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Mulata Nation: Visualizing Race and Gender in Cuba, Alison Fraunhar


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Автор: Alison Fraunhar
Название:  Mulata Nation: Visualizing Race and Gender in Cuba
ISBN: 9781496825667
Издательство: Mare Nostrum (Eurospan)
Классификация:





ISBN-10: 1496825667
Обложка/Формат: Paperback
Страницы: 272
Вес: 0.39 кг.
Дата издания: 30.08.2019
Серия: Caribbean studies series
Язык: English
Иллюстрации: 62 colour illustrations
Размер: 234 x 156 x 15
Ключевые слова: History of art / art & design styles,Regional & national history,Ethnic studies,Gender studies, gender groups, ART / History / General,SOCIAL SCIENCE / Ethnic Studies / General,SOCIAL SCIENCE / Gender Studies,HISTORY / Caribbean & West Indies / Cuba
Подзаголовок: Visualizing race and gender in cuba
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Поставляется из: Англии
Описание: Throughout Cuban history, the mulata, a woman of mixed racial identity, features prominently in visual and performative culture. Tracing the figure through historical eras, Alison Fraunhar looks at the representation and performance in both elite and popular culture. She also tracks how characteristics associated with these women have accrued across the Atlantic world. Widely understood to embody the bridge between European Subject and African other, the mulata contains the sensuality attributed to Africans in a body more closely resembling the European ideal of beauty. This symbol bears far-reaching implications, with shifting, contradictory cultural meanings in Cuba. Fraunhar explores these complex paradigms, how, why, and for whom the image was useful, and how it was both subverted and asserted from the colonial period to the present. From the early seventeenth century through Cuban independence in 1899 up to the late revolutionary era, Fraunhar illustrates the ambiguous figure’s role in nationhood, citizenship, and commercialism. She analyzes images including key examples of nineteenth-century graphic arts, avant-garde painting and magazine covers of the Republican era, cabaret and film performance, and contemporary iterations of gender. Fraunhar’s study stands out for attending to the phenomenon of mulataje not only in elite Production such as painting, but also in popular forms: popular theater, print culture, later films, and other media where stereotypes take hold. Indeed, in contemporary Cuba, mulataje remains a popular theme with Cubans as well as foreigners in drag shows, foregrounding queerness as an intrinsic element of mulataje.
Дополнительное описание: General and world history|Ethnic studies|Gender studies, gender groups|History of art



Visualizing Difference

Автор: Oleksy
Название: Visualizing Difference
ISBN: 1138676713 ISBN-13(EAN): 9781138676718
Издательство: Taylor&Francis
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Цена: 22968.00 р.
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Описание:

In the wealth of literature on intersectionality as a concept, theory, political option and methodology, little has been written on how it might be taught. Proceeding from theory to practice, Visualizing Difference fills in this lacuna and offers an original approach to a visual pedagogy that recognizes the necessity of integrating difference, whilst also inspiring the reader to convey meanings from visuals that directly bear influence upon their lives.

This innovative volume proposes a novel approach to empirical investigation of the visual. So far, it has not been demonstrated how interconnections between various social differentials, such as gender, disability, sexuality, race, ethnicity, and nationality intersect in a particular lived experience and shape the reception of visual texts. Oleksy thus focuses on documenting how critical analysis of films empowers students and gives them incentive to oppose normalizing power effects.

Through students' personal narratives, the reader will witness how subjectivity is indicative of the retrospective look at their own lives, which classroom experiences of watching and discussing the films have stimulated. This intriguing book will appeal to undergraduate and postgraduate students and postdoctoral researchers interested in Film Audience, Intersectionality, Sociology, Pedagogy and Gender Studies.

Visualizing Feeling

Автор: Best Susan
Название: Visualizing Feeling
ISBN: 1780767099 ISBN-13(EAN): 9781780767093
Издательство: Bloomsbury Academic
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Цена: 3958.00 р.
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Описание: Is late modern art `anti-aesthetic`? What does it mean to label a piece of art `affectless`? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling to the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism.

