The Pleasure and Pain of Cult Horror Films: An Historical Survey, Bartlomiej Paszylk
Автор: Gregory William Mank Название: Laird Cregar: A Hollywood Tragedy ISBN: 1476678995 ISBN-13(EAN): 9781476678993 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5821.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In 1944, Laird Cregar played Jack the Ripper in The Lodger, giving one of the most haunting performances in Hollywood history. This first biography of Cregar tells the heartbreaking story of the brilliant but doomed actor. Appendices cover his film, theatre, and radio work. Many never before published photographs are included.
Lighting and shadows are used within a range of art forms to create aesthetic effects. Piotr Sadowski's study of light and shadow in Weimar cinema and contemporaneous visual arts is underpinned by the evolutionary semiotic theories of indexicality and iconicity. These theories explain the unique communicative and emotive power of light and shadow when used in contemporary indexical media including the shadow theatre, silhouette portraits, camera obscura, photography and film.
In particular, Sadowski highlights the aesthetic and emotional significance of shadows. The 'cast shadow', as an indexical sign, maintains a physical connection with its near-present referent, such as a hidden person, stimulating a viewer's imagination and provoking responses including anxiety or curiosity. The 'cinematic shadow' plays a stylistic role, by enhancing image texture, depth of field, and tonal contrast of cinematic moments. Such enhancements are especially important in monochromatic films, and Sadowski interweaves the book with accounts of seminal Weimar cinema moments.
Sadowski's book is distinctive for combining historical materials and theoretical approaches to develop a deeper understanding of Weimar cinema and other contemporary art forms. The Semiotics of Light and Shadows is an ideal resource for both scholars and students working in linguistics, semiotics, film, media, and visual arts.
Lighting and shadows are used within a range of art forms to create aesthetic effects. Piotr Sadowski's study of light and shadow in Weimar cinema and contemporaneous visual arts is underpinned by the evolutionary semiotic theories of indexicality and iconicity. These theories explain the unique communicative and emotive power of light and shadow when used in contemporary indexical media including the shadow theatre, silhouette portraits, camera obscura, photography and film.
In particular, Sadowski highlights the aesthetic and emotional significance of shadows. The 'cast shadow', as an indexical sign, maintains a physical connection with its near-present referent, such as a hidden person, stimulating a viewer's imagination and provoking responses including anxiety or curiosity. The 'cinematic shadow' plays a stylistic role, by enhancing image texture, depth of field, and tonal contrast of cinematic moments. Such enhancements are especially important in monochromatic films, and Sadowski interweaves the book with accounts of seminal Weimar cinema moments. Sadowski's book is distinctive for combining historical materials and theoretical approaches to develop a deeper understanding of Weimar cinema and other contemporary art forms. The Semiotics of Light and Shadows is an ideal resource for both scholars and students working in linguistics, semiotics, film, media, and visual arts.
Описание: Lawman Eliot Ness has been transformed into a legend by the films and television programs that depicted the war he and his ""Untouchables"" waged against Al Capone and the mobsters of Prohibition-era Chicago. Published by McFarland in 2000, the first edition of this volume analyzed both Ness the person and Ness the myth. This updated and expanded second edition is enhanced by information gathered through interviews with members of the original casts of the TV and film versions of The Untouchables. Also included is new material on the historical Frank Nitti and ""The Mad Butcher of Kingsbury Run,"" along with several gangsters whom Ness never actually encountered except in his media portrayals, among them Mad Dog Coll and Dutch Schultz. The author concludes by evaluating the life and accomplishments of Eliot Ness, and his impact as a cultural icon.
Описание: The theme of the double has inspired works by E.T.A. Hoffmann, Poe, de Maupassant, Dostoevsky and others, and has been the basis for classic films in the genres of mystery, horror and science fiction. This theme is examined in film noir and neo-noir, with a special emphasis on the works of Alfred Hitchcock.
