Описание: While Washington, D.C., is still often referred to as "Chocolate City," it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In this book, Brandi Thompson Summers documents D.C.'s shift to a "post-chocolate" cosmopolitan metropolis by charting H Street's economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation's capital, how blackness contributes to our understanding of contemporary urbanization, and how it laid an important foundation for how Black people have been thought to exist in cities. Summers also analyzes how blackness—as a representation of diversity—is marketed to sell a progressive, "cool," and authentic experience of being in and moving through an urban center. Using a mix of participant observation, visual and media analysis, interviews, and archival research, Summers shows how blackness has become a prized and lucrative aesthetic that often excludes D.C.'s Black residents.
Автор: S. Shannon; D. Williams Название: August Wilson and Black Aesthetics ISBN: 1403964068 ISBN-13(EAN): 9781403964069 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers new essays and interviews addressing Wilson`s work, ranging from examinations of the presence of Wilson`s politics in his plays to the limitations of these politics on contemporary interpretations of Black aesthetics. Also includes an updated introduction assessing Wilson`s legacy since his death in 2005.
Автор: Mary K. Bloodsworth-Lugo (Editor), Название: Race, Philosophy, and Film ISBN: 0415624452 ISBN-13(EAN): 9780415624459 Издательство: Taylor&Francis Рейтинг: Цена: 19906.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This collection fills a gap in the current literature in philosophy and film by focusing on the question: How would thinking in philosophy and film be transformed if race were formally incorporated moved from its margins to the center?
The collection's contributors anchor their discussions of race through considerations of specific films and television series, which serve as illustrative examples from which the essays' theorizations are drawn. Inclusive and current in its selection of films and genres, the collection incorporates dramas, comedies, horror, and science fiction films (among other genres) into its discussions, as well as recent and popular titles of interest, such as Twilight, Avatar, Machete, True Blood, and The Matrix and The Help. The essays compel readers to think more deeply about the films they have seen and their experiences of these narratives.
Описание: The Great Chicago Fire in October 1871 destroyed 2,600 acres and left tens of thousands without housing, food, fuel, or clothing. In the aftermath the mayor handed all relief duties to the commercial elite at the Chicago Relief and Aid Society. This was, as Joel E. Black's provocative study shows, a critical decision—one that ensured that Chicago's physical rebuilding would be coupled with an equally ambitious rebuilding of the city's poor, as reformers, social scientists, and journalists set out to interpret and define Chicago's jobless, wayward, and migrating populations. What emerged from this effort was a new form of social and quasi-governmental authority based on poverty—a web of political and legal theories and practices rooted in the conditions of the poor. This authority is the subject of Structuring Poverty in the Windy City.In the decades after the Chicago Fire, the process begun by the Relief and Aid Society would expand outward—from jobless men to workingwomen to southern African American migrants, each defined by, and defining, poverty. Drawing on local newspapers, magazines, commissions, and legal decisions and documents from archives in Chicago, Black tells the stories of “tramps,” sex workers, and migrants caught within the structures of poverty; he also describes the legal and social order compelling their reform to the strictures of that selfsame order. As it reveals the central role of the impoverished in the creation of a legal order, Black's book stresses the effect of social ideas on legal thinking, which was reflected in the policies of the New Deal and, even now, in the politics of poverty and social engineering.
Автор: Tate Название: Black Beauty: Aesthetics, Stylization, Politics ISBN: 1138266191 ISBN-13(EAN): 9781138266193 Издательство: Taylor&Francis Рейтинг: Цена: 8726.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Combining rich ethnographic research amongst Black British women of Caribbean heritage, with a discussion of the broader `Black Atlantic` context, Shirley Tate offers a unique exploration of beauty, race and identity politics, revealing how Black women themselves speak about, negotiate, inhabit, work on and perform Black beauty.