Visualizing Taste: How Business Changed the Look of What You Eat

Автор: Hisano Ai
Название: Visualizing Taste: How Business Changed the Look of What You Eat
ISBN: 0674983890 ISBN-13(EAN): 9780674983892
Издательство: Wiley
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Цена: 6011.00 р.
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Описание: Ai Hisano reveals how the food industry capitalized on color, fashioning a visual vocabulary that shapes what we think of the food we eat. Our perceptions of what food should look like have changed dramatically as scientists, farmers, food processors, regulators, and marketers established a new, and highly engineered, version of the "natural."

Mulata nation

Автор: Fraunhar, Alison
Название: Mulata nation
ISBN: 1496814436 ISBN-13(EAN): 9781496814432
Издательство: Mare Nostrum (Eurospan)
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Цена: 13794.00 р.
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Описание: Repeatedly and powerfully throughout Cuban history, the mulata, a woman of mixed racial identity, features prominently in Cuban visual and performative culture. Tracing the figure, Alison Fraunhar looks at the representation and performance in both elite and popular culture. She also tracks how characteristics associated with these women have accrued across the Atlantic world.Widely understood to embody the bridge between European subject and African other, the mulata contains the sensuality attributed to Africans in a body more closely resembling the European ideal of beauty. This symbol bears far-reaching implications, with shifting, contradictory cultural meanings in Cuba. Fraunhar explores these complex paradigms, how, why, and for whom the image was useful, and how it was both subverted and asserted from the colonial period to the present. From the early seventeenth century through Cuban independence in 1899 up to the late revolutionary era, Fraunhar illustrates the ambiguous figure's role in nationhood, citizenship, and commercialism. She analyzes images including key examples of nineteenth-century graphic arts, avant-garde painting and magazine covers of the Republican era, cabaret and film performance, and contemporary iterations of gender.Fraunhar's study stands out for attending to the phenomenon of mulataje not only in elite production such as painting, but also in popular forms: popular theater, print culture, later films, and other media where stereotypes take hold. Indeed, in contemporary Cuba, mulataje remains a popular theme with Cubans as well as foreigners in drag shows, reflecting queerness in visual culture.

Visualizing Labor in American Sculpture

Автор: Dabakis
Название: Visualizing Labor in American Sculpture
ISBN: 0521283272 ISBN-13(EAN): 9780521283274
Издательство: Cambridge Academ
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Цена: 6018.00 р.
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Описание: This text focuses on representations of work in American sculpture, from the decade in which the American Federation of Labor was formed, to the inauguration of the federal works project during the Great Depression. This work restores a group of important monuments to their proper place with art history and American studies.

Visualizing American Empire: Orientalism and Imperialism in the Philippines

Автор: Brody David
Название: Visualizing American Empire: Orientalism and Imperialism in the Philippines
ISBN: 0226075346 ISBN-13(EAN): 9780226075341
Издательство: Wiley
Цена: 4435.00 р.
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Описание: In 1899 an American could open a newspaper and find outrageous images. This title argues that these kinds of hyperbolic accounts were just one element of the visual and material culture that played an integral role in debates about empire in late nineteenth- and early twentieth-century America.

Visualizing Equality: African American Rights and Visual Culture in the Nineteenth Century

Автор: Gonzalez Aston
Название: Visualizing Equality: African American Rights and Visual Culture in the Nineteenth Century
ISBN: 1469659956 ISBN-13(EAN): 9781469659954
Издательство: Mare Nostrum (Eurospan)
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Цена: 11913.00 р.
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Описание: The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned.

Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these artist activists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.

Visualizing Equality: African American Rights and Visual Culture in the Nineteenth Century

Автор: Gonzalez Aston
Название: Visualizing Equality: African American Rights and Visual Culture in the Nineteenth Century
ISBN: 1469659964 ISBN-13(EAN): 9781469659961
Издательство: Mare Nostrum (Eurospan)
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Цена: 4076.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned. Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these artist activists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.


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