Описание: As a rapidly aging continent, Europe increasingly depends on the successful integration of migrants. Unfortunately, contemporary political and media discourses observe and frequently also support the development of nationalist, eurosceptic and xenophobic reactions to immigration and growing multiethnicity. Confronting this trend, European cinema has developed and disseminated new transcultural and postcolonial alternatives that might help to improve integration and community cohesion in Europe, and this book investigates these alternatives in order to identify examples of good practices that can enhance European stability. While the cinematic spectrum is as wide and open as most notions of Europeanness, the films examined share a fundamental interest in the Other. In this qualitative film analysis approach, particular consideration is given to British, French, German, and Spanish productions, and a comparison of multiethnic conviviality in Chicano cinema.
Автор: Rings, Guido Название: Other in contemporary migrant cinema ISBN: 1138599557 ISBN-13(EAN): 9781138599550 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: As a rapidly aging continent, Europe increasingly depends on the successful integration of migrants. Unfortunately, contemporary political and media discourses observe and frequently also support the development of nationalist, eurosceptic and xenophobic reactions to immigration and growing multiethnicity. Confronting this trend, European cinema has developed and disseminated new transcultural and postcolonial alternatives that might help to improve integration and community cohesion in Europe, and this book investigates these alternatives in order to identify examples of good practices that can enhance European stability. While the cinematic spectrum is as wide and open as most notions of Europeanness, the films examined share a fundamental interest in the Other. In this qualitative film analysis approach, particular consideration is given to British, French, German, and Spanish productions, and a comparison of multiethnic conviviality in Chicano cinema.
In The Migrant Image T. J. Demos examines the ways contemporary artists have reinvented documentary practices in their representations of mobile lives: refugees, migrants, the stateless, and the politically dispossessed. He presents a sophisticated analysis of how artists from the United States, Europe, North Africa, and the Middle East depict the often ignored effects of globalization and the ways their works connect viewers to the lived experiences of political and economic crisis. Demos investigates the cinematic approaches Steve McQueen, the Otolith Group, and Hito Steyerl employ to blur the real and imaginary in their films confronting geopolitical conflicts between North and South. He analyzes how Emily Jacir and Ahlam Shibli use blurs, lacuna, and blind spots in their photographs, performances, and conceptual strategies to directly address the dire circumstances of dislocated Palestinian people. He discusses the disparate interventions of Walid Raad in Lebanon, Ursula Biemann in North Africa, and Ayreen Anastas and Rene Gabri in the United States, and traces how their works offer images of conflict as much as a conflict of images. Throughout Demos shows the ways these artists creatively propose new possibilities for a politics of equality, social justice, and historical consciousness from within the aesthetic domain.
Описание: Beginning in the 1950s, "Euro Horror" movies materialized in astonishing numbers from Italy, Spain, and France and popped up in the US at rural drive-ins and urban grindhouse theaters such as those that once dotted New York's Times Square. Gorier, sexier, and stranger than most American horror films of the time, they were embraced by hardcore fans and denounced by critics as the worst kind of cinematic trash. In this volume, Olney explores some of the most popular genres of Euro Horror cinema—including giallo films, named for the yellow covers of Italian pulp fiction, the S&M horror film, and cannibal and zombie films—and develops a theory that explains their renewed appeal to audiences today.
Описание: Bringing together scholars form film theory and political science, ethics and philosophy of religion, philosophy of film and theology, this volume casts new light on the relationship between the religious and secular experience after the death of the death of God.
Описание: Drawing on and responding to the writings of theorists such as Judith Butler, Sarah Ahmed, Lauren Berlant, and Lisa Lowe, this book proposes the notion of "precarious intimacies" to navigate a dilemma: how to recognise, affirm, and value love, touch, and care while challenging the racialized and gendered politics in which they are embedded.
Описание: Drawing on and responding to the writings of theorists such as Judith Butler, Sarah Ahmed, Lauren Berlant, and Lisa Lowe, this book proposes the notion of “precarious intimacies” to navigate a dilemma: how to recognize, affirm, and value love, touch, and care while challenging the racialized and gendered politics in which they are embedded. Twenty-first-century Europe is undergoing dramatic political and economic transformations that produce new forms of transnational contact as well as new regimes of exclusion and economic precarity. These political and economic shifts both circumscribe and enable new possibilities for intimacy. Many European films of the last two decades depict experiences of political and economic vulnerability in narratives of precarious intimacies. In these films, stories of intimacy, sex, love, and friendship are embedded in violence and exclusion, but, as Maria Stehle and Beverly Weber show, the politics of touch and connection also offers avenues to theorize forms of attention and affection that challenge exclusive notions of race, citizenship, and belonging. Precarious Intimacies examines the aesthetic strategies that respond to this tension and proposes a politics of interpretation that identifies the potential and possibility of intimacy.