Автор: Christopher Freeburg Название: Black Aesthetics and the Interior Life ISBN: 0813940311 ISBN-13(EAN): 9780813940311 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 9405.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Christopher Freeburg’s Black Aesthetics and the Interior Life offers a crucial new reading of a neglected aspect of African American literature and art across the long twentieth century. Rejecting the idea that the most dehumanizing of black experiences, such as lynching or other racial violence, have completely robbed victims of their personhood, Freeburg rethinks what it means to be a person in the works of black artists. This book advances the idea that individual persons always retain the ability to withhold, express, or change their ideas, and this concept has profound implications for long-held assumptions about the relationship between black interior life and black collective political interests. Examining an array of seminal black texts—from Ida B. Wells’s antilynching pamphlets to works by Richard Wright, Nina Simone, and Toni Morrison—Freeburg demonstrates that the personhood represented by these writers unsettles rather than automatically strengthens black subjects’ relationships to political movements such as racial uplift, civil rights, and black nationalism. He shows how black artists illuminate the challenges of racial collectivity while stressing the vital stakes of individual personhood. In his challenge to current African Americanist criticism, Freeburg makes a striking contribution to our understanding of African American literature and culture.
Автор: Christopher Freeburg Название: Black Aesthetics and the Interior Life ISBN: 081394032X ISBN-13(EAN): 9780813940328 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3574.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Christopher Freeburg’s Black Aesthetics and the Interior Life offers a crucial new reading of a neglected aspect of African American literature and art across the long twentieth century. Rejecting the idea that the most dehumanizing of black experiences, such as lynching or other racial violence, have completely robbed victims of their personhood, Freeburg rethinks what it means to be a person in the works of black artists. This book advances the idea that individual persons always retain the ability to withhold, express, or change their ideas, and this concept has profound implications for long-held assumptions about the relationship between black interior life and black collective political interests. Examining an array of seminal black texts—from Ida B. Wells’s antilynching pamphlets to works by Richard Wright, Nina Simone, and Toni Morrison—Freeburg demonstrates that the personhood represented by these writers unsettles rather than automatically strengthens black subjects’ relationships to political movements such as racial uplift, civil rights, and black nationalism. He shows how black artists illuminate the challenges of racial collectivity while stressing the vital stakes of individual personhood. In his challenge to current African Americanist criticism, Freeburg makes a striking contribution to our understanding of African American literature and culture.
Название: Chocolate Surrealism ISBN: 1496806891 ISBN-13(EAN): 9781496806895 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Chocolate Surrealism Njoroge Njoroge highlights connections among the production, performance, and reception of popular music at critical historical junctures in the late nineteenth and twentieth centuries. The author sifts different origins and styles to place socio-musical movements into a larger historical framework.Calypso reigned during the turbulent interwar period and the ensuing crises of capitalism. The Cuban rumba/son complex enlivened the postwar era of American empire. Jazz exploded in the Bandung period and the rise of decolonization. And, lastly, Nuyorican Salsa coincided with the period of the civil rights movement and the beginnings of black/brown power. Njoroge illuminates musics of the circum-Caribbean as culturally and conceptually integrated within the larger history of the region. He pays close attention to the fractures, fragmentations, and historical particularities that both unite and divide the region's sounds. At the same time, he engages with a larger discussion of the Atlantic world.Njoroge examines the deep interrelations between music, movement, memory, and history in the African diaspora. He finds the music both a theoretical anchor and a mode of expression and representation of black identities and political cultures. Music and performance offer ways for the author to re-theorize the intersections of race, nationalism and musical practice, and geopolitical connections. Further music allows Njoroge a reassessment of the development of the modern world system, through local, popular responses to the global age. The book analyzes different styles, times, and politics to render a brief history of Black Atlantic sound.
Название: Race, Philosophy, and Film ISBN: 1138921904 ISBN-13(EAN): 9781138921900 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This collection fills a gap in the current literature in philosophy and film by focusing on the question: How would thinking in philosophy and film be transformed if race were formally incorporated moved from its margins to the center?
