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Parody, Politics and the Populace in Greek Old Comedy, Donald Sells


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Автор: Donald Sells
Название:  Parody, Politics and the Populace in Greek Old Comedy
ISBN: 9781350166288
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1350166286
Обложка/Формат: Paperback
Страницы: 304
Вес: 0.43 кг.
Дата издания: 28.05.2020
Серия: Criminal practice series
Язык: English
Иллюстрации: 15 bw illus
Размер: 234 x 156 x 16
Читательская аудитория: Professional & vocational
Ключевые слова: Classical texts,Performing arts: comedy,Ancient history: to c 500 CE, LITERARY CRITICISM / Ancient & Classical,LITERARY COLLECTIONS / Ancient & Classical,PERFORMING ARTS / Comedy,HISTORY / Ancient / Greece
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Поставляется из: Англии
Описание:

This book argues that Old Comedys parodic and non-parodic engagement with tragedy, satyr play, and contemporary lyric is geared to enhancing its own status as the preeminent discourse on Athenian art, politics and society. Donald Sells locates the enduring significance of parody in the specific cultural, social and political subtexts that often frame Old Comedys bold experiments with other genres and drive its rapid evolution in the late fifth century. Close analysis of verbal, visual and narrative strategies reveals the importance of parody and literary appropriation to the particular cultural and political agendas of specific plays.

This studys broader, more flexible definition of parody as a visual - not just verbal - and multi-coded performance represents an important new step in understanding a phenomenon whose richness and diversity exceeds the primarily textual and literary terms by which it is traditionally understood.




Parody, Politics and the Populace in Greek Old Comedy

Автор: Donald Sells
Название: Parody, Politics and the Populace in Greek Old Comedy
ISBN: 1350060518 ISBN-13(EAN): 9781350060517
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 19008.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: This book argues that Old Comedy’s parodic and non-parodic engagement with tragedy, satyr play, and contemporary lyric is geared to enhancing its own status as the preeminent discourse on Athenian art, politics and society. Donald Sells locates the enduring significance of parody in the specific cultural, social and political subtexts that often frame Old Comedy’s bold experiments with other genres and drive its rapid evolution in the late fifth century. Close analysis of verbal, visual and narrative strategies reveals the importance of parody and literary appropriation to the particular cultural and political agendas of specific plays. This study’s broader, more flexible definition of parody as a visual – not just verbal – and multi-coded performance represents an important new step in understanding a phenomenon whose richness and diversity exceeds the primarily textual and literary terms by which it is traditionally understood.


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