Описание: Explores the intermedial poetics of the post-communist cinemas of Eastern Europe and Russia
Provides in-depth and comparative analyses of films, with case studies covering fiction films, documentaries, avant-garde experiments, arthouse movies and mainstream cinema
Cinematic case studies are drawn from Romania, Hungary, Poland, the Czech Republic, Bosnia and Herzegovina and Russia
Discusses different strategies of intermediality and covers the analysis of a wide range of intermedial and inter-art phenomena, including the relationship between film and painting, film and sculpture, film and photography, cinema and the graphic novel, words and images and images and music
This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc.
As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society.
Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole.
Contributors
Melinda Blos-Jбni, Sapientia Hungarian University of Transylvania
Malgorzata Bugaj, University of Stirling and the University of Edinburgh
Fбtima Chinita, Lisbon Polytechnic Institute
Zsolt Gyenge, Moholy-Nagy University of Art and Design
Hajnal Kirбly, Eцtvцs Lorбnd University
Bence Krбnicz, Eцtvцs Lorбnd University
Gabriel Laverdiиre, from Laval University, Quebec
Бgnes Pethő, Sapientia Hungarian University of Transylvania
Judit Pieldner, Sapientia Hungarian University of Transylvania
Katalin Sбndor, Babeș-Bolyai University
Mareike Sera, Humboldt University of Berlin
Автор: Hart Kylo Patrick R Название: Queer Males in Contemporary Cinema ISBN: 0810891182 ISBN-13(EAN): 9780810891180 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 10771.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Over the past several decades, mainstream films have gradually featured queer content and characters. Depicted covertly at first, these characterizations have become much more prominent in recent years, most notably in such films as Philadelphia, Boys Don't Cry, and Brokeback Mountain. In Queer Males in Contemporary Cinema: Becoming Visible, Kylo-Patrick R.
Hart explores both latent and manifest representations of queer males in noteworthy cinema from the mid-20th to the early 21st century. Hart examines films pertaining to bisexual, gay, and transgender men, as well as transsexuals, transvestites, queer people with HIV/AIDS, queer teens, and others. Throughout, this book continually reminds readers that both mainstream and independent films communicate, reinforce, and perpetuate culturally pervasive notions of "normalcy," "deviance," and "social otherness," in ways that frequently have real-and sometimes detrimental-effects on actual people.
Covering a range of films, including From Here to Eternity, The Boys in the Band, Saturday Night Fever, Cruising, Point Break, The Doom Generation, Boys Don't Cry, Hedwig and the Angry Inch, Kinsey, Brokeback Mountain, Transamerica, and Shortbus, this book shows not only how much has changed since the mid-20th century, but also how much has remained the same. Queer Males in Contemporary Cinema provides perceptive insights for students and academics interested in film history, cultural studies, gender studies, media studies, popular culture, and LGBTQ studies.
Автор: Sams, Victoria Название: Immigration and contemporary british theater ISBN: 1433113058 ISBN-13(EAN): 9781433113055 Издательство: Peter Lang Рейтинг: Цена: 12214.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Immigration and Contemporary British Theater: Finding a Home on the Stage analyzes how contemporary British theater has responded to post-war immigration to the United Kingdom through its depictions of home and domestic life. Bridging literary analysis, theater history, and migration studies, the book examines the ways that immigration to the United Kingdom has reshaped British theatrical culture and inspired new conceptions of Britishness and of communal belonging. Furthermore, it examines how immigrant theater artists from widely varying backgrounds (geographical, educational, cultural) have worked within and around existing theatrical institutions in Britain.
Описание: Examines key contemporary Austrian literary texts, films, and memorials that treat Nazism and the Holocaust for what they reveal about the country`s contemporary politics of memory.
Название: Contemporary european emigration ISBN: 0367193752 ISBN-13(EAN): 9780367193751 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Поставка под заказ.
Описание: This book focuses on European emigration, asking why they leave the continent, how they chose their destination, and how they experience their migrant life. Delving into accounts of social integration and transnational and local connectivity, the book provides enticing insights into how Europeans see themselves in the world.
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