The collection's contributors anchor their discussions of race through considerations of specific films and television series, which serve as illustrative examples from which the essays' theorizations are drawn. Inclusive and current in its selection of films and genres, the collection incorporates dramas, comedies, horror, and science fiction films (among other genres) into its discussions, as well as recent and popular titles of interest, such as Twilight, Avatar, Machete, True Blood, and The Matrix and The Help. The essays compel readers to think more deeply about the films they have seen and their experiences of these narratives.
Architecture is often thought to be a diary of a society, filled with symbolic representations of specific cultural moments. However, as Craig L. Wilkins observes, that diary includes far too few narratives of the diverse cultures in U.S. society. Wilkins states that the discipline of architecture has a resistance to African Americans at every level, from the startlingly small number of architecture students to the paltry number of registered architects in the United States today.
Working to understand how ideologies are formed, transmitted, and embedded in the built environment, Wilkins deconstructs how the marginalization of African Americans is authorized within the field of architecture. He then outlines how activist forms of expression shape and sustain communities, fashioning an architectural theory around the site of environmental conflict constructed by hip-hop culture.
Wilkins places his concerns in a historical context, and also offers practical solutions to address them. In doing so, he reveals new possibilities for an architecture that acknowledges its current shortcomings and replies to the needs of multicultural constituencies.
Craig L. Wilkins, a registered architect, teaches architecture and urban planning at the University of Michigan.
Winner of the 2017 Society of Professors of Education Book Award
Winner of the 2017 American Educational Studies Association Critics' Choice Award
Border Crossing «Brothas» examines how Black males form identities, define success, and utilize community-based pedagogical spaces to cross literal and figurative borders. The tragic deaths of Michael Brown in Ferguson, Tamir Rice in Cleveland, and numerous others from Brooklyn, Britain, and Bermuda whose lives have been taken prematurely suggest that negotiating race, place, and complex space is a matter of life and death for Black males. In jurisdictions such as the U.S. and Bermuda, racial tensions are the palpable and obvious reality, yet the average citizen has no idea how to sensibly react. This book offers a reasonable response that pushes readers to account for and draw on the best of what we know, the core of who we are, and the needs and histories of those we serve.
Drawing on the educational and socializing experiences of Black males in Bermuda – a beautiful yet complex island with strong connections to the U.S., England, and the Caribbean – this book offers educators and leaders new language for postcolonial possibilities and emancipatory epistemologies related to Black male identities and success in a global context. Intriguing findings and fresh frameworks grounded in understandings of race, class, ability, transnationalism, culture, colonialism, and the construction/performance of gendered identity emerge in this book.
Winner of the 2017 Society of Professors of Education Book Award
Winner of the 2017 American Educational Studies Association Critics' Choice Award
Border Crossing «Brothas» examines how Black males form identities, define success, and utilize community-based pedagogical spaces to cross literal and figurative borders. The tragic deaths of Michael Brown in Ferguson, Tamir Rice in Cleveland, and numerous others from Brooklyn, Britain, and Bermuda whose lives have been taken prematurely suggest that negotiating race, place, and complex space is a matter of life and death for Black males. In jurisdictions such as the U.S. and Bermuda, racial tensions are the palpable and obvious reality, yet the average citizen has no idea how to sensibly react. This book offers a reasonable response that pushes readers to account for and draw on the best of what we know, the core of who we are, and the needs and histories of those we serve.
Drawing on the educational and socializing experiences of Black males in Bermuda – a beautiful yet complex island with strong connections to the U.S., England, and the Caribbean – this book offers educators and leaders new language for postcolonial possibilities and emancipatory epistemologies related to Black male identities and success in a global context. Intriguing findings and fresh frameworks grounded in understandings of race, class, ability, transnationalism, culture, colonialism, and the construction/performance of gendered identity emerge in this book.
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