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Faulkner and Print Culture, Jay Watson, Jaime Harker, James G. Thomas, Jr.


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Автор: Jay Watson, Jaime Harker, James G. Thomas, Jr.
Название:  Faulkner and Print Culture
ISBN: 9781496825704
Издательство: Mare Nostrum (Eurospan)
Классификация:

ISBN-10: 1496825705
Обложка/Формат: Paperback
Страницы: 274
Вес: 0.40 кг.
Дата издания: 30.01.2020
Серия: Faulkner and yoknapatawpha series
Язык: English
Иллюстрации: 17 black & white illustrations
Размер: 22.91 x 15.19 x 1.22 cm
Ключевые слова: Anthologies (non-poetry),Literary companions, book reviews & guides,Literary studies: general, LITERARY COLLECTIONS / American / General,LITERARY CRITICISM / American / General,LITERARY CRITICISM / Comparative Literature
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Поставляется из: Англии
Описание: With contributions by Greg Barnhisel, John N. Duvall, Kristin Fujie, Sarah E. Gardner, Jaime Harker, Kristi Rowan Humphreys, Robert Jackson, Mary A. Knighton, Jennifer Nolan, Carl Rollyson, Tim A. Ryan, Jay Satterfield, Erin A. Smith, Jay Watson, and Yung-Hsing Wu.

William Faulkner's first ventures into print culture began far from the world of highbrow New York publishing houses such as Boni & Liveright or Random House and little magazines such as the Double Dealer. With that diverse publishing history in mind, this collection explores Faulkner's multifaceted engagements, as writer and reader, with the US and international print cultures of his era, along with how these cultures have mediated his relationship with various twentieth- and twenty-first-century Audiences.

These essays address the place of Faulkner and his writings in the creation, design, publishing, marketing, reception, and collecting of books, in the culture of twentieth-century magazines, journals, newspapers, and other periodicals (from pulp to avant-garde), in the history of modern readers and readerships, and in the construction and cultural politics of literary authorship.

Several Contributors focus on Faulkner's sensational 1931 novel Sanctuary to illustrate the author's multifaceted relationship to the print ecology of his time, tracing the novel's path from the wellsprings of Faulkner's artistic vision to the novel's reception among reviewers, tastemakers, intellectuals, and other readers of the early 1930s. Other essayists discuss Faulkner's early notices, the Saturday Review of Literature, Saturday Evening Post, men's magazines of the 1950s, and Cold War modernism.
Дополнительное описание: Literary studies: general|Anthologies: general|Literary companions, book reviews and guides



Captain America, Masculinity, and Violence: The Evolution of a National Icon

Автор: J. Richard Stevens
Название: Captain America, Masculinity, and Violence: The Evolution of a National Icon
ISBN: 0815630913 ISBN-13(EAN): 9780815630913
Издательство: Mare Nostrum (Eurospan)
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Цена: 3756.00 р.
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Описание: Since 1940, Captain America has battled his enemies in the name of American values, and as those values have changed over time, so has Captain America's character. Because the comic book world fosters a close fan-creator dialogue, creators must consider their ever-changing readership. Comic book artists must carefully balance storyline continuity with cultural relevance. Captain America's seventy-year existence spans from World War II through the Cold War to the American War on Terror; beginning as a soldier unopposed to offensive attacks against foreign threats, he later becomes known as a defender whose only weapon is his iconic shield. In this way, Captain America reflects America's need to renegotiate its social contract and reinvent its national myths and cultural identity, all the while telling stories proclaiming an eternal and unchanging spirit of America. In Captain America, Masculinity, and Violence, Stevens reveals how the comic book hero has evolved to maintain relevance to America's fluctuating ideas of masculinity, patriotism, and violence. Stevens outlines the history of Captain America's adventures and places the unfolding storyline in dialogue with the comic book industry as well as America's varying political culture. Stevens shows that Captain America represents the ultimate American story: permanent enough to survive for nearly seventy years with a history fluid enough to be constantly reinterpreted to meet the needs of an ever-changing culture.

Faulkner and Material Culture

Автор: Joseph R. Urgo, Ann J. Abadie
Название: Faulkner and Material Culture
ISBN: 1617037125 ISBN-13(EAN): 9781617037122
Издательство: Mare Nostrum (Eurospan)
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Цена: 4712.00 р.
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Описание: Photographs, lumber, airplanes, hand-hewn coffins - in every William Faulkner novel and short story worldly material abounds. The essays in Faulkner and Material Culture provide a fresh understanding of the things Faulkner brought from the world around him to the one he created.

Print and Popular Culture in Ireland, 1750–1850

Автор: Niall O Cios?in
Название: Print and Popular Culture in Ireland, 1750–1850
ISBN: 1349258210 ISBN-13(EAN): 9781349258215
Издательство: Springer
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Цена: 24456.00 р.
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Описание: The author studies the cheap printed literature which was read in eighteenth and nineteenth century Ireland and the cultures of its audience. By addressing questions such as the language shift and the unique social configuration of Ireland in this period, it adds a new dimension to the growing body of studies of popular culture in Europe.