Описание: This book is the first monograph in English that comprehensively examines the ways in which Italian historical crime novels, TV series, and films have become a means to intervene in the social and political changes of the country. This study explores the ways in which fictional representations of the past mirror contemporaneous anxieties within Italian society in the work of writers such as Leonardo Sciascia, Andrea Camilleri, Carlo Lucarelli, Francesco Guccini, Loriano Macchiavelli, Marcello Fois, Maurizio De Giovanni, and Giancarlo De Cataldo; film directors such as Elio Petri, Pietro Germi, Michele Placido, and Damiano Damiani; and TV series such as the “Commissario De Luca” series, the “Commissario Nardone” series, and “Romanzo criminale–The series.” Providing the most wide-ranging examination of this sub-genre in Italy, Barbara Pezzotti places works set in the Risorgimento, WWII, and the Years of Lead in the larger social and political context of contemporary Italy.
Название: Film translation from east to west ISBN: 3034312601 ISBN-13(EAN): 9783034312608 Издательство: Peter Lang Рейтинг: Цена: 17464.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The central focus of this book is the translation of filmic products into European and Oriental languages, gathering together reflections on English, French, Spanish, German, Portuguese, Russian, Arabic, Chinese and Japanese, analysed also in their relation to Italian. Audiovisual language is investigated both on a theoretical and didactic level.
Описание: The way the historical genre has developed in Romania provides background on both audience reception and the politics of re-enactment in popular cinema. This is the first time that English-speaking readers have gained access to a comprehensive selection of fiction films set in the Romanian past.
Today the 80-mile-long Moscow Canal is a source of leisure for Muscovites, a conduit for tourists and provides the city with more than 60% of its potable water. Yet the past looms heavy over these quotidian activities: the canal was built by Gulag inmates at the height of Stalinism and thousands died in the process.
In this wide-ranging book, Cynthia Ruder argues that the construction of the canal physically manifests Stalinist ideology and that the vertical, horizontal, underwater, ideological, artistic and metaphorical spaces created by it resonate with the desire of the state to dominate all space within and outside the Soviet Union. Ruder draws on theoretical constructs from cultural geography and spatial studies to interpret and contextualise a variety of structural and cultural products dedicated to, and in praise of, this signature Stalinist construction project. Approached through an extensive range of archival sources, personal interviews and contemporary documentary materials these include a diverse body of artefacts - from waterways, structures, paintings, sculptures, literary and documentary works, and the Gulag itself. Building Stalinism concludes by analysing current efforts to reclaim the legacy of the canal as a memorial space that ensures that those who suffered and died building it are remembered.
This is essential reading for all scholars working on the all-pervasive nature of Stalinism and its complex afterlife in Russia today.
Chapter 1 The Foundation of the State: Giallo and the Risorgimento
Chapter 2 The Giallo and the Black: The Representation of Fascism and WWII between Revisionism and Criticism
Chapter 3 The Giallo and Terrorism: the Years of Lead and the Conspiracy Novel
Conclusion
Index
Автор: Fenwick James, Foster Kieran, Eldridge David Название: Shadow Cinema: The Historical and Production Contexts of Unmade Films ISBN: 1501370960 ISBN-13(EAN): 9781501370960 Издательство: Bloomsbury Academic Рейтинг: Цена: 9414.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Filmmakers and cinema industries across the globe invest more time, money and creative energy in projects and ideas that never get produced than in the movies that actually make it to the screens. Thousands of projects are abandoned in pre-production, halted, cut short, or even made and never distributed – a “shadow cinema” that exists only in the archives.
This collection of essays by leading scholars and researchers opens those archives to draw on a wealth of previously unexamined scripts, correspondence and production material, reconstructing many of the hidden histories of the last hundred years of world cinema. Highlighting the fact that the movies we see are actually the exception to the rule, this study uncovers the myriad reasons why ‘failures’ occur and considers how understanding those failures can transform the disciplines of film and media history. The first survey of this new area of empirical study across transnational borders, Shadow Cinema is a vital and fascinating demonstration of the importance of the unmade, unseen, and unknown history of cinema.
Автор: Ewa Mazierska, Matilda Mroz, Elzbieta Ostrowska Название: The Cinematic Bodies of Eastern Europe and Russia: Between Pain and Pleasure ISBN: 1474405142 ISBN-13(EAN): 9781474405140 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Bringing together a range of theoretical and critical approaches, this edited collection is the first book to examine representations of the body in Eastern European and Russian cinema after the Second World War.
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