Описание: During the Algerian War of decolonisation, French counter-insurgency specialists set out to 'emancipate' Muslim women from the veil, seclusion and perceived male oppression. The claimed French liberation was contradicted by the violence inflicted on women through rape, torture and destruction of villages. Burning the veil, the first study to draw upon sources from newly-opened archives explores the roots of this contradiction in the theory of 'revolutionary warfare', and the attempt to defeat the National Liberation Front (FLN) by penetrating the Muslim family, seen as a bastion of resistance. The strategy was implemented through elaborate mass unveiling ceremonies, radio and cinema propaganda, women's circles, mobile health teams, implementation of the female franchise, and a progressive reform of Muslim family and marriage law. The FLN attempted to counter this policy through the propaganda representation of independent, heroic women who placed bombs or fought in guerrilla units. But this propaganda was belied by entrenched patriarchal structures and values, and the post-Independence regime, able to reject 'emancipation' of women as a colonial and Western intrusion, blocked reform for decades. French 'emancipation', striking parallels with contemporary Afghanistan and Iraq, produced a backlash that led to deterioration in the social and political position of Muslim women. This analysis of how and why Western attempts to recreate Muslim women in its own image ended in catastrophe has contemporary relevance and will be important to students, postgraduates and academics engaged in the study of French and colonial history, feminism, counter-insurgency and contemporary Islam.
Автор: Edward John Still Название: Representing Algerian Women: Kateb, Dib, Feraoun, Mammeri, Djebar ISBN: 3110736411 ISBN-13(EAN): 9783110736410 Издательство: Walter de Gruyter Рейтинг: Цена: 3710.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This monograph explores the ways in which canonical Francophone Algerian authors, writing in the late-colonial period (1945–1962), namely Kateb Yacine, Mohammed Dib, Mouloud Feraoun, Mouloud Mammeri and Assia Djebar, approached the representation of Algerian women through literature. The book initially argues that a masculine domination of public fields of representation in Algeria contributed to a postcolonial marginalization of women as public agents. However, it crucially also argues that the canonical writers of the period, who were mostly male, both textually acknowledged their inability to articulate the experiences and subjectivity of the feminine Other and deployed a remarkable variety of formal and conceptual innovations in producing evocations of Algerian femininity that subvert the structural imbalance of masculine symbolic hegemony. Though it does not shy from investigating those aspects of its corpus that produce ideologically conditioned masculinist representations, the book chiefly seeks to articulate a shared reluctance concerning representativity, a pessimism regarding the revolution's capacity to deliver change for women, and an omnipresent subversion of masculine subjectivity in its canonical texts.
Автор: Pears Pamela A. Название: Front Cover Iconography and Algerian Women`s Writing ISBN: 073919836X ISBN-13(EAN): 9780739198360 Издательство: Bloomsbury Рейтинг: Цена: 13068.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The front covers of books written by Algerian women serve as the primary source of investigation in Front Cover Iconography and Algerian Women Writers. These covers have implications that extend beyond selling the book. What we see on one side of the page--or in this case, the cover, (recto) controls what we read on the reverse--in this case, the text itself (verso). Using theories of the paratext, including those of G rard Genette and Jonathan Gray, this book determines how four dominant iconographies used on the covers of Algerian women's writing - Orientalist art, the veil, the desert, and the author portrait - work with and against the texts they represent. These images have an impact on the initial reception of the book, but beyond that, book covers determine how both the informed and uninformed reader categorize and interpret francophone Algerian women's writing in France and beyond. As the covers help to sell the works, they also produce messages, represented via their iconographies that embed themselves into the texts. A sometimes explicit, and at the very least, implicit dialog between the visual paratextual representation and the written textual one is created: a dialog that extends beyond the life of the physical book to a sort of canonical paradigm for reading these authors' works. Thus, even if the cover image appears ephemeral, it never truly disappears. Its powerful control over critical reception and, ultimately, interpretation of francophone Algerian women's writing remains.
Автор: Mildred Mortimer Название: Women Fight, Women Write: Texts on the Algerian War ISBN: 0813942047 ISBN-13(EAN): 9780813942049 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 8590.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Today, the ""fight to write""—the struggle to become the legitimate chronicler of one's own story—is being waged and won by women across mediums and borders. But such battles of authorship extend well beyond a single cultural moment.In her gripping study of unsung female narratives of the Algerian War, Mildred Mortimer excavates and explores the role of women's individual and collective memory in recording events of the violent anticolonial conflict. Presenting close readings of published works spanning five decades—from Assia Djebar's 1962 Children of the New World to Zohra Drif's 2014 Inside the Battle of Algiers: Memoir of a Woman Freedom Fighter— Women Fight, Women Write traces stylistic and material transformations in Algerian women's writings as it reveals evolving attitudes toward memory, trauma, historical objectivity, and women's political empowerment. Refuting the stale binary of men in battle, women at home, these testimonial texts let women lay claim to the Algerian War story as participants and also as chroniclers through fiction, historical studies, and memoir.Algeria's patriarchal norms long kept women from speaking publicly about private matters, silencing their experiences of the war. Still, the conflict has ceaselessly sparked creative work. The country's dark decade of violent struggle between the Algerian army and Islamist fundamentalists in the 1990s brought the liberation struggle back into focus, inspiring and emboldening many more women to defiantly write. Women Fight, Women Write advances the broken silence, illuminating its vital historical revisions and literary innovations.
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