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The Whole Machinery: The Rural Modern in Cultures of the U.S. South, 1890-1946, Benjamin S. Child


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Автор: Benjamin S. Child
Название:  The Whole Machinery: The Rural Modern in Cultures of the U.S. South, 1890-1946
ISBN: 9780820356013
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 0820356018
Обложка/Формат: Hardcover
Страницы: 298
Вес: 0.61 кг.
Дата издания: 30.11.2019
Серия: The new southern studies series
Язык: English
Иллюстрации: 9 black & white images
Размер: 229 x 152 x 21
Читательская аудитория: Professional and scholarly
Ключевые слова: Literary studies: general,Literary companions, book reviews & guides,Popular culture, LITERARY CRITICISM / American / General,SOCIAL SCIENCE / Popular Culture
Подзаголовок: The rural modern in cultures of the u.s. south, 1890-1946
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Поставляется из: Англии
Описание: A familiar story holds that modernization radiates outward from metropolitan origins. Expanding on Walter Benjamin’s notion of die Moderne , The Whole Machinery explores representations of people and places, objects and occasions, that reverse that trajectory, demonstrating how modernizing agents move in a contrary direction as well—from the country to the city. In a crucial reconsideration, these figures aren’t pulled by or into urban modernity so much as they bring alternate—and transformative—iterations of the modern to the urban world. Upending the U.S. South’s reputation as either retrograde or unresponsive to modernity, Benjamin S. Child shows how the effects of national and transnational exchange, emergent technologies, and industrialization animate environments and bodies associated with, or performing, versions of the rural. To this end, he also exposes the shadow side of the cosmopolitan modern by investigating the rural sources—the laboring bodies and raw materials—that made such urban spaces possible, thus taking a broader survey of landscapes created by the Atlantic world’s histories of uneven development. In this investigation of the rural modern that considers multiple media and forms of technology, Child’s sources range widely, encompassing a spectrum of texts and their networks of transmission, reception, and signification. These include novels, poems, and short stories but also radio broadcasts, sound recordings, political pamphlets, photographs, magazine articles, newspaper reports, and agricultural bulletins. Folding such expressive artifacts into his larger arguments, Child considers how they both reflect and form modern(ist) culture. The result is a geography of southern modernism that includes an unexpected combination of landmarks, both actual and imagined: Twisted Oak, Arkansas, and Tukabahchee County, Alabama; Manhattan, Manchester, and Moscow; Tuskegee and Gobbler’s Knob, North Carolina.


Hidden History of South Africa`s Book and Reading Cultures

Автор: Dick Archie
Название: Hidden History of South Africa`s Book and Reading Cultures
ISBN: 1442615923 ISBN-13(EAN): 9781442615922
Издательство: Wiley
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Цена: 5700.00 р.
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Описание: Through this innovative methodology, Dick aptly shows how South African readers used reading and books to resist unjust regimes and build community across South Africa`s class and racial barriers.

Rough South, Rural South: Region and Class in Recent Southern Literature

Автор: Cash Jean W., Perry Keith
Название: Rough South, Rural South: Region and Class in Recent Southern Literature
ISBN: 149681052X ISBN-13(EAN): 9781496810526
Издательство: Mare Nostrum (Eurospan)
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Цена: 4389.00 р.
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Описание: Essays in Rough South, Rural South describe and discuss the work of southern writers who began their careers in the late twentieth and early twenty-first centuries. They fall into two categories. Some, born into the working class, strove to become writers and learned without benefit of higher education, such writers as Larry Brown and William Gay. Others came from lower- or middle-class backgrounds and became writers through practice and education: Dorothy Allison, Tom Franklin, Tim Gautreaux, Clyde Edgerton, Kaye Gibbons, Silas House, Jill McCorkle, Chris Offutt, Ron Rash, Lee Smith, Brad Watson, Daniel Woodrell, and Steve Yarbrough. Their twenty-first-century colleagues are Wiley Cash, Peter Farris, Skip Horack, Michael Farris Smith, Barb Johnson, and Jesmyn Ward.In his seminal article, Erik Bledsoe distinguishes Rough South writers from such writers as William Faulkner and Erskine Caldwell. Younger writers who followed Harry Crews were born into and write about the Rough South. These writers undercut stereotypes, forcing readers to see the working poor differently.The next pieces begin with those on Crews and Cormac McCarthy, major influences on an entire generation. Later essays address members of both groups - the self-educated and the college-educated. Both groups share a clear understanding of the value of working-class southerners. Nearly all of the writers hold a reverence for the South's landscape and its inhabitants as well as an affinity for realistic depictions of setting and characters.

Rough South, Rural South: Region and Class in Recent Southern Literature

Автор: Jean W. Cash, Keith Perry
Название: Rough South, Rural South: Region and Class in Recent Southern Literature
ISBN: 1496802330 ISBN-13(EAN): 9781496802330
Издательство: Mare Nostrum (Eurospan)
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Цена: 13794.00 р.
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Описание: Contributions by Barbara Bennett, Thomas rvold Bjerre, Erik Bledsoe, Linda Byrd Cook, Thomas E. Dasher, Robert Donahoo, Peter Farris, Richard Gaughran, William Giraldi, Rebecca Godwin, Joan Wylie Hall, Marcus Hamilton, Gary Hawkins, David K. Jeffrey, Emily Langhorne, Shawn E. Miller, Wade Newhouse, L. Lamar Nisly, bes Stark Spangler, Joe Samuel Starnes, and Scott Hamilton Suter Essays in Rough South, Rural South describe and discuss the work of southern writers who began their careers in the late twentieth and early twenty-first centuries. They fall into two categories. Some, born into the working class, strove to become writers and learned without benefit of higher education, such writers as Larry Brown and William Gay. Others came from lower- or middle-class backgrounds and became writers through practice and education: Dorothy Allison, Tom Franklin, Tim Gautreaux, Clyde Edgerton, Kaye Gibbons, Silas House, Jill McCorkle, Chris Offutt, Ron Rash, Lee Smith, Brad Watson, Daniel Woodrell, and Steve Yarbrough. Their twenty-first-century colleagues are Wiley Cash, Peter Farris, Skip Horack, Michael Farris Smith, Barb Johnson, and Jesmyn Ward. In his seminal article, Erik Bledsoe distinguishes Rough South writers from such writers as William Faulkner and Erskine Caldwell. Younger writers who followed Harry Crews were born into and write about the Rough South. These writers undercut stereotypes, forcing readers to see the working poor differently. The next pieces begin with those on Crews and Cormac McCarthy, major influences on an entire generation. Later essays address members of both groups--the self-educated and the college-educated. Both groups share a clear understanding of the value of working-class southerners. Nearly all of the writers hold a reverence for the South's landscape and its inhabitants as well as an affinity for realistic depictions of setting and characters. Jean W. Cash, Broadway, Virginia, is professor emerita of English at James Madison University. She is the author of Flannery O'Connor: A Life; coeditor with Keith Perry of Larry Brown and the Blue Collar South: A Collection of Critical Essays; and author of Larry Brown: A Writer's Life, which won the Eudora Welty Prize and the C. Hugh Holman Award. Keith Perry, Ringgold, Georgia, is associate professor of English at Dalton State College. He is the author of The Kingfish in Fiction: Huey P. Long and the Modern American Novel.


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