Women, Periodicals and Print Culture in Britain, 1890s-1920s: The Modernist Period

Автор: Faith Binckes, Carey Snyder
Название: Women, Periodicals and Print Culture in Britain, 1890s-1920s: The Modernist Period
ISBN: 1474450644 ISBN-13(EAN): 9781474450645
Издательство: Bloomsbury Academic
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Цена: 29304.00 р.
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Описание:

New perspectives on women's contributions to periodical culture in the era of modernism

This collection highlights the contributions of women writers, editors and critics to periodical culture in the late nineteenth and early twentieth centuries. It explores women's role in shaping conversations about modernism and modernity across varied aesthetic and ideological registers, and foregrounds how such participation was shaped by a wide range of periodical genres.

The essays focus on well-known publications and introduce those as yet obscure and understudied -- including middlebrow and popular magazines, movement-based, radical papers, avant-garde titles and classic Little Magazines. Examining neglected figures and shining new light on familiar ones, the collection enriches our understanding of the role women played in the print culture of this transformative period.

Key Features

  • Helps recover neglected women writers and cast new light on canonical ones
  • Highlights the geographical diversity of modern British print culture
  • Emphasises the interdisciplinary nature of modernism, including essays on modernist dance, music, cinema, drama and architecture
  • Includes a section on social movement periodicals
Novel Ventures: Fiction and Print Culture in England, 1690-1730

Автор: Leah Orr
Название: Novel Ventures: Fiction and Print Culture in England, 1690-1730
ISBN: 0813940133 ISBN-13(EAN): 9780813940137
Издательство: Mare Nostrum (Eurospan)
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Цена: 7484.00 р.
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Описание: Resisting the standard "rise of the novel" paradigm, Novel Ventures incorporates new research about the fiction marketplace to illuminate early fiction as an eighteenth-century reader or writer might have seen it. Examining all 475 works of fiction printed over the four decades from 1690 to 1730, Leah Orr shows that the genre was much more diverse and innovative in this period than is usually thought.

Early African American Print Culture

Автор: Lara Langer Cohen, Jordan Alexander Stein
Название: Early African American Print Culture
ISBN: 0812223349 ISBN-13(EAN): 9780812223347
Издательство: Wiley EDC
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Цена: 3945.00 р.
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Описание:

The eighteenth and nineteenth centuries saw both the consolidation of American print culture and the establishment of an African American literary tradition, yet the two are too rarely considered in tandem. In this landmark volume, a stellar group of established and emerging scholars ranges over periods, locations, and media to explore African Americans' diverse contributions to early American print culture, both on the page and off.
The book's chapters consider domestic novels and gallows narratives, Francophone poetry and engravings of Liberia, transatlantic lyrics and San Francisco newspapers. Together, they consider how close attention to the archive can expand the study of African American literature well beyond matters of authorship to include issues of editing, illustration, circulation, and reading—and how this expansion can enrich and transform the study of print culture more generally.

Prophets, Publicists, and Parasites: Antebellum Print Culture and the Rise of the Critic

Автор: Adam Gordon
Название: Prophets, Publicists, and Parasites: Antebellum Print Culture and the Rise of the Critic
ISBN: 1625344538 ISBN-13(EAN): 9781625344533
Издательство: Mare Nostrum (Eurospan)
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Цена: 3326.00 р.
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Описание: Print culture expanded significantly in the nineteenth century due to new print technologies and more efficient distribution methods, providing literary critics with an increasing number of venues to publish their work. Adam Gordon embraces the multiplicity of critique in the period from 1830 to 1860 by exploring the critical forms that emerged.

The Scars We Carve: Bodies and Wounds in Civil War Print Culture

Автор: Allison M. Johnson
Название: The Scars We Carve: Bodies and Wounds in Civil War Print Culture
ISBN: 0807170372 ISBN-13(EAN): 9780807170373
Издательство: Mare Nostrum (Eurospan)
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Цена: 5643.00 р.
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Описание: In The Scars We Carve: Bodies and Wounds in Civil War Print Culture, Allison M. Johnson considers the ubiquitous images of bodies- white and black, male and female, soldier and civilian- that appear throughout newspapers, lithographs, poems, and other texts circulated during and in the decades immediately following the Civil War. Rather than dwelling on the work of well-known authors, The Scars We Carve uncovers a powerful archive of Civil War- era print culture in which the individual body and its component parts, marked by violence or imbued with rhetorical power, testify to the horrors of war and the lasting impact of the internecine conflict. The Civil War brought about vast changes to the nation's political, social, racial, and gender identities, and Johnson argues that print culture conveyed these changes to readers through depictions of nonnormative bodies. She focuses on images portrayed in the pages of newspapers and journals, in the left-handed writing of recent amputees who participated in penmanship contests, and in the accounts of anonymous poets and storytellers. Johnson reveals how allegories of the feminine body as a representation of liberty and the nation carved out a place for women in public and political realms, while depictions of slaves and black soldiers justified black manhood and citizenship in the midst of sectional crisis. By highlighting the extent to which the violence of the conflict marked the physical experience of American citizens, as well as the geographic and symbolic bodies of the republic, The Scars We Carve diverges from narratives of the Civil War that stress ideological abstraction, showing instead that the era's print culture contains a literary and visual record of the war that is embodied and individualized.


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