varied and diverse ways that Greek thought has reinforced and invigorated conservatism. This innovative work of reception studies offers a richer understanding of the American Right and is important reading for classicists, modern US historians and political scientists alike.
Автор: Egbert J. Bakker Название: Poetry in Speech: Orality and Homeric Discourse ISBN: 150172276X ISBN-13(EAN): 9781501722769 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 2502.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Applying linguistic theory to the study of Homeric style, Egbert J. Bakker offers a highly innovative approach to oral poetry, particularly the poetry of Homer. By situating formulas and other features of oral style within the wider contexts of spoken language and communication, he moves the study of oral poetry beyond the landmark work of Milman Parry and Albert Lord.
One of the book's central features, related to the research of the linguist Wallace Chafe, is Bakker's conception of spoken discourse as a sequence of short speech units reflecting the flow of speech through the consciousness of the speaker. Bakker shows that such short speech units are present in Homeric poetry, with significant consequences for Homeric metrics and poetics. Considering Homeric discourse as a speech process rather than as the finished product associated with written discourse, Bakker's book offers a new perspective on Homer as well as on other archaic Greek texts. Here Homeric discourse appears as speech in its own right, and is freed, Bakker suggests, from the bias of modern writing style which too easily views Homeric discourse as archaic, implicitly taking the style of classical period texts as the norm.
Bakker's perspective reaches beyond syntax and stylistics into the very heart of Homeric—and, ultimately, oral—poetics, altering the status of key features such as meter and formula, rethinking their relevance to the performance of Homeric poetry, and leading to surprising insights into the relation between "speech" and "text" in the encounter of the Homeric tradition with writing.
Автор: Lidewij van Gils, Caroline Kroon, Rodie Risselada Название: Clause and Discourse ISBN: 3110678179 ISBN-13(EAN): 9783110678178 Издательство: Walter de Gruyter Цена: 23049.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: These volumes assemble contributions presented at the XIX International Colloquium on Latin Linguistics in Munich (2017). They embrace essential topics of Latin linguistics with different theoretical and methodological approaches: The volumes contain chapters on Latin lexicography, etymology, morphology, phonology, Greek-Latin language contact, Latin syntax, semantics, and discourse-pragmatics.
Автор: Steel Название: The Cambridge Companion to Cicero ISBN: 0521729807 ISBN-13(EAN): 9780521729802 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A comprehensive introduction to Cicero`s writings for students and non-specialists. Draws on recent transformative research on the political and literary culture of the late Roman Republic and presents important new research on Cicero`s reception in late antiquity and from the Renaissance period onwards.
According to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies of the precise dynamics of emotion in the Athenian theatre.
In Greek Tragedy and the Emotions, first published in 1993, W.B. Stanford reviews the evidence for 'emotionalism' - as the great Attic playwrights presented it, as the actors and choruses expressed it, and as their audiences reacted to it. Sociological aspects of the issue are considered, and the whole range of emotions, not just 'pity and fear', is discussed. The aural, visual and stylistic methods of inciting emotion are analysed, and Aeschylus' Oresteia is examined exclusively in terms of the emotions that it exploits. Finally, Stanford's conclusions are contrasted with the accepted theories of tragic 'catharsis'.
Greek terms are transliterated and all quotations are in translation, so Greek Tragedy and the Emotions will appeal particularly to those unfamiliar with Classical Greek.
Автор: Brandsma, Frank Larrington, Carolyne Saunders, Corinne Название: Emotions in medieval arthurian literature ISBN: 1843844214 ISBN-13(EAN): 9781843844211 Издательство: Boydell & Brewer Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Analysis of how emotion is pictured in Arthurian legend.
Описание: The heart is an iconic symbol in the medieval and early modern European world. In addition to being a physical organ, it is a key conceptual device related to emotions, cognition, the self and identity, and the body. The heart is read as a metaphor for human desire and will, and situated in opposition to or alongside reason and cognition. In medieval and early modern Europe, the “feeling heart” – the heart as the site of emotion and emotional practices – informed a broad range of art, literature, music, heraldry, medical texts, and devotional and ritual practices. This multidisciplinary collection brings together art historians, literary scholars, historians, theologians, and musicologists to highlight the range of meanings attached to the symbol of the heart, the relationship between physical and metaphorical representations of the heart, and the uses of the heart in the production of identities and communities in medieval and early modern Europe.
Автор: Ruth Wehlau Название: Darkness, Depression, and Descent in Anglo-Saxon England ISBN: 1580443672 ISBN-13(EAN): 9781580443678 Издательство: Walter de Gruyter Цена: 16169.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection of essays examines the motifs of darkness, depression, and descent in both literal and figurative manifestations within a variety of Anglo-Saxon texts, including the Old English Consolation of Philosophy, Beowulf, Guthlac, The Junius Manuscript, The Wonders of the East, and The Battle of Maldon. Essays deal with such topics as cosmic emptiness, descent into the grave, and recurrent grief. In their analyses, the essays reveal the breadth of this imagery in Anglo-Saxon literature as it is used to describe thought and emotion, as well as the limits to knowledge and perception. The volume investigates the intersection between the burgeoning interest in trauma studies and darkness and the representation of the mind or of emotional experience within Anglo-Saxon literature.
Автор: Kramarz, Andreas Название: Power and value of music ISBN: 1433133784 ISBN-13(EAN): 9781433133787 Издательство: Peter Lang Рейтинг: Цена: 18936.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Nobody doubts that music has a special, somewhat mysterious power. Less clear is how we can evaluate that power. What makes music good or bad? Are there objective criteria for such a distinction? What impact can or should music have on individuals and on society as a whole? What are the factors responsible for the effect of music? This book summarizes and discusses how authors of classical antiquity addressed these questions on musical «ethos» and how they can be approached from a modern-day perspective. After systematically assembling and assessing the value-carrying characterizations of music in poetic literature, the author reviews all noteworthy Greek and Latin writings which enlighten musical «ethos» from the theoretical-philosophical perspective. He then carries the intuitions of the ancients into our time by proposing a coherent model to explain the relationship between music, ethos, and emotions based on the results of contemporary research in the disciplines of music psychology and philosophy. The concept of harmony, understood as the appropriate measure or as the balance of opposites and so central to the reflections of the ancient authors, plays a key role in shedding light on the value and impact, both positive and negative, of music in human existence. This book provides the most comprehensive overview available about the effect and ethos of music in antiquity and discusses many related questions of scholarly interest. It includes numerous references provided in the original language with translation, ample empirical material for further research, and an extensive bibliography.
Автор: Liebert Название: Tragic Pleasure from Homer to Plato ISBN: 1107184444 ISBN-13(EAN): 9781107184442 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book develops an embodied model of aesthetic engagement derived from Greek poetry and Plato`s philosophy, and uses this model to resolve an intractable paradox in aesthetic theory: the appeal of tragedy. It will be of interest to classicists, philosophers, and scholars in other fields concerned with aesthetics and emotions.
Автор: Alice Jorgense Название: Anglo-Saxon Emotions ISBN: 1472421698 ISBN-13(EAN): 9781472421692 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In order to integrate early medieval Britain into the wider scholarly research into the history of emotions, this volume considers a range of methodologies and theoretical perspectives, examines the interplay of emotion and textuality, and explores how emotion is conveyed through gesture, interrogates emotions in religious devotional literature.
Описание: David Timmerman and Edward Schiappa demonstrate that the intellectual and political history of Greek rhetorical theory can be enhanced by a better understanding of the emergence of `terms of art` in texts about persuasive speaking and argumentation.
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