Описание: The concept of the individual or the self in the modern world is important and well-understood in many contexts. However, these ideas have mostly not been investigated in any real depth when it comes to looking at the Anglo-Saxon period, and by looking at Old English poetry in general. Some attempts have been made in recent years, but for the most part these investigations look at ideas of the self that are intangible, unknowable, and more metaphysical rather than something we can clearly define and analyze by reading literature.The current investigation remedies these issues by arguing that a unique sense of self for Anglo-Saxons may be found by looking at their surviving poetry. For the first time, there is an extended monograph on the concept of the individual outside of her community during this period in history. Finally, the conclusion demonstrates that the studies which argue that the individual was something that did not really exist until the Renaissance are unfounded and do not stand up to scrutiny.
In Private Lives, Public Deaths, Jonathan Strauss shows how Sophocles’ tragedy Antigone crystallized the political, intellectual, and aesthetic forces of an entire historical moment—fifth century Athens—into one idea: the value of a single living person. That idea existed, however, only as a powerful but unconscious desire. Drawing on classical studies, Hegel, and contemporary philosophical interpretations of this pivotal drama, Strauss argues that Antigone’s tragedy, and perhaps all classical tragedy, represents a failure to satisfy this longing. To the extent that the value of a living individual remains an open question, what Sophocles attempted to imagine still escapes our understanding. Antigone is, in this sense, a text not from the past but from our future